Группа авторов
Список книг автора Группа авторовUnder the Oak Tree
Two trends in the early twenty-first-century intersect to give this volume immediate relevance: 1) The emerging postmodern ethos in North America is calling into question many things we have taken for granted, including the purposes of the church; and 2) our time is increasingly fractious as groups with distinct worldviews become polarized and often antagonistic.
Eleven noted contributors join a growing current that sees conversation as an image to refresh our thinking about the nature and purpose of the church, and as a process in which individuals and communities with different perspectives come together for real understanding. Under the Oak Tree employs the image of Sarah and Abraham greeting three visitors under the Oaks of Mamre as an image for the church as a community of conversation, a community that opens itself to the otherness of the Bible, voices in history and tradition, others in the contemporary social and ecological worlds. Furthermore, the book shows how conversation can lead the church to action.
The book takes a practical approach by exploring how conversation can shape key parts of the church's life. Topics include preaching, worship, formation, evangelism, pastoral care, mission and ecumenism, social witness, and the relationship of Christianity to other religions. Foundational chapters consider God as conversational, the church as community of conversation, and the minister as conversation leader.
Comfortable Words
What is grace? And more important, what difference do the «comfortable words» of grace make in the lives of everyday people? These are the questions to which Paul F. M. Zahl has devoted his life, and this book is a collection of essays written in honor of him that seeks to answer these great questions. From literary theory to exegesis to systematic theology, these essays are representative of the breadth and depth of the influence Dr. Zahl has had on a variety of scholars, and reflect his emphasis on the relationship between theology as an academic discipline and the pastoral impact of «one-way love» on everyday people. Contributors include: C. FitzSimons Allison, Todd Brewer, George Carey, James D. G. Dunn, Susan G. Eastman, Mark Mattes, Geiko Muller-Farenholz, Justin S. Holcomb, John D. Koch Jr., Lauren Larkin, Jonathan A. Linebaugh, Jurgen Moltmann, Heinz-Dieter Neef, J. Ashley Null, Raymond C. Ortlund Jr., Dylan D. Potter, Justyn Terry, Tullian Tchividjian, Jonathan K. M. Wong, Paul F. M. Zahl, and Simeon Zahl.
'Tikkun Olam' —To Mend the World
"Tikkun Olam"–To Mend the World is premised on the conviction that artists and theologians have things to learn from one another, things about the complex interrelationality of life and about a coherence of things given and sustained by God. The ten essays compiled in this volume seek to attend to the lives, burdens, and hopes that characterize human life in a world broken but unforgotten, in travail but moving towards the freedom promised by a faithful Creator. They reflect on whether the world–wounded as it is by war, by hatred, by exploitation, by neglect, by reason, and by human imagination itself–can be healed. Can there be repair? And can art and theology tell the truth of the world's woundedness and still speak of its hope?
Pastoral Work
Eugene Peterson may be the most influential theological writer in the church today. Yet because most of his career has not been in academia there is not much critical engagement with his work. Here some of the finest scholar-pastors we have describe the way Peterson has inspired and infuriated on the way to (hopefully) more faithful pastorates.
Teaching for a Culturally Diverse and Racially Just World
Cultural and ethnic diversity is the reality of our world, and much more so in this age of heightened globalization. Yet, do our ways of doing theological education match with our current reality and hopes for a colorful and just tomorrow? How shall we do theological formation so it helps give birth to a culturally diverse, racially just, and hospitable world? This edited volume gathers the voices of minoritized scholars and their white allies in the profession in response to the above questions. More particularly, this volume gathers the responses of these scholars to the questions: What is the plight of theological education? Who are the teachers? Who are our students? What shall we teach? How shall we teach? How shall we form and lead theological institutions?
It is the hope of this volume to contribute to the making of theological education that is hospitably just to difference/s and welcoming of our diverse population, which is our only viable future. When we embody this vision in our daily educational practices, particularly in the training of our future religious leaders, we may help usher in a new, colorful, and just world.
Text Message
Preaching has fallen on hard times with many questioning its relevance and even its validity as a New Testament practice. This symposium of specially commissioned essays draws together an international team of thirteen scholars and pastors to address the importance of textual preaching in the history and life of the early church, the historic church, and the contemporary church. Contributions include essays on Old Testament preaching, preaching in Hebrews, gender-sensitive preaching, preaching in the theology of Jonathan Edwards, Charles Spurgeon, Dietrich Bonhoeffer, and in Eastern Orthodoxy. It also includes essays on a range of homiletical challenges that textual preaching raises for the contemporary preacher, including genre, preaching without notes, inhabiting the text, and preaching without platitudes. A final reflection by Dave Hansen on the state of textual preaching rounds out the collection. The preaching of the gospel stands at the heart of Christian praxis. These essays make a vital contribution to the recovery of the importance of preaching, focused on the text of Scripture. Written with an eye to the pastor and practitioner as well as those in the pews and in the classroom, this is a book that should appeal to a wide range of readers.
Keywords for Radicals
"An extraordinary volume that provides nothing less than a detailed cognitive mapping of the terrain for everyone who wants to engage in radical politics."—Slavoj Žižek, author of Living in the End Times“Keywords for Radicals recognizes that language is both a weapon and terrain of struggle, and that all of us committed to changing our social and material reality, to making a world justice-rich and oppression-free, cannot drop words such as ‘democracy,’ ‘occupation,’ ‘colonialism,’ ‘race,’ ‘sovereignty,’ or ‘love’ without a fight. —Robin D. G. Kelley, author of Freedom Dreams: The Black Radical Imagination"From its thought-provoking Introduction though its energizing accounts of the tensions underlying our most prized concepts, Keywords for Radicals will be indispensable to any scholar or activist who is serious about critique and change."—Stephen Duncombe, editor of Cultural Resistance Reader“A primer for a new era of political protest.” —Jack Halberstam, author of Female Masculinity“This keywords upgrade puts powerful weapons into revolutionaries' hands. Unexpected entries expand into new terrain.… Indispensable.” —Jodi Dean, author of The Communist HorizonIn Keywords (1976), Raymond Williams devised a «vocabulary» that reflected the vast social transformations of the post-war period. He revealed how these transformations could be grasped by investigating changes in word usage and meaning. Keywords for Radicals—part homage, part development—asks: What vocabulary might illuminate the social transformations marking our own contested present? How do these words define the imaginary of today's radical left?With insights from dozens of scholars and troublemakers, Keywords for Radicals explores the words that shape our political landscape. Each entry highlights a term's contested variations, traces its evolving usage, and speculates about what its historical mutations can tell us. More than a glossary, this is a crucial study of the power of language and the social contradictions hidden within it.Contributors include Patrick Bond, Silvia Federici, John Bellamy Foster, Joy James, Ilan Pappé, Justin Podur, Nina Power, Mab Segrest, and over forty others.Kelly Fritsch is a Banting Postdoctoral Fellow in Women's and Gender Studies at the University of Toronto.Clare O'Connor is a doctoral student in Communication at the University of Southern California.A.K. Thompson teaches social theory at Fordham University in New York.
Octavia's Brood
Whenever we envision a world without war, without prisons, without capitalism, we are producing speculative fiction. Organizers and activists envision, and try to create, such worlds all the time. Walidah Imarisha and adrienne maree brown have brought twenty of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. The visionary tales of Octavia’s Brood span genres—sci-fi, fantasy, horror, magical realism—but all are united by an attempt to inject a healthy dose of imagination and innovation into our political practice and to try on new ways of understanding ourselves, the world around us, and all the selves and worlds that could be. The collection is rounded off with essays by Tananarive Due and Mumia Abu-Jamal, and a preface by Sheree Renée Thomas. PRAISE FOR OCTAVIA'S BROOD: "Those concerned with justice and liberation must always persuade the mass of people that a better world is possible. Our job begins with speculative fictions that fire society's imagination and its desire for change. In adrienne maree brown and Walidah Imarisha's visionary conception, and by its activist-artists' often stunning acts of creative inception, Octavia's Brood makes for great thinking and damn good reading. The rest will be up to us." —Jeff Chang, author of Who We Be: The Colorization of America “Conventional exclamatory phrases don’t come close to capturing the essence of what we have here in Octavia’s Brood. One part sacred text, one part social movement manual, one part diary of our future selves telling us, ‘It’s going to be okay, keep working, keep loving.’ Our radical imaginations are under siege and this text is the rescue mission. It is the new cornerstone of every class I teach on inequality, justice, and social change....This is the text we’ve been waiting for.” —Ruha Benjamin, professor of African American Studies at Princeton University and author of People’s Science: Bodies and Rights on the Stem Cell Frontier "Octavia once told me that two things worried her about the future of humanity: The tendency to think hierarchically, and the tendency to place ourselves higher on the hierarchy than others. I think she would be humbled beyond words that the fine, thoughtful writers in this volume have honored her with their hearts and minds. And that in calling for us to consider that hierarchical structure, they are not walking in her shadow, nor standing on her shoulders, but marching at her side." —Steven Barnes, author of Lion’s Blood “Never has one book so thoroughly realized the dream of its namesake. Octavia's Brood is the progeny of two lovers of Octavia Butler and their belief in her dream that science fiction is for everybody.... Butler could not wish for better evidence of her touch changing our literary and living landscapes. Play with these children, read these works, and find the children in you waiting to take root under the stars!” —Moya Bailey and Ayana Jamieson, Octavia E. Butler Legacy “Like [Octavia] Butler's fiction, this collection is cartography, a map to freedom.” —dream hampton, filmmaker and Visiting Artist at Stanford University’s Institute for Diversity in the Arts Walidah Imarisha is a writer, organizer, educator, and spoken word artist. She is the author of the poetry collectionScars/Stars and facilitates writing workshops at schools, community centers, youth detention facilities, and women's prisons. adrienne maree brown is a 2013 Kresge Literary Arts Fellow writing science fiction in Detroit, Michigan. She received a 2013 Detroit Knight Arts Challenge Award to run a series of Octavia Butler–based writing workshops.
The End of the World as We Know It?
The End of the World as We Know It? explores the origins and effects of the capitalist crisis that began in 2008. It moves on to examine the responses of both the dispossessed and the ruling classes to the catastrophe, giving special attention to student mobilizations around the world. Weaving together a global network of stories and analyses, editor Deric Shannon creates an outline of what real and effective opposition to the forces that are destroying our lives and our planet might look like. From solidarity networks to revolutionary unionism, student strikes, and ever-new forms of state and corporate control, The End of the World as We Know It? is a guide to the future of anticapitalist struggle “Highly recommended reading for the contemporary dissident.”—Ruth Kinna, author of A Beginner’s Guide to Anarchism  “The End of the World As We Know It? will be an invaluable resource for students of political economy in our momentous times.... [it] offers an indispensable array of perspectives on the crisis in contemporary global capitalism, with an eye toward dismantling it.” —Alessandro De Giorgi, author of Re-thinking the Political Economy of Punishment  “A must-read for those interested in navigating the turbulent waters of economic uncertainty, political instability, and global resistance. The contributors not only provide clear and accessible analyses but also, and more importantly, a range of thought-provoking proposals for change which challenge an increasingly unequal and unsustainable status quo.” —Nathan Jun, Author of Anarchism and Political Modernity  "There is nothing more important for anticapitalists than providing sharp analysis and relevant answers to the problems of our time, rather than merely propagating noble ideals. Here is a book that lives up to the task." —Gabriel Kuhn, editor of All Power to the Councils! A Documentary History of the German Revolution of 1918–1919  “The contributions in The End of the World As We Know It? provide us with important lessons concerning the economic crisis and the attempts of working people to create a world worth living in.” —Andrej Grubacic, author of Don’t Mourn, Balkanize! Essays After Yugoslavia
Dear Sister
Dear Sister, It wasn't your fault; it was never your fault. You did nothing wrong. Hold this tight to your heart: it wasn't your fault. At night when you lay there and your mind fills with images and you wonder if only, if you had . . . if you hadn't . . . . Remember: it wasn't your fault. Dear Sister highlights the lessons, memories, and vision of over forty artists, activists, mothers, writers, and students who share a common bond: they are survivors of sexual violence. Written in an epistolary format, this multi-generational, multi-ethnic collection of letters and essays is a moving journey into the hearts and minds of the survivors of rape, incest, and other forms of sexual violence, written directly to and for other survivors. Dear Sister goes far beyond traditional books about healing, which often use «experts» to explain the experience of survivors for the rest of the world. Where other books about rape weave the voices of feminists and activists together and imagine what a world without violence might look like, Dear Sister describes the reality of what the world looks like through the eyes of a survivor. From a professor in the Midwest to a poet in Belgium, an escapee from a child prostitution ring, a survivor advocate in the Congo, and a sex worker in San Francisco, Dear Sister touches on issues of feminism, love, disability, gender, justice, identity, and spirituality. Lisa Factora-Borchers is a Filipina writer and editor whose work has been published in make/shift, Bitch, Left Turn, and Critical Moment. Contributors: Aaminah Shakur, Adrienne Maree Brown, Alexis Pauline Gumbs, Allison McCarthy, Amita Y. Swadhin, Amy Ernst, Ana Heaton, Andrea Harris, Angel Propps, anna Saini, Anne Averyt, annu Saini, Ashley Burczak, brownfemipower, Brooke Benoit, Denise Santomauro, Desire Vincent, Dorla Harris, «Harriet J.», Indira Allegra, Isabella Gitana-Woolf, Joan Chen, Judith Stevenson, Juliet November, Kathleen Ahern, Leah Lakshmi Piepzna-Samarasinha, Marianne Kirby, Maroula Blades, Mary Zelinka, Mattilda Bernstein Sycamore, Melissa Dey Hasbrook, Melissa G., Mia Mingus, Michelle Ovalle, Premala Matthen, Rebecca Echeverria, Renee Martin, River Willow Fagan, Sara Durnan, Sarah M. Cash, Shala Bennett, Shanna Katz, Sofia Rose Smith, Sumayyah Talibah, Sydette Harry, Birdy, Viannah E. Duncan, and Zöe Flowers.