Demons (The Possessed / The Devils) - The Unabridged Garnett Translation. Fyodor Dostoevsky

to Lizaveta Nikolaevna. I was extremely anxious to help her, but the trouble was that I didn't know how to keep the promise I had made her, and didn't even quite understand now what I had promised her. Then I assured him impressively once more that she had not meant to deceive him, and had had no thought of doing so; that there had been some misunderstanding, and that she had been very much hurt by the extraordinary way in which he had gone off that morning.

      He listened very attentively.

      “Perhaps I was stupid this morning, as I usually am. . . . Well, if she didn't understand why I went away like that . . . so much the better for her.”

      He got up, went to the door, opened it, and began listening on the stairs.

      “Do you want to see that person yourself?”

      “That's just what I wanted, but how is it to be done?” I cried, delighted.

      “Let's simply go down while she's alone. When he conies in he'll beat her horribly if he finds out we've been there. I often go in on the sly. I went for him this morning when he began beating her again.”

      “What do you mean?”

      “I dragged him off her by the hair. He tried to beat me, but I frightened him, and so it ended. I'm afraid he'll come back drunk, and won't forget it — he'll give her a bad beating because of it.”

      We went downstairs at once.

      The Lebyadkins' door was shut but not locked, and we were able to go in. Their lodging consisted of two nasty little rooms, with smoke-begrimed walls on which the filthy wall-paper literally hung in tatters. It had been used for some years as an eating-house, until Filipov, the tavern-keeper, moved to another house. The other rooms below what had been the eating-house were now shut up, and these two were all the Lebyadkins had. The furniture consisted of plain benches and deal tables, except for an old arm-chair that had lost its arms. In the second room there was the bedstead that belonged to Mile. Lebyadkin standing in the corner, covered with a chintz quilt; the captain himself went to bed anywhere on the floor, often without undressing. Everything was in disorder, wet and filthy; a huge soaking rag lay in the middle of the floor in the first room, and a battered old shoe lay beside it in the wet. It was evident that no one looked after anything here. The stove was not heated, food was not cooked; they had not even a samovar as Shatov told me. The captain had come to the town with his sister utterly destitute, and had, as Liputin said, at first actually gone from house to house begging. But having unexpectedly received some money, he had taken to drinking at once, and had become so besotted that he was incapable of looking after things.

      Mile. Lebyadkin, whom I was so anxious to see, was sitting quietly at a deal kitchen table on a bench in the corner of the inner room, not making a sound. When we opened the door she did not call out to us or even move from her place. Shatov said that the door into the passage would not lock and it had once stood wide open all night. By the dim light of a thin candle in an iron candlestick, I made out a woman of about thirty, perhaps, sickly and emaciated, wearing an old dress of dark cotton material, with her long neck uncovered, her scanty dark hair twisted into a knot on the nape of her neck, no larger than the fist of a two-year-old child. She looked at us rather cheerfully. Besides the candlestick, she had on the table in front of her a little peasant looking-glass, an old pack of cards, a tattered book of songs, and a white roll of German bread from which one or two bites had been taken. It was noticeable that Mile. Lebyadkin used powder and rouge, and painted her lips. She also blackened her eyebrows, which were fine, long, and black enough without that. Three long wrinkles stood sharply conspicuous across her high, narrow forehead in spite of the powder on it. I already knew that she was lame, but on this occasion she did not attempt to get up or walk. At some time, perhaps in early youth, that wasted face may have been pretty; but her soft, gentle grey eyes were remarkable even now. There was something dreamy and sincere in her gentle, almost joyful, expression. This gentle serene joy, which was reflected also in her smile, astonished me after all I had heard of the Cossack whip and her brother's violence. Strange to say, instead of the oppressive repulsion and almost dread one usually feels in the presence of these creatures afflicted by God, I felt it almost pleasant to look at her from the first moment, and my heart was filled afterwards with pity in which there was no trace of aversion.

      “This is how she sits literally for days together, utterly alone, without moving; she tries her fortune with the cards, or looks in the looking-glass,” said Shatov, pointing her out to me from the doorway. “He doesn't feed her, you know. The old woman in the lodge brings her something sometimes out of charity; how can they leave her all alone like this with a candle!”

      To my surprise Shatov spoke aloud, just as though she were not in the room.

      “Good day, Shatushka!” Mile. Lebyadkin said genially.

      “I've brought you a visitor, Marya Timofyevna,” said Shatov.

      “The visitor is very welcome. I don't know who it is you've brought, I don't seem to remember him.” She scrutinised me intently from behind the candle, and turned again at once to Shatov (and she took no more notice of me for the rest of the conversation, as though I had not been near her).

      “Are you tired of walking up and down alone in your garret?” she laughed, displaying two rows of magnificent teeth.

      “I was tired of it, and I wanted to come and see you.”

      Shatov moved a bench up to the table, sat down on it and made me sit beside him.

      “I'm always glad to have a talk, though you're a funny person, Shatushka, just like a monk. When did you comb your hair last I Let me do it for you.” And she pulled a little comb out of her pocket. “I don't believe you've touched it since I combed it last.”

      “Well, I haven't got a comb,” said Shatov, laughing too.

      “Really? Then I'll give you mine; only remind me, not this one but another.”

      With a most serious expression she set to work to comb his hair. She even parted it on one side; drew back a little, looked to see whether it was right and put the comb back in her pocket.

      “Do you know what, Shatushka?” She shook her head. “You may be a very sensible man but you're dull. It's strange for me to look at all of you. I don't understand how it is people are dull. Sadness is not dullness. I'm happy.”

      “And are you happy when your brother's here?”

      “You mean Lebyadkin? He's my footman. And I don't care whether he's here or not. I call to him: 'Lebyadkin, bring the water! 'or' Lebyadkin, bring my shoes!' and he runs. Sometimes one does wrong and can't help laughing at him.

      “That's just how it is,” said Shatov, addressing me aloud without ceremony. “She treats him just like a footman. I've heard her myself calling to him, 'Lebyadkin, give me some water!' And she laughed as she said it. The only difference is that he doesn't fetch the water but beats her for it; but she isn't a bit afraid of him. She has some sort of nervous fits, almost every day, and they are destroying her memory so that afterwards she forgets everything that's just happened, and is always in a muddle over time. You imagine she remembers how you came in; perhaps she does remember, but no doubt she has changed everything to please herself, and she takes us now for different people from what we are, though she knows I'm 'Shatushka.' It doesn't matter my speaking aloud, she soon leaves off listening to people who talk to her, and plunges into dreams. Yes, plunges. She's an extraordinary person for dreaming; she'll sit for eight hours, for whole days together in the same place. You see there's a roll lying there, perhaps she's only taken one bite at it since the morning, and she'll finish it to-morrow. Now she's begun trying her fortune on cards. .”. .”

      “I keep trying my fortune, Shatushka, but it doesn't come out right,” Marya Timofyevna put in suddenly, catching the last word, and without looking at it she put out her left hand for the roll (she had heard something about the roll too very likely). She got hold of the roll at last and after keeping it for some time in her left hand, while her attention was distracted by the conversation which sprang up again, she put it back again on the table unconsciously without having taken a bite