THE COMPLETE WORKS OF F. SCOTT FITZGERALD. Фрэнсис Скотт Фицджеральд

somehow “good,” as though Anthony’s presence there had acted as exterminator of any uneasy shadows of the past that might have hovered about its walls.

      The distinction between “good” and “bad,” ordered early and summarily out of both their lives, had been reinstated in another form. Gloria insisted that any one invited to the gray house must be “good,” which, in the case of a girl, meant that she must be either simple and reproachless or, if otherwise, must possess a certain solidity and strength. Always intensely sceptical of her sex, her judgments were now concerned with the question of whether women were or were not clean. By uncleanliness she meant a variety of things, a lack of pride, a slackness in fibre and, most of all, the unmistakable aura of promiscuity.

      “Women soil easily,” she said, “far more easily than men. Unless a girl’s very young and brave it’s almost impossible for her to go down-hill without a certain hysterical animality, the cunning, dirty sort of animality. A man’s different — and I suppose that’s why one of the commonest characters of romance is a man going gallantly to the devil.”

      She was disposed to like many men, preferably those who gave her frank homage and unfailing entertainment — but often with a flash of insight she told Anthony that some one of his friends was merely using him, and consequently had best be left alone. Anthony customarily demurred, insisting that the accused was a “good one,” but he found that his judgment was more fallible than hers, memorably when, as it happened on several occasions, he was left with a succession of restaurant checks for which to render a solitary account.

      More from their fear of solitude than from any desire to go through the fuss and bother of entertaining, they filled the house with guests every weekend, and often on through the week. The weekend parties were much the same. When the three or four men invited had arrived, drinking was more or less in order, followed by a hilarious dinner and a ride to the Cradle Beach Country Club, which they had joined because it was inexpensive, lively if not fashionable, and almost a necessity for just such occasions as these. Moreover, it was of no great moment what one did there, and so long as the Patch party were reasonably inaudible, it mattered little whether or not the social dictators of Cradle Beach saw the gay Gloria imbibing cocktails in the supper room at frequent intervals during the evening.

      Saturday ended, generally, in a glamourous confusion — it proving often necessary to assist a muddled guest to bed. Sunday brought the New York papers and a quiet morning of recuperating on the porch — and Sunday afternoon meant good-by to the one or two guests who must return to the city, and a great revival of drinking among the one or two who remained until next day, concluding in a convivial if not hilarious evening.

      The faithful Tana, pedagogue by nature and man of all work by profession, had returned with them. Among their more frequent guests a tradition had sprung up about him. Maury Noble remarked one afternoon that his real name was Tannenbaum, and that he was a German agent kept in this country to disseminate Teutonic propaganda through Westchester County, and, after that, mysterious letters began to arrive from Philadelphia addressed to the bewildered Oriental as “Lt. Emile Tannenbaum,” containing a few cryptic messages signed “General Staff,” and adorned with an atmospheric double column of facetious Japanese. Anthony always handed them to Tana without a smile; hours afterward the recipient could be found puzzling over them in the kitchen and declaring earnestly that the perpendicular symbols were not Japanese, nor anything resembling Japanese.

      Gloria had taken a strong dislike to the man ever since the day when, returning unexpectedly from the village, she had discovered him reclining on Anthony’s bed, puzzling out a newspaper. It was the instinct of all servants to be fond of Anthony and to detest Gloria, and Tana was no exception to the rule. But he was thoroughly afraid of her and made plain his aversion only in his moodier moments by subtly addressing Anthony with remarks intended for her ear:

      “What Miz Pats want dinner?” he would say, looking at his master. Or else he would comment about the bitter selfishness of “‘Merican peoples” in such manner that there was no doubt who were the “peoples” referred to.

      But they dared not dismiss him. Such a step would have been abhorrent to their inertia. They endured Tana as they endured ill weather and sickness of the body and the estimable Will of God — as they endured all things, even themselves.

       IN DARKNESS

      One sultry afternoon late in July Richard Caramel telephoned from New York that he and Maury were coming out, bringing a friend with them. They arrived about five, a little drunk, accompanied by a small, stocky man of thirty-five, whom they introduced as Mr. Joe Hull, one of the best fellows that Anthony and Gloria had ever met.

      Joe Hull had a yellow beard continually fighting through his skin and a low voice which varied between basso profundo and a husky whisper. Anthony, carrying Maury’s suitcase upstairs, followed into the room and carefully closed the door.

      “Who is this fellow?” he demanded.

      Maury chuckled enthusiastically.

      “Who, Hull? Oh, he’s all right. He’s a good one.”

      “Yes, but who is he?”

      “Hull? He’s just a good fellow. He’s a prince.” His laughter redoubled, culminating in a succession of pleasant catlike grins. Anthony hesitated between a smile and a frown.

      “He looks sort of funny to me. Weird-looking clothes” — he paused— “I’ve got a sneaking suspicion you two picked him up somewhere last night.”

      “Ridiculous,” declared Maury. “Why, I’ve known him all my life.”.

       However, as he capped this statement with another series of chuckles,

       Anthony was impelled to remark: “The devil you have!”

      Later, just before dinner, while Maury and Dick were conversing uproariously, with Joe Hull listening in silence as he sipped his drink, Gloria drew Anthony into the dining room:

      “I don’t like this man Hull,” she said. “I wish he’d use Tana’s bathtub.”

      “I can’t very well ask him to.”

      “Well, I don’t want him in ours.”

      “He seems to be a simple soul.”

      “He’s got on white shoes that look like gloves. I can see his toes right through them. Uh! Who is he, anyway?”

      “You’ve got me.”

      “Well, I think they’ve got their nerve to bring him out here. This isn’t a Sailor’s Rescue Home!”

      “They were tight when they phoned. Maury said they’ve been on a party since yesterday afternoon.”

      Gloria shook her head angrily, and saying no more returned to the porch. Anthony saw that she was trying to forget her uncertainty and devote herself to enjoying the evening.

      It had been a tropical day, and even into late twilight the heat-waves emanating from the dry road were quivering faintly like undulating panes of isinglass. The sky was cloudless, but far beyond the woods in the direction of the Sound a faint and persistent rolling had commenced. When Tana announced dinner the men, at a word from Gloria, remained coatless and went inside.

      Maury began a song, which they accomplished in harmony during the first course. It had two lines and was sung to a popular air called Daisy Dear. The lines were:

      “The — pan-ic — has — come — over us, So ha-a-as — the moral decline!”

      Each rendition was greeted with bursts of enthusiasm and prolonged applause.

      “Cheer up, Gloria!” suggested Maury. “You seem the least bit depressed.”

      “I’m not,” she lied.

      “Here, Tannenbaum!” he called over his shoulder. “I’ve filled you a drink. Come on!”

      Gloria tried to stay his arm.