Группа авторов
Список книг автора Группа авторовFrom Tenements to the Taylor Homes
Authored by prominent scholars, the twelve essays in this volume use the historical perspective to explore American urban housing policy as it unfolded from the late nineteenth through the twentieth centuries. Focusing on the enduring quest of policy makers to restore urban community, the essays examine such topics as the war against the slums, planned suburbs for workers, the rise of government-aided and built housing during the Great Depression, the impact of post–World War II renewal policies, and the retreat from public housing in the Nixon, Carter, and Reagan years.
The Great Gap
The relationship between socioeconomic inequality and democratic politics has been one of the central questions in the social sciences from Aristotle on. Recent waves of democratization, combined with deepened global inequalities, have made understanding this relationship ever more crucial. In The Great Gap , Merike Blofield seeks to contribute to this understanding by analyzing inequality and politics in the region with the highest socioeconomic inequalities in the world: Latin America. The chapters, written by prominent scholars in their fields, address the socioeconomic context and inequality of opportunities; elite culture, public opinion, and media framing; capital mobility, campaign financing, representation, and gender equality policies; and taxation and social policies. Aside from the editor, the contributors are Pablo Alegre, Maurício Bugarin, Daniela Campello, Anna Crespo, Francisco H. G. Ferreira, Fernando Filgueira, Liesl Haas, Sallie Hughes, Juan Pablo Luna, James E. Mahon Jr., Juliana Martínez Franzoni, Adriana Cuoco Portugal, Paola Prado, Elisa P. Reis, Luis Reygadas, Sergio Naruhiko Sakurai, and Koen Voorend.
Women of the Right
In Women of the Right , Kathleen M. Blee and Sandra McGee Deutsch bring together a groundbreaking collection of essays examining women in right-wing politics across the world, from the early twentieth-century white Afrikaner movement in South Africa to the supporters of Sarah Palin today. The volume introduces a truly global perspective on how women matter in the national and transnational links and exchanges of rightist politics. Suitable for classroom use, it sets a new agenda for scholarship on women on the right. Aside from the editors, the contributors are Nancy Aguirre, Karla J. Cunningham, Kirsten Delegard, Kathleen M. Fallon, Kate Hallgren, Randolph Hollingsworth, Jill Irvine, Vandana Joshi, Carol S. Lilly, Annette Linden, Julie Moreau, Margaret Power, Mariela Rubinzal, Daniella Sarnoff, Ronnee Schreiber, Meera Sehgal, Louise Vincent, and Veronica A. Wilson.
Art and Globalization
The “biennale culture” now determines much of the art world. Literature on the worldwide dissemination of art assumes nationalism and ethnic identity, but rarely analyzes it. At the same time there is extensive theorizing about globalization in political theory, cultural studies, postcolonial theory, political economy, sociology, and anthropology. Art and Globalization brings political and cultural theorists together with writers and historians concerned specifically with the visual arts in order to test the limits of the conceptualization of the global in art. Among the major writers on contemporary international art represented in this book are Rasheed Araeen, Joaquín Barriendos, Susan Buck-Morss, John Clark, Iftikhar Dadi, T. J. Demos, Néstor García Canclini, Charles Green, Suman Gupta, Harry Harootunian, Michael Ann Holly, Shigemi Inaga, Fredric Jameson, Caroline Jones, Thomas DaCosta Kaufmann, Anthony D. King, Partha Mitter, Keith Moxey, Saskia Sassen, Ming Tiampo, and C. J. W.-L. Wee. Art and Globalization is the first book in the Stone Art Theory Institutes Series. The five volumes, each on a different theoretical issue in contemporary art, build on conversations held in intensive, weeklong closed meetings. Each volume begins with edited and annotated transcripts of those meetings, followed by assessments written by a wide community of artists, scholars, historians, theorists, and critics. The result is a series of well-informed, contentious, open-ended dialogues about the most difficult theoretical and philosophical problems we face in rethinking the arts today.
The Native Conquistador
For many years, scholars of the conquest worked to shift focus away from the Spanish perspective and bring attention to the often-ignored voices and viewpoints of the Indians. But recent work that highlights the “Indian conquistadors” has forced scholars to reexamine the simple categories of conqueror and subject and to acknowledge the seemingly contradictory roles assumed by native peoples who chose to fight alongside the Spaniards against other native groups. The Native Conquistador — a translation of the “Thirteenth Relation,” written by don Fernando de Alva Ixtlilxochitl in the early seventeenth century—narrates the conquest of Mexico from Hernando Cortés’s arrival in 1519 through his expedition into Central America in 1524. The protagonist of the story, however, is not the Spanish conquistador but Alva Ixtlilxochitl’s great-great-grandfather, the native prince Ixtlilxochitl of Tetzcoco. This account reveals the complex political dynamics that motivated Ixtlilxochitl’s decisive alliance with Cortés. Moreover, the dynamic plotline, propelled by the feats of Prince Ixtlilxochitl, has made this a compelling story for centuries—and one that will captivate students and scholars today.
What Kind of Democracy? What Kind of Market?
While there is much literature analyzing the politics of implementing economic reforms, very little has been written on the social and political consequences of such reforms after they have been implemented. The basic premise of this book is that the convergence of many social, economic, and political ills (such as high levels of poverty, income inequality, criminal violence, and the growth of the informal sector) in the context of unprecedented levels of political democratization in Latin America presents a paradox that needs to be explained. What Kind of Democracy? demonstrates how the myriad social problems throughout the region are intimately linked both to a new economic development model and the weaknesses of Latin American democracy. This volume brings together prominent scholars from Canada, the United States, and Latin America, representing several different disciplines to analyze ongoing processes of economic, social, and political change in the region. The contributors are Werner Baer, Manuel Barrera, Juan Alberto Fuentes, Yoshiaki Nakano, Claudio Paiva, Luiz Carlos Bresser Pereira, Jean-François Prud'homme, Jorge Schvarzer, Francisco Weffort, and Francisco Zapata.
This Far by Faith
The history of the Diocese of Pennsylvania is in many ways a history of the Episcopal Church at large. It remains one of the largest and most influential dioceses in the national church. Its story has paralleled and illustrated the challenges and accomplishments of the wider denomination—and of issues that concern the American people as a whole. In This Far by Faith , ten professional historians provide the first complete history of the Diocese of Pennsylvania. It will become essential reading for anyone wishing to understand the history and significance of the Episcopal Church and of its evolution in the Greater Philadelphia area. Aside from the editor, the contributors are Charles Cashdollar, Marie Conn, William W. Cutler III, Deborah Mathias Gough, Ann Greene, Sheldon Hackney, Emma J. Lapsansky-Werner, William Pencak, and Thomas F. Rzeznik.
The Improbable Conquest
The Improbable Conquest offers translations of a series of little-known letters from the chaotic Spanish conquest of the Río de la Plata region, uncovering a rich and understudied historical resource. These letters were written by a wide variety of individuals, including clergy, military officers, and the region’s first governor, Pedro de Mendoza. There is also an exceptional contribution from Isabel de Guevara, one of the few women involved in the conquest to have recorded her experiences. Writing about the conditions of settlements and expeditions, these individuals vividly expose the less glamorous side of the conquest, narrating in detail various misfortunes, infighting, corruption, and complaints. Their letters further reveal the colony’s fraught relationship with the native peoples it sought to colonize, giving insight into the complexities of the conquest and the colonization process. Pablo García Loaeza and Victoria Garrett provide an introduction to the history of the region and the conquest’s key players, as well as a timeline and a glossary explaining difficult and archaic Spanish terms.
Emilie Davis’s Civil War
Emilie Davis was a free African American woman who lived in Philadelphia during the Civil War. She worked as a seamstress, attended the Institute for Colored Youth, and was an active member of her community. She lived an average life in her day, but what sets her apart is that she kept a diary. Her daily entries from 1863 to 1865 touch on the momentous and the mundane: she discusses her own and her community’s reactions to events of the war, such as the Battle of Gettysburg, the Emancipation Proclamation, and the assassination of President Lincoln, as well as the minutiae of social life in Philadelphia’s black community. Her diaries allow the reader to experience the Civil War in “real time” and are a counterpoint to more widely known diaries of the period. Judith Giesberg has written an accessible introduction, situating Davis and her diaries within the historical, cultural, and political context of wartime Philadelphia. In addition to furnishing a new window through which to view the war’s major events, Davis’s diaries give us a rare look at how the war was experienced as a part of everyday life—how its dramatic turns and lulls and its pervasive, agonizing uncertainty affected a northern city with a vibrant black community.
“I Don’t See Color”
Who is white, and why should we care? There was a time when the immigrants of New York City’s Lower East Side—the Irish, the Poles, the Italians, the Russian Jews—were not white, but now “they” are. There was a time when the French-speaking working classes of Quebec were told to “speak white,” that is, to speak English. Whiteness is an allegorical category before it is demographic. This volume gathers together some of the most influential scholars of privilege and marginalization in philosophy, sociology, economics, psychology, literature, and history to examine the idea of whiteness. Drawing from their diverse racial backgrounds and national origins, these scholars weave their theoretical insights into essays critically informed by personal narrative. This approach, known as “braided narrative,” animates the work of award-winning author Eula Biss. Moved by Biss’s fresh and incisive analysis, the editors have assembled some of the most creative voices in this dialogue, coming together across the disciplines. Along with the editors, the contributors are Eduardo Bonilla-Silva, Nyla R. Branscombe, Drucilla Cornell, Lewis R. Gordon, Paget Henry, Ernest-Marie Mbonda, Peggy McIntosh, Mark McMorris, Marilyn Nissim-Sabat, Victor Ray, Lilia Moritz Schwarcz, Louise Seamster, Tracie L. Stewart, George Yancy, and Heidi A. Zetzer.