THE COMPLETE ROUGON-MACQUART SERIES (All 20 Books in One Edition). Эмиль Золя

door.

      “No, indeed! I’ve given up dealing with them,” said she. “I wouldn’t buy a bit of black-pudding from them now on any account. They had a dead man in their kitchen, you know.”

      Quenu wept with vexation. The story of Gradelle’s death in the kitchen was clearly getting about; and his nephew began to blush before his customers when he saw them sniffing his wares too closely. So, of his own accord, he spoke to his wife of her proposal to take a new shop. Lisa, without saying anything, had already been looking out for other premises, and had found some, admirably situated, only a few yards away, in the Rue Rambuteau. The immediate neighbourhood of the central markets, which were being opened just opposite, would triple their business, and make their shop known all over Paris.

      Quenu allowed himself to be drawn into a lavish expenditure of money; he laid out over thirty thousand francs in marble, glass, and gilding. Lisa spent hours with the workmen, giving her views about the slightest details. When she was at last installed behind the counter, customers arrived in a perfect procession, merely for the sake of examining the shop. The inside walls were lined from top to bottom with white marble. The ceiling was covered with a huge square mirror, framed by a broad gilded cornice, richly ornamented, whilst from the centre hung a crystal chandelier with four branches. And behind the counter, and on the left, and at the far end of the shop were other mirrors, fitted between the marble panels and looking like doors opening into an infinite series of brightly lighted halls, where all sorts of appetising edibles were displayed. The huge counter on the right hand was considered a very fine piece of work. At intervals along the front were lozenge-shaped panels of pinky marble. The flooring was of tiles, alternately white and pink, with a deep red fretting as border. The whole neighbourhood was proud of the shop, and no one again thought of referring to the kitchen in the Rue Pirouette, where a man had died. For quite a month women stopped short on the footway to look at Lisa between the saveloys and bladders in the window. Her white and pink flesh excited as much admiration as the marbles. She seemed to be the soul, the living light, the healthy, sturdy idol of the pork trade; and thenceforth one and all baptised her “Lisa the beauty.”

      To the right of the shop was the dining-room, a neat looking apartment containing a sideboard, a table, and several cane-seated chairs of light oak. The matting on the floor, the wallpaper of a soft yellow tint, the oilcloth table-cover, coloured to imitate oak, gave the room a somewhat cold appearance, which was relieved only by the glitter of a brass hanging lamp, suspended from the ceiling, and spreading its big shade of transparent porcelain over the table. One of the dining-room doors opened into the huge square kitchen, at the end of which was a small paved courtyard, serving for the storage of lumber — tubs, barrels and pans, and all kinds of utensils not in use. To the left of the watertap, alongside the gutter which carried off the greasy water, stood pots of faded flowers, removed from the shop window, and slowly dying.

      Business was excellent. Quenu, who had been much alarmed by the initial outlay, now regarded his wife with something like respect, and told his friends that she had “a wonderful head.” At the end of five years they had nearly eighty thousand francs invested in the State funds. Lisa would say that they were not ambitious, that they had no desire to pile up money too quickly, or else she would have enabled her husband to gain hundreds and thousands of francs by prompting him to embark in the wholesale pig trade. But they were still young, and had plenty of time before them; besides, they didn’t care about a rough, scrambling business, but preferred to work at their ease, and enjoy life, instead of wearing themselves out with endless anxieties.

      “For instance,” Lisa would add in her expansive moments, “I have, you know, a cousin in Paris. I never see him, as the two families have fallen out. He has taken the name of Saccard,[*] on account of certain matters which he wants to be forgotten. Well, this cousin of mine, I’m told, makes millions and millions of francs; but he gets no enjoyment out of life. He’s always in a state of feverish excitement, always rushing hither and thither, up to his neck in all sorts of worrying business. Well, it’s impossible, isn’t it, for such a man to eat his dinner peaceably in the evening? We, at any rate, can take our meals comfortably, and make sure of what we eat, and we are not harassed by worries as he is. The only reason why people should care for money is that money’s wanted for one to live. People like comfort; that’s natural. But as for making money simply for the sake of making it, and giving yourself far more trouble and anxiety to gain it than you can ever get pleasure from it when it’s gained, why, as for me, I’d rather sit still and cross my arms. And besides, I should like to see all those millions of my cousin’s. I can’t say that I altogether believe in them. I caught sight of him the other day in his carriage. He was quite yellow, and looked ever so sly. A man who’s making money doesn’t have that kind of expression. But it’s his business, and not mine. For our part, we prefer to make merely a hundred sous at a time, and to get a hundred sous’ worth of enjoyment out of them.”

      [*] See M. Zola’s novel, Money.

      The household was undoubtedly thriving. A daughter had been born to the young couple during their first year of wedlock, and all three of them looked blooming. The business went on prosperously, without any laborious fatigue, just as Lisa desired. She had carefully kept free of any possible source of trouble or anxiety, and the days went by in an atmosphere of peaceful, unctuous prosperity. Their home was a nook of sensible happiness — a comfortable manger, so to speak, where father, mother, and daughter could grow sleek and fat. It was only Quenu who occasionally felt sad, through thinking of his brother Florent. Up to the year 1856 he had received letters from him at long intervals. Then no more came, and he had learned from a newspaper that three convicts having attempted to escape from the Ile du Diable, had been drowned before they were able to reach the mainland. He had made inquiries at the Prefecture of Police, but had not learnt anything definite; it seemed probable that his brother was dead. However, he did not lose all hope, though months passed without any tidings. Florent, in the meantime, was wandering about Dutch Guiana, and refrained from writing home as he was ever in hope of being able to return to France. Quenu at last began to mourn for him as one mourns for those whom one has been unable to bid farewell. Lisa had never known Florent, but she spoke very kindly whenever she saw her husband give way to his sorrow; and she evinced no impatience when for the hundredth time or so he began to relate stories of his early days, of his life in the big room in the Rue Royer Collard, the thirty-six trades which he had taken up one after another, and the dainties which he had cooked at the stove, dressed all in white, while Florent was dressed all in black. To such talk as this, indeed, she listened placidly, with a complacency which never wearied.

      It was into the midst of all this happiness, ripening after careful culture, that Florent dropped one September morning just as Lisa was taking her matutinal bath of sunshine, and Quenu, with his eyes still heavy with sleep, was lazily applying his fingers to the congealed fat left in the pans from the previous evening. Florent’s arrival caused a great commotion. Gavard advised them to conceal the “outlaw,” as he somewhat pompously called Florent. Lisa, who looked pale, and more serious than was her wont, at last took him to the fifth floor, where she gave him the room belonging to the girl who assisted her in the shop. Quenu had cut some slices of bread and ham, but Florent was scarcely able to eat. He was overcome by dizziness and nausea, and went to bed, where he remained for five days in a state of delirium, the outcome of an attack of brain-fever, which fortunately received energetic treatment. When he recovered consciousness he perceived Lisa sitting by his bedside, silently stirring some cooling drink in a cup. As he tried to thank her, she told him that he must keep perfectly quiet, and that they could talk together later on. At the end of another three days Florent was on his feet again. Then one morning Quenu went up to tell him that Lisa awaited them in her room on the first floor.

      Quenu and his wife there occupied a suite of three rooms and a dressing-room. You first passed through an antechamber, containing nothing but chairs, and then a small sitting-room, whose furniture, shrouded in white covers, slumbered in the gloom cast by the Venetian shutters, which were always kept closed so as to prevent the light blue of the upholstery from fading. Then came the bedroom, the only one of the three which was really used. It was very comfortably furnished in mahogany. The bed, bulky and drowsy of aspect in the depths of the damp alcove, was really wonderful, with its four mattresses, its four pillows, its layers of blankets, and its corpulent edredon. It was