Группа авторов
Список книг автора Группа авторовTraining of the American Actor
Successful acting must reflect a society’s current beliefs. The men and women who developed each new technique were convinced that previous methods were not equal to the full challenges of their time and place, and the techniques in this book have been adapted to current needs in order to continue to be successful methods for training actors. The actor’s journey is an individual one, and the actor seeks a form, or a variety of forms, of training that will assist in unlocking his own creative gifts of expression. —from the introduction The first comprehensive survey and study of the major techniques developed by and for the American actor over the past 60 years. Each of the 10 disciplines included is described in detail by one of today’s foremost practitioners. Presented in this volume are: • Lee Strasberg’s Method by Anna Strasberg, Lee’s former student, widow, and current director of The Lee Strasberg Theatre Institute • Stella Adler Technique by Tom Oppenheim, Stella’s grandson and artistic director of the Stella Adler Institute in New York • Sanford Meisner Technique by Victoria Hart, director of the Meisner Extension at New York University • Michael Chekhov Technique and The Mask by Per Brahe, a Danish teacher inspired by Balinese dance and introduced to the Chekhov technique in Russia • Uta Hagen Technique by Carol Rosenfeld, who taught under Hagen’s tutelage at the Herbert Berghof (HB) Studio • Physical Acting Inspired by Grotowski by Stephen Wangh, who studied with Jerzy Grotowski himself • The Viewpoints by Mary Overlie, the creator of Viewpoints theory • Practical Aesthetics by Robert Bella of the David Mamet-inspired Atlantic Theatre Company school • Interdisciplinary Training by Fritz Ertl, who teaches at the Playwrights Horizons Theatre School • Neoclassical Training by Louis Scheeder, director of the Classical Studio of New York University Arthur Bartow is the artistic director of the Department of Drama at New York University’s Tisch School of the Arts. A former associate director of Theatre Communications Group, he is the author of the landmark book The Director’s Voice .
The American Theatre Reader
–Only national theatre magazine published in the U.S. -Numerous editorial and design awards over the years -Essays by Eric Bentley, Eric Bogosian, Robert Brustein, Christopher Durang, Oskar Eustis, Zelda Fichandler, Eva La Gallienne, Vaclav Havel, Danny Hoch, Tina Howe, David Henry Hwang, Naomi Iizuki, Adrienne Kennedy, Tony Kushner, Kristin Linklater, Todd London, Robert MacNeil, Des McAnuff, Conor McPherson, Marsha Norman, Suzan-Lori Parks, Hal Prince, Jose Rivera, Alan Schneider, Marian Seldes, Wallace Shawn, Anna Deavere Smith, Molly Smith, Diana Son, Wole Soyinka, Phylicia Rashad, Frank Rich and many others
Audience Revolution: Dispatches from the Field
• A collection of essays written by theatre practitioners and experts with track records of successful audience engagement• Discusses findings from TCG's ongoing assessments and research of the field, as well as findings from cross-disciplinary sources• Explores current audience engagement and community development models in the field• Dynamic essays that aim to connect with their theatre peers to share successful strategies• Every essay is selected from Svich’s work with the “TCG Circle,” the national professional theatre blog. The essays come from a salon about audience engagement, a forum curated by Svich.• An important book for the theatre field and university theatre schools.• The book’s editor, Caridad Svich, is a widely-respected writer and editor in the theatre field• Caridad Svich received a 2012 OBIE Award for Lifetime Achievement in the theatre.• Svich was honored with a 2012 Edgerton Foundation New Play Award for her play Guapa.• Svich won the 2011 American Theatre Critics Association Primus Prize for her play The House of the Spirits, based on the Isabel Allende novel.
Inside/Outside
– The first collection of Palestinian plays, inspired by a growing interest in U.S. theatres and abroad, as well as academic journals.– Six contemporary plays from the West Bank, Gaza and the Palestinian diaspora.– Will be of great interest to the academic market for courses in world theatre, performance and politics and theatre for social change, as well as Middle Eastern studies.– Plays include: Handala, adapted by Abdelfattah Abusrour; 603 by Imad Farajin; Keffiyeh/Made in China by Dalia Taha; Plan D by Hannah Khalil; Tennis in Nablus by Ismail Khalidi and Territories by Betty Shamieh.Naomi Wallace, editor: – Her award-winning plays, including One Flea Spare, are produced in the United States and around the world. – Awards include: Obie Award, MacArthur Fellowship, two Susan Smith Blackburn prizes and the inaugural Windham Campbell prize for drama in 2013. – B.A. from Hampshire College; two Masters degrees from University of Iowa – Lives in KY and Yorkshire Dales in EnglandIsmail Khalidi, editor: – Palestinian-American playwright and poet – Born in Beirut, Lebanon; lives in Chicago, IL – MFA from NYU’s Tisch School of the Arts
Innovation in Five Acts
Editor Caridad Svich has gathered forty-three essays from admired theater professionals that comprise a volume of inspiring and innovative techniques for creating theater. Inside are words of wisdom and advice from experienced playwrights, directors, performers, teachers, dramaturgs, artistic directors and founders—each sharing the creative challenges and triumphs of developing original works for today's stages, wherever they might be.[b]Caridad Svich received a 2012 OBIE Award for Lifetime Achievement in the theater, a 2012 Edgerton Foundation New Play Award for her play [i]GUAPA, and the 2011 American Theatre Critics Association Primus Prize for her play [i]The House of the Spirits, based on the Isabel Allende novel.
The Director's Voice, Vol. 2
– Follow up volume to "The Director's Voice (1988) with over 20,000 copies sold. – Covers 20 major theatre directors to emerge since the first volume.
Contemporary American Monologues for Women
Audition monologues for female characters selected from recent works by American playwrights including Tony Kushner, Jon Robin Baitz, Constance Congdon, Paula Vogel, Donald Margulies, Emily Mann, Eric Bogosian, Nicky Silver, and others. Unique to the TCG monologue series is a bibliography of other works by the playwrights included.
Contemporary American Monologues for Men
Audition monologues for male characters selected from recent works by American playwrights including Tony Kushner, Jon Robin Baitz, Constance Congdon, Paula Vogel, Donald Margulies, Emily Mann, Eric Bogosian, Nicky Silver, and others. Unique to the TCG monologue series is a bibliography of other works by the playwrights included.
The Playwright's Voice
• first volume sales: over 10,000 copies since 1988 In Their Own Words, 0930452704, 2400 sold. • interviews with the leading American Playwrights. • 16 interviews • photos and introductions • Big galley run
Conversations with Peter Brook: 1970-2000
“A fascinating and provocatively stimulating distillation of three decades of intense conversations between one of the twentieth century’s few true theater innovators and America’s leading writer on the theatrical avant-garde. A splendid book.”—Clive Barnes “Peter Brook continues to astonish, not in an ordinary, fashionable way, but in an ancient, insistent way that always forces one inward. There is a true, honest, fearless voice in this fascinating conversation.”—Ken Burns Peter Brook, one of the most important contemporary theatrical directors in the West, shares his most insightful thoughts and deepest feelings about theater with Margaret Croyden, who has followed his career for thirty years, gaining an unparalleled perspective on the evolution of his work. In these interchanges from 1970 to 2000, Brook freely discusses major works such as his landmark airborne A Midsummer Night’s Dream and his untraditional interpretation of the opera La Tragédie de Carmen . He also covers the establishment of the Paris Center, his work in the Middle East and Africa, and his masterwork, the nine-hour production of The Mahabharata , which has virtually reinvented the way actors and directors think about theater. Margaret Croyden is a well-known critic, commentator, and journalist, whose articles on theater and the arts have appeared in The New York Times , The Nation , The Village Voice , American Theatre , and Antioch Review , among others. She is the author of Lunatics, Lovers and Poets , a seminal book on the development of nonliterary theater.