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Список книг автора Группа авторовuTOpia
Since the election of Mayor David Miller in November 2003, Toronto has experienced a wave of civic pride and enthusiasm not felt in decades. At long last, Torontonians see their city as a place of possibility and potential. Visions of a truly workable, liveable and world-class city are once again dancing in citizens’ heads. In the past two years, this spirit has, directly or indirectly, manifested itself in multifarious forms: in writer Sheila Heti’s sui generis lecture series, Trampoline Hall; in the transformation of derelict hotels such as the Drake and the Gladstone into cultural hotspots; in renewed interest in waterfront revitalization and public transportation; in exciting, controversial architectural developments such as the OCAD building, the expansion of the ROM and the AGO; in the [murmur] project, which catalogues stories about Toronto neighbourhoods and broadcasts them to people’s cell phones; in the explosion of the local independent music scene. uTOpia aims to capture and chronicle that spirit, collecting writing by many of the people inspired by and involved in these projects. Featuring passionate, visionary essays by thirty-four different journalists, artists, thinkers, architects and activists, uTOpia is a compendium of ideas, opinions and strategies. The anthology explores plans to redevelop the Island airport into a Ward’s Island-style community; how the Zeidler family is energizing artist-run centres; what a car-free Kensington Market might mean; the necessity and beauty of laneway housing; the way past efforts to combat devastating developments like the Spadina Expressway have shaped current activism; what a utopian Toronto might look like mapped out; and much, much more. Playful, erudite and accessible, uTOpia writes Toronto as it is shared and created by the people who live here. Though it is by no means a complete picture of what is happening in the city right now, it will hopefully show that what was once just a T-shirt slogan – I Heart T.O. – is now genuine, heartfelt sentiment. Contributors include Howard Akler, Andrew Alfred-Duggan, Jacob Allderdice, Bert Archer, James Bow, Nicole Cohen, Jonny Dovercourt, Dale Duncan, Philip Evans, Mark Fram, Misha Glouberman, Chris Hardwicke, Sheila Heti, Alfred Holden, Luis Jacob, Lorraine Johnson, Edward Keenan, Mark Kingwell, John Lorinc, Sally McKay, Heather McLean, Dave Meslin, Shawn Micallef, Derek Murr, Ninjalicious, Darren O’Donnell, Planning Action, Barbara Rahder, Dylan Reid, Erik Rutherford, Jeffrey Stinson, Deanne Taylor, Conan Tobias, Stéphanie Verge, Adam Vaughan and Marlena Zuber.
The State of the Arts
City Hall proclaimed 2006 the Year of Creativity. ‘Live With Culture’ banners flap over the city. And across the city, donors are ponying up millions for the ROM and the AGO. Culture’s never had it so good. Right? The State of the Arts explores the Toronto arts scene from every angle, applauding, assailing and arguing about art in our fair burg. The essays consider the big-ticket and the ticket-free, from the Opera House and the CNE to the subconscious art of graffiti eradication and underground hip-hop. In between, you'll find considerations art in the suburbs, how business uses art to sell condos, questions of infrastructure, an examination of Toronto on film and a history of micro press publishing. You'll read about the fine line between party and art, the trials of being a capitalist in a sea of left-wing artists, the power of the internet to create arts communities and a plea for spaces that cater to musicians and their kids. Throughout, you'll find equal doses of optimism and frustration, and a good measure of T.O. love. Taken together, the thoughts of these writers, thinkers, musicians and city-builders aim to create an honest survey of where we're at and where we can go.
Reel Asian
Founded in 1997 by producer Anita Lee and journalist Andrew Sun, the Toronto Reel Asian International Film Festival is a unique showcase of contemporary Asian cinema and work from the Asian diaspora. The festival fosters the exchange of cultural and artistic ideals between East and West, provides a public forum for homegrown Asian media artists and their work and fuels the growing appreciation for Asian cinema in Canada. In Reel Asian: Asian Canada on Screen, contributors, many of them filmmakers, examine East and Southeast Asian Canadian contributions to independent film and video. From artist-run centres, theories of hyphenation, distribution networks and gay and lesbian cinema to F-words, new media technologies and sweet n' sour controversies, Reel Asian: Asian Canada on Screen presents a multi-faceted picture of independent Asian film in Canada. The collection highlights the screen as a site for the reflection, projection and reimagination of identities and communities. Includes: David Eng, Ann Marie Fleming, Richard Fung, Monika Kin Gagnon, Colin Geddes, Kwoi Gin, Mike Hoolboom, Alice Ming Wai Jim, Cheuk Kwan, Julia Kwan, Anita Lee, Helen Lee, Karin Lee, Keith Lock, Pamila Matharu, Christine Miguel, Tan Hoang Nguyen, Midi Onodera, Mieko Ouchi, Alice Shih, Mina Shum, Mary Stephen, Ho Tam, Loretta Todd, Khanhthuan Tran, Phil Tsui, Paul Wong, Su-Anne Yeo, Iris Yudai and Wayne Yung.
Practical Dreamers
'The streets are full of admirable craftsmen, but so few practical dreamers.' – Man Ray What if there were movies made the same way as suits, custom fitted, each one tailored for one person? Not broadcast, but narrowcast? Not theatres around the world showing the same globalized pictures, but instead a local circumstance, a movie so particular, so peculiar, it could cure night blindness or vertigo? Welcome to the world of fringe movies, where artists have been busy putting queer shoulders to the wheels, or bending light to talk about First Nations rights (and making it funny at the same time), or demonstrating how a personality can be taken apart and put together again, all in the course of a ten-minute movie which might take years to make. Practical Dreamers takes us to this other side of the media plantation. In it, twenty-seven Canadian artists dish about how they get it done and why it matters. The conversations are personal, up close and jargon free, smart without smarting. The stellar cast includes smartbomb Steve Reinke; visionary Peter Mettler; Middle East specialist Jayce Salloum; queer Asian avatars Richard Fung, Midi Onodera, Ho Tam, and Wayne Yung; footage recyclers Aleesa Cohene and Jubal Brown; overhead projector king Daniel Barrow; First Nations vets Kent Monkman and Shelley Niro; international art presence Paulette Philips; and documentarian Donigan Cumming. These in-depth talks come lavishly illustrated in an oversized volume.
HTO
Drained by a half-dozen major watersheds, cut by a network of deep ravines and fronting on a Great Lake, Toronto is dominated by water. Like most cities, though, Toronto has mismanaged its water, from the decades-long transformation of the city’s creeks into sewersheds to the alteration of Toronto’s waterfront. Recently, the trend of fettering Toronto’s water and putting it underground has been countered by persistent citizen-led efforts to recall and restore the city’s surface water. In HTO: Toronto's Water from Lake Iroquois to Lost Rivers to Low-flow Toilets, 30 contributors examine the ever-changing interplay between nature and culture, and call into question the city’s past, present and future engagement with water.
GreenTOpia
More trees. Hydrogen-fuelled cabs. Urbiology. A new model of taxation. Solar panels on big-box stores. The art of salvage. Composters for dog poo in city parks. Retrofitting our urban slabs. Gardening the Gardiner. Ravine City. What would make Toronto a greener place? In the third volume of the uTOpia series, dozens of imaginative Torontonians think big and small about sustainability. From suggestions for changes to our transit system and more mixed-use neighbourhoods to a tongue-in-cheek proposal for a painted line aroudn the city and a short comic book about Toronto in the year 2057, GreenTOpia challenges the city and its residents to rethink what it means to be green in a metropolis, and how to take their love of the city one green step further. Other pieces include an interview with Mayor David Miller and a breakdown of the ecological impact of our morning coffee. GreenTOpia features photos, maps and a 56 page green directory of resources, organizations, incentives and programs promoting sustainability in the GTA.
Future Tense Fiction
Future Tense Fiction is a collection of electrifying original stories from a veritable who’s-who of authors working in speculative literature and science fiction today. Featuring Carmen Maria Machado, Emily St. John Mandel, Charlie Jane Anders, Nnedi Okorafor, Paolo Bacigalupi, Madeline Ashby, Mark Oshiro, Meg Elison, Maureen F. McHugh, Deji Bryce Olukotun, Hannu Rajaniemi, Annalee Newitz, Lee Konstantinou, and Mark Stasenko― Future Tense Fiction points the way forward to the fiction of tomorrow. A disease surveillance robot whose social programming gets put to the test. A future in which everyone receives universal basic income―but it’s still not enough. A futuristic sport, in which all the athletes have been chemically and physically enhanced. An A.I. company that manufactures a neural bridge allowing ordinary people to share their memories. Brimming with excitement and exploring new ideas, the stories collected by the editors of Slate’s Future Tense are philosophically ambitious and haunting in their creativity. At times terrifying and heart-wrenching, hilarious and optimistic, this is a collection that ushers in a new age for our world and for the short story. A partnership of Slate, New America, and Arizona State University, Future Tense explores how emerging technologies will change the way we live, in reality and fiction. Future Tense Fiction is a collection of original fiction commissioned by the partnership.
Beyond Jewish Identity
There is something deeply problematic about the ways that Jews, particularly in America, talk about “Jewish identity” as a desired outcome of Jewish education. For many, the idea that the purpose of Jewish education is to strengthen Jewish identity is so obvious that it hardly seems worth disputing—and the only important question is which kinds of Jewish education do that work more effectively or more efficiently. But what does it mean to “strengthen Jewish identity”? Why do Jewish educators, policy-makers and philanthropists talk that way? What do they assume, about Jewish education or about Jewish identity, when they use formulations like “strengthen Jewish identity”? And what are the costs of doing so? This volume, the first collection to examine critically the relationship between Jewish education and Jewish identity, makes two important interventions. First, it offers a critical assessment of the relationship between education and identity, arguing that the reification of identity has hampered much educational creativity in the pursuit of this goal, and that the nearly ubiquitous employment of the term obscures significant questions about what Jewish education is and ought to be. Second, this volume offers thoughtful responses that are not merely synonymous replacements for “identity,” suggesting new possibilities for how to think about the purposes and desired outcomes of Jewish education, potentially contributing to any number of new conversations about the relationship between Jewish education and Jewish life.
Discourses on Business Education at the College Level
[i][/i]Provides inspiration for college business school instructors Illustrates a wide variety of techniques for engaging business school students Gives a survey of well-researched techniques for keeping business school curriculum at the cutting edge
Unity and Diversity in Contemporary Antisemitism
This book springs from the Bristol–Sheffield Hallam Colloquium on Contemporary Antisemitism at the University of Bristol in September 2015. International experts in Religious Studies, Law, Politics, Sociology, Psychology, and History came together to examine the complexities of contemporary antisemitism. Recent attacks on Jews in European cities have increased awareness of antisemitism and, as this collection shows, such attacks cannot be separated from wider geopolitical and ideological factors. One distinct feature of antisemitism today is its demonization of the State of Israel. Older ideas also feature Jews being blamed for all the world’s ills, thought to possess almost supernatural levels of power and wealth, and conspiring to harm the non-Jewish other. These and other ideas forming the background to antisemitism in Europe and North America are unpacked in this book with a view to understanding—and thereby combating—contemporary antisemitism. A key concern is how unifying features might be isolated amid the diverse manifestations of this oldest of hatreds.