True Crime & Murder Mysteries Collection. Moffett Cleveland

woman with a faint mustache and a wart on her chin, who sat by the great column near the door dispensing holy water out of a cracked saucer and whining for pennies. Nothing escaped the hawklike eyes of Mother Bonneton, and now, with growing curiosity, she watched the scene between Coquenil and the candle seller. What interest could a great detective have in this girl, Alice, whom she and her husband had taken in as a half-charity boarder? Such airs as she gave herself! What was she saying now? Why should he look at her like that? The baggage!

      "Holy saints, how she talks!" grumbled the sacristan's wife. "And see the eyes she makes! And how he listens! The man must be crazy to waste his time on her! Now he asks a question and she talks again with that queer, far-away look. He frowns and clinches his hands, and—upon my soul he seems afraid of her! He says something and starts to come away. Ah, now he turns and stares at her as if he had seen a ghost! Mon Dieu, quelle folie!"

      This whole incident occupied scarcely five minutes, yet it wrought an extraordinary change in Coquenil. All his buoyancy was gone, and he looked worn, almost haggard, as he walked to the church door with hard-shut teeth and face set in an ominous frown.

      "There's some devil's work in this," he muttered, and as his eyes caught the fires of the lurid sky he thought of Papa Tignol's words.

      "What is it?" asked the sacristan, approaching timidly.

      The detective faced him sharply. "Who is the girl in there? Where did she come from? How did she get here? Why does she—" He stopped abruptly, and, pressing the fingers of his two hands against his forehead, he stroked the brows over his closed eyes as if he were combing away error. "No, no!" he changed, "don't tell me yet. I must be alone; I must think. Come to me at nine to-night."

      "I—I'll try to come," said Bonneton, with visions of an objecting wife.

      "You must come," insisted the detective. "Remember, nine o'clock," and he started to go.

      "Yes, yes, quite so," murmured the sacristan, following him. "But, M. Paul—er—which day do you sail?"

      Coquenil turned and snapped out angrily: "I may not sail at all."

      "But the—the position in Rio Janeiro?"

      "A thousand thunders! Don't talk to me!" cried the other, and there was such black rage in his look that Bonneton cowered away, clasping and unclasping his hands and murmuring meekly: "Ah, yes, exactly."

      So much for the humble influence that turned Paul Coquenil toward an unbelievable decision and led him ultimately into the most desperate struggle of his long and exciting career. A day of sinister portent this must have been, for scarcely had Coquenil left Notre-Dame when another scene was enacted there that should have been happy, but that, alas! showed only a rough and devious way stretching before two lovers. And again it was the girl who made trouble, this seller of candles, with her fine hands and her hair and her wistful dark eyes. A strange and pathetic figure she was, sitting there alone in the somber church. Quite alone now, for it was closing time, Mother Bonneton had shuffled off rheumatically after a cutting word—she knew better than to ask what had happened—and the old sacristan, lantern in hand and Cæsar before him, was making his round of the galleries, securing doors and windows.

      With a shiver of apprehension Alice turned away from the whispering shadows and went to the Virgin's shrine, where she knelt and tried to pray. The candles sputtered before her, and she shut her eyes tight, which made colored patterns come and go behind the lids, fascinating geometrical figures that changed and faded and grew stronger. And suddenly, inside a widening green circle, she saw a face, the face of a young man with laughing gray eyes, and her heart beat with joy. She loved him, she loved him!--that was her secret and the cause of her unhappiness, for she must hide her love, especially from him; she must give him some cold word, some evasive reason, not the real one, when he should come presently for his answer. Ah, that was the great fact, he was coming for his answer—he, her hero man, her impetuous American with the name she liked so much, Lloyd Kittredge—how often she had murmured that name in her lonely hours!--he would be here shortly for his answer.

      And alas! she must say "No" to him, she must give him pain; she could not hope to make him understand—how could anyone understand?—and then, perhaps, he would misjudge her, perhaps he would leave her in anger and not come back any more. Not come back any more! The thought cut with a sharp pang, and in her distress she moved her lips silently in the familiar prayer printed before her:

      O Marie, souvenez vous du moment supreme où Jesus votre divin Fils, expirant sur la croix, nous confia à votre maternelle solicitude.

      Her thoughts wandered from the page and flew back to her lover; Why was he so impatient? Why was he not willing to let their friendship go on as it had been all these months? Why must he ask this inconceivable question and insist on having an answer? His wife! Her cheeks flamed at the word and her heart throbbed wildly. His wife! How wonderful that he should have chosen her, so poor and obscure, for such an honor, the highest he could pay a woman! Whatever happened she would at least have this beautiful memory to comfort her loneliness and sorrow.

      A descending step on the tower stairs broke in upon her meditations, and she rose quickly from her knees. The sacristan had finished his rounds and was coming to close the outer doors. It was time for her to go. And, with a glance at her hair in a little glass and a touch to her hat, she went out into the garden back of Notre-Dame, where she knew her lover would be waiting. There he was, strolling along the graveled walk near the fountain, switching his cane impatiently. He had not seen her yet, and she stood still, looking at him fondly, dreading what was to come, yet longing to hear the sound of his voice. How handsome he was! What a nice gray suit, and—then Kittredge turned.

      "Ah, at last!" he exclaimed, springing toward her with a mirthful, boyish smile. His face was ruddy and clean shaven, the twinkling eyes and humorous lines about the mouth suggesting some joke or drollery always ready on his lips. Yet his was a frank, manly face, easily likable. He was a man of twenty-seven, slender of build, but carrying himself well. In dress he had the quiet good taste that some men are born with, besides a willingness to take pains about shirts, boots, and cravats—in short, he looked like a well-groomed Englishman. Unlike the average Englishman, however, he spoke almost perfect French, owing to the fact that his American father had married into one of the old Creole families of New Orleans.

      "How is your royal American constitution?" She smiled, repeating in excellent English one of the nonsensical phrases he was fond of using. She tried to say it gayly, but he was not deceived, and answered seriously in French:

      "Hold on. There's something wrong. We've been sad, eh?"

      "Why—er—" she began, "I—er——"

      "Been worrying, I know. Too much church. Too much of that old she dragon. Come over here and tell me about it." He led her to a bench shaded by a friendly sycamore tree. "Now, then."

      She faced him with troubled eyes, searching vainly for words and finding nothing. The crisis had come, and she did not know how to meet it. Her red lips trembled, her eyes grew melting, and she sat there silent and delicious in her perplexity. Kittredge thrilled under the spell of her beauty; he longed to take her in his arms and comfort her.

      "Suppose we go back a little," he said reassuringly. "About six months ago, I think it was in January, a young chap in a fur overcoat drifted into this old stone barn and took a turn around it. He saw the treasure and the fake relics and the white marble French gentleman trying to get out of his coffin. And he didn't care a hang about any of 'em until he saw you. Then he began to take notice. The next day he came back and you sold him a little red guidebook that told all about the twenty-five chapels and the seven hundred and ninety-two saints. No, seven hundred and ninety-three, for there was one saint with wonderful eyes and glorious hair and——"

      "Please don't," she murmured.

      "Why not? You don't know which saint I was talking about. It was My Lady of the Candles. She had the most beautiful hands in the world, and all day long she sat at a table making stitches on cloth of gold. Which was bad for her eyes, by the way."

      "Ah, yes!" sighed Alice.

      "There