True Crime & Murder Mysteries Collection. Moffett Cleveland

have what is perfectly clear evidence to me, so clear that I wonder I never saw it before. Lucien, suppose you were a great criminal, I don't mean the ordinary clever scoundrel who succeeds for a time and is finally caught, but a really great criminal, the kind that appears once or twice, in a century, a man with immense power and intelligence."

      "Like Vautrin in Napoleon's day?"

      "Vautrin was a brilliant adventurer; he made millions with his swindling schemes, but he had no stability, no big purpose, and he finally came to grief. There have been greater criminals than Vautrin, men whose crimes have brought them everything—fortune, social position, political supremacy—and who have never been found out."

      "Do you really think so?"

      Coquenil nodded. "There have been a few like that with master minds, a very few; I have documents to prove it"—he pointed to his bookcases; "but we haven't time for that. Come back to my question: Suppose you were such a criminal, and suppose there was one person in this city who was thwarting your purposes, perhaps jeopardizing your safety. What would you naturally do?"

      "I'd try to get rid of him."

      "Exactly." Coquenil paused, and then, leaning closer to his friend, he said with extraordinary earnestness: "Lucien, for over two years some one has been trying to get rid of me!"

      "The devil!" started Pougeot. "How long have you known this?"

      "Only to-day," frowned the detective. "I ought to have known it long ago."

      "Hm! Aren't you building a good deal on that dream?"

      "The dream? Heavens, man," snapped Coquenil, "I'm building nothing on the dream and nothing on the girl. She simply brought together two facts that belong together. Why she did it doesn't matter; she did it, and my reason did the rest. There is a connection between this Rio Janeiro offer and my discharge from the force. I know it. I'll show you other links in the chain. Three times in the past two years I have received offers of business positions away from Paris, tempting offers. Notice that—business positions away from Paris! Some one has extraordinary reasons for wanting me out of this city and out of detective work."

      "And you think this 'some one' was responsible for your discharge from the force?"

      "I tell you I know it. M. Giroux, the chief at that time, was distressed at the order, he told me so himself; he said it came from higher up."

      The commissary raised incredulous eyebrows. "You mean that Paris has a criminal able to overrule the wishes of a chief of police?"

      "Is that harder than to influence the Brazilian Government? Do you think Rio Janeiro offered me a hundred thousand francs a year just for my beautiful eyes?"

      "You're a great detective."

      "A great detective repudiated by his own city. That's another point: why should the police department discharge me two years ago and recommend me now to a foreign city? Don't you see the same hand behind it all?"

      M. Pougeot stroked his gray mustache in puzzled meditation. "It's queer," he muttered; "but——"

      In spite of himself the commissary was impressed.

      After all, he had seen strange things in his life, and, better than anyone, he had reason to respect the insight of this marvelous mind.

      "Then the gist of it is," he resumed uneasily, "you think some great crime is preparing?"

      "Don't you?" asked Coquenil abruptly.

      "Why—er—" hesitated the Other.

      "Look at the facts again. Some one wants me off the detective force, out of France. Why? There can be only one reason—because I have been successful in unraveling intricate crimes, more successful than other men on the force. Is that saying too much?"

      The commissary replied impatiently: "It's conceded that you are the most skillful detective in France; but you're off the force already. So why should this person send you to Brazil?"

      M. Paul thought a moment. "I've considered that. It is because this crime will be of so startling and unusual a character that it must attract my attention if I am here. And if it attracts my attention as a great criminal problem, it is certain that I will try to solve it, whether on the force or off it."

      "Well answered!" approved the other; he was coming gradually under the spell of Coquenil's conviction. "And when—when do you think this crime may be committed?"

      "Who can say? There must be great urgency to account for their insisting that I sail to-morrow. Ah, you didn't know that? Yes, even now, at this very moment, I am supposed to be on the steamer train, for the boat goes out early in the morning before the Paris papers can reach Cherbourg."

      M. Pougeot started up, his eyes widening. "What!" he cried. "You mean that—that possibly—to-night?"

      As he spoke a sudden flash of light came in through the garden window, followed by a resounding peal of thunder. The brilliant sunset had been followed by a violent storm.

      Coquenil paid no heed to this, but answered quietly: "I mean that a great fight is ahead, and I shall be in it. Somebody is playing for enormous stakes, somebody who disposes of fortune and power and will stop at nothing, somebody who will certainly crush me unless I crush him. It will be a great case, Lucien, my greatest case, perhaps my last case." He stopped and looked intently at his mother's picture, while his lips moved inaudibly.

      "Ugh!" exclaimed the commissary. "You've cast a spell over me. Come, come, Paul, it may be only a fancy!"

      But Coquenil sat still, his eyes fixed on his mother's face. And then came one of the strange coincidences of this extraordinary case. On the silence of this room, with its tension of overwrought emotion, broke the sharp summons of the telephone.

      "My God!" shivered the commissary. "What is that?" Both men sat motionless, their eyes fixed on the ominous instrument.

      Again came the call, this time more strident and commanding. M. Pougeot aroused himself with an effort. "We're acting like children," he muttered. "It's nothing. I told them at the office to ring me up about nine." And he put the receiver to his ear. "Yes, this is M. Pougeot.... What?... The Ansonia?... You say he's shot?... In a private dining room?... Dead?... Quel malheur!"... Then he gave quick orders: "Send Papa Tignol over with a doctor and three or four agents. Close the restaurant. Don't let anyone go in or out. Don't let anyone leave the banquet room. I'll be there in twenty minutes. Good-by."

      He put the receiver down, and turning, white-faced, said to his friend: "It has happened."

      Coquenil glanced at his watch. "A quarter past nine. We must hurry." Then, flinging open a drawer in his desk: "I want this and—this. Come, the automobile is waiting."

      Chapter III.

       Private Room Number Six

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      The night was black and rain was falling in torrents as Paul Coquenil and the commissary rolled away in response to this startling summons of crime. Up the Rue Mozart they sped with sounding horn, feeling their way carefully on account of troublesome car tracks, then faster up the Avenue Victor Hugo, their advance being accompanied by vivid lightning flashes.

      "He was in luck to have this storm," muttered Coquenil. Then, in reply to Pougeot's look: "I mean the thunder, it deadened the shot and gained time for him."

      "Him? How do you know a man did it? A woman was in the room, and she's gone. They telephoned that."

      The detective shook his head. "No, no, you'll find it's a man. Women are not original in crime. And this is—this is different. How many murders can you remember in Paris restaurants, I mean smart restaurants?"

      M. Pougeot thought a moment. "There was