Edith Wharton: Complete Works. Edith Wharton

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Название Edith Wharton: Complete Works
Автор произведения Edith Wharton
Жанр Контркультура
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Издательство Контркультура
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isbn 9789176377819



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weddings and funerals, doing pen-and-ink portraits at a scudo apiece, and putting his hand to any honest job that came his way. Count Trescorre, who now and then showed a fitful recognition of the tie that was supposed to connect them, at length heard of the case to which he was come and offered him a trifling pension. This the hunchback refused, asking instead to be given some fixed employment. Trescorre then obtained his appointment as assistant to the Duke’s librarian, a good old priest engrossed in compiling the early history of Pianura from the ducal archives; and this post Gamba had now filled for two years.

      “It must,” said Odo, “be one singularly congenial to you, if, as I have heard, you are of a studious habit. Though I suppose,” he tentatively added, “the library is not likely to be rich in works of the new scientific and philosophic schools.”

      His companion received this observation in silence; and after a moment Odo continued: “I have a motive in asking, since I have been somewhat deeply engaged in the study of these writers, and my dearest wish is to continue while in Pianura my examination of their theories, and if possible to become acquainted with any who share their views.”

      He was not insensible of the risk of thus opening himself to a stranger; but the sense of peril made him the more eager to proclaim himself on the side of the cause he seemed to have deserted.

      Gamba turned as he spoke, and their eyes met in one of those revealing glances that lay the foundations of friendship.

      “I fear, cavaliere,” said the hunchback with a smile, “that you will find both branches of investigation somewhat difficult to pursue in Pianura; for the Church takes care that neither the philosophers nor their books shall gain a footing in our most Christian state. Indeed,” he added, “not only must the library be free from heretical works, but the librarian clear of heretical leanings; and since you have honored me with your confidence I will own that, the court having got wind of my supposed tendency to liberalism, I live in daily expectation of dismissal. For the moment they are content to keep their spies on me; but were it not for the protection of the good abate, my superior, I should long since have been turned out.”

      “And why,” asked Odo, “do you speak of the court and the Church as one?”

      “Because, sir, in our virtuous duchy the terms are interchangeable. The Duke is in fact so zealous a son of the Church that if the latter showed any leniency to sinners the secular arm would promptly repair her negligence. His Highness, as you may have heard, is ruled by his confessor, an adroit Dominican. The confessor, it is true, has two rivals, the Countess Belverde, a lady distinguished for her piety, and a German astrologer or alchemist, lately come to Pianura, and calling himself a descendant of the Egyptian priesthood and an adept of the higher or secret doctrines of Neoplatonism. These three, however, though ostensibly rivals for the Duke’s favor, live on such good terms with one another that they are suspected of having entered into a secret partnership; while some regard them all as the emissaries of the Jesuits, who, since the suppression of the Society, are known to have kept a footing in Pianura, as in most of the Italian states. As to the Duke, the death of the Marquess of Cerveno, the failing health of the little prince, and his own strange physical infirmities have so preyed on his mind that he is the victim of any who are unscrupulous enough to trade on the fears of a diseased imagination. His counsellors, however divided in doctrine, have at least one end in common; and that is, to keep the light of reason out of the darkened chamber in which they have confined him; and with such a ruler and such principles of government you may fancy that poor philosophy has not where to lay her head.”

      “And the people?” Odo pursued. “What of the fiscal administration? In some states where liberty of thought is forbidden the material welfare of the subject is nevertheless considered.”

      The hunchback shook his head. “It may be so,” said he, “though I had thought the principle of moral tyranny must infect every branch of public administration. With us, at all events, where the Church party rules, the privileges and exemptions of the clergy are the chief source of suffering, and the state of passive ignorance in which they have kept the people has bred in the latter a dull resignation that is the surest obstacle to reform. Oh, sir,” he cried, his eyes darkening with emotion, “if you could see, as I do, the blind brute misery on which all the magnificence of rank and all the refinements of luxury are built, you would feel, as you drive along this road, that with every turn of the wheels you are passing over the bodies of those who have toiled without ceasing that you might ride in a gilt coach, and have gone hungry that you might feast in Kings’ palaces!”

      The touch of rhetoric in this adjuration did not discredit it with Odo, to whom the words were as caustic on an open wound. He turned to make some impulsive answer; but as he did so he caught sight of the towers of Pianura rising above the orchards and market-gardens of the suburbs. The sight started a new train of feeling, and Gamba, perceiving it, said quietly: “But this is no time to speak of such things.”

      A moment later the carriage had passed under the great battlemented gates, with their Etruscan bas-reliefs, and the motto of the house of Valsecca—Humilitas —surmounted by the ducal escutcheon.

      Though the hour was close on noon the streets were as animated as at the angelus, and the carriage could hardly proceed for the crowd obstructing its passage. So unusual at that period was such a sight in one of the lesser Italian cities that Odo turned to Gamba for an explanation. At the same moment a roar rose from the crowd; and the coach turning into the Corso which led to the ducal palace and the centre of the town, Odo caught sight of a strange procession advancing from that direction. It was headed by a clerk or usher with a black cap and staff, behind whom marched two barefoot friars escorting between them a middle-aged man in the dress of an abate, his hands bound behind him and his head surmounted by a pasteboard mitre inscribed with the title: A Destroyer of Female Chastity. This man, who was of a simple and decent aspect, was so dazed by the buffeting of the crowd, so spattered by the mud and filth hurled at him from a hundred taunting hands, and his countenance distorted by so piteous a look of animal fear, that he seemed more like a madman being haled to Bedlam than a penitent making public amends for his offence.

      “Are such failings always so severely punished in Pianura?” Odo asked, turning ironically to Gamba as the mob and its victim passed out of sight.

      The hunchback smiled. “Not,” said he, “if the offender be in a position to benefit by the admirable doctrines of probabilism, the direction of intention, or any one of the numerous expedients by which an indulgent Church has smoothed the way of the sinner; but as God does not give the crop unless man sows the seed, so His ministers bestow grace only when the penitent has enriched the treasury.—The fellow,” he added, “is a man of some learning and of a retired and orderly way of living, and the charge was brought against him by a jeweller and his wife, who owed him a sum of money and are said to have chosen this way of evading payment. The priests are always glad to find a scapegoat of the sort, especially when there are murmurs against the private conduct of those in high places, and the woman, having denounced him, was immediately assured by her confessor that any debt incurred to a seducer was null and void, and that she was entitled to a hundred scudi of damages for having been led into sin.”

      —————

      At the Duke’s express wish, Odo was to lodge in the palace; and when he entered the courtyard he found Cantapresto waiting to lead him to his apartment.

      The rooms assigned to him lay at the end of one of the wings overlooking the gardens; and as he mounted the great stairway and walked down the corridors with their frescoed walls and busts of Roman emperors he recalled the far-off night when he had passed through the same scenes as a frightened awestruck child. Where he had then beheld a supernatural fabric, peopled with divinities of bronze and marble, and glowing with light and color, he now saw a many-corridored palace, stately indeed, and full of a faded splendor, but dull and antiquated in comparison with the new-fangled elegance of the Sardinian court. Yet at every turn some object thrilled the fibres of old association or pride of race. Here he traversed a gallery hung with the portraits of his line; there caught a glimpse of the pages’ antechamber through which he