Название | Waverley + Guy Mannering + The Antiquary |
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Автор произведения | Walter Scott |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4064066375010 |
It was gold, however, and therefore Dick contrived to get better value for the coin than he perhaps gave to his customer. By the command of so good a merchant, he brought horses to the same slot more than once; the purchaser only stipulating that he should always come by night, and alone. I do not know whether it was from mere curiosity, or whether some hope of gain mixed with it, but after Dick had sold several horses in this way, he began to complain that dry — bargains were unlucky, and to hint that since his chap must live in the neighbourhood, he ought, in the courtesy of dealing, to treat him to half a mutchkin.
“You may see my dwelling if you will,” said the stranger; “but if you lose courage at what you see there, you will rue it all your life.”
Dicken, however, laughed the warning to scorn, and having alighted to secure his horse, he followed the stranger up a narrow foot-path, which led them up the hills to the singular eminence stuck betwixt the most southern and the centre peaks, and called, from its resemblance to such an animal in its form, the Lucken Hare. At the foot of this eminence, which is almost as famous for witch meetings as the neighbouring wind-mill of Kippilaw, Dick was somewhat startled to observe that his conductor entered the hill-side by a passage or cavern, of which he himself, though well acquainted with the spot, had never seen or heard.
“You may still return,” said his guide, looking ominously back upon him; but Dick scorned to show the white feather, and on they went. They entered a very long range of stables; in every stall stood a coal-black horse; by every horse lay a knight in coal-black armour, with a drawn sword in his hand; but all were as silent, hoof and limb, as if they had been cut out of marble. A great number of torches lent a gloomy lustre to the hall, which, like those of the Caliph Vathek, was of large dimensions. At the upper end, however, they at length arrived, where a sword and horn lay on an antique table.
“He that shall sound that horn and draw that sword,” said the stranger, who now intimated that he was the famous Thomas of Hersildoune, “shall, if his heart fail him not, be king over all broad Britain. So speaks the tongue that cannot lie. But all depends on courage, and much on your taking the sword or the horn first.” Dick was much disposed to take the sword; but his bold spirit was quailed by the supernatural terrors of the hall, and he thought to unsheathe the sword first, might be construed into defiance, and give offence to the powers of the Mountain. He took the bugle with a trembling hand, and a feeble note, but loud enough to produce a terrible answer. Thunder rolled in stunning peals through the immense hall; horses and men started to life; the steeds snorted, stamped, grinned their bits, and tossed on high their heads; the warriors sprung to their feet, clashed their armour, and brandished their swords. Dick’s terror was extreme at seeing the whole army, which had been so lately silent as the grave, in uproar, and about to rush on him. He dropped the horn, and made a feeble attempt to seize the enchanted sword; but at the same moment a voice pronounced aloud the mysterious words, —
“Woe to the coward, that ever he was born,
Who did not draw the sword before he blew the horn!”
At the same time a whirlwind of irresistible fury howled through the long hall, bore the unfortunate horse-jockey clear out of the mouth of the cavern, and precipitated him over a steep bank of loose stones, where the shepherds found him the next morning with just breath sufficient to tell his fearful tale, after concluding which he expired.
This legend, with several variations, is found in many parts of Scotland and England. The scene is sometimes laid in some favourite glen of the Highlands, sometimes in the deep coal-mines of Northumberland and Cumberland, which rim so far beneath the ocean. It is also to be found in Reginald Scott’s book on Witchcraft, which was written in the sixteenth century. It would be in vain to ask what was the original of the tradition. The choice between the horn and sword may, perhaps, include as a moral that it is foolhardy to awaken danger before we have arms in our hands to resist it.
Although admitting of much poetical ornament, it is clear that this legend would have formed but an unhappy foundation for a prose story, and must have degenerated into a mere fairy tale. Dr. John Leyden has beautifully introduced the tradition in his “Scenes of Infancy”: —
“Mysterious Rhymer, doomed by fate’s decree
Still to revisit Eildon’s fated tree,
Where oft the swain, at dawn of Hallow-day,
Hears thy fleet barb with wild impatience neigh, —
Say, who is he, with summons long and high,
Shall bid the charmed sleep of ages fly,
Roll the long sound through Eildon’s caverns vast,
While each dark warrior kindles at the blast,
The horn, the falchion, grasp with mighty hand,
And peal proud Arthur’s march from Fairy-land?”
In the same cabinet with the preceding fragment, the following occurred among other ‘disjecta membra’. It seems to be an attempt at a tale of a different description from the last, but was almost instantly abandoned. The introduction points out the time of the composition to have been about the end of the eighteenth century.
The Lord of Ennerdale.
In a Fragment of a Letter from John B——, Esq.,
Of that Ilk, to William G——, F.r.s.e.
“Fill a bumper,” said the knight; “the ladies may spare us a little longer. Fill a bumper to the Archduke Charles.”
The company did due honour to the toast of their landlord.
“The success of the archduke,” said the muddy vicar, “will tend to further our negotiation at Paris; and if — ”
“Pardon the interruption, Doctor,” quoth a thin, emaciated figure, with somewhat of a foreign accent; “but why should you connect those events, unless to hope that the bravery and victories of our allies may supersede the necessity of a degrading treaty?”
“We begin to feel, Monsieur L’Abbe,” answered the vicar, with some asperity, “that a Continental war entered into for the defence of an ally who was unwilling to defend himself, and for the restoration of a royal family, nobility, and priesthood who tamely abandoned their own rights, is a burden too much even for the resources of this country.”
“And was the war, then, on the part of Great Britain,” rejoined the Abbe, “a gratuitous exertion of generosity? Was there no fear of the wide-wasting spirit of innovation which had gone abroad? Did not the laity tremble for their property, the clergy for their religion, and every loyal heart for the Constitution? Was it not thought necessary to destroy the building which was on fire, ere the conflagration spread around the vicinity?”
“Yet if upon trial,” said the doctor, “the walls were found to resist our utmost efforts, I see no great prudence in persevering in our labour amid the smouldering ruins.”
“What, Doctor,” said the baronet, “must I call to your recollection your own sermon on the late general fast? Did you not encourage us to hope that the Lord of Hosts would go forth with our armies, and that our enemies, who blasphemed him, should be put to shame?”
“It may please a kind father to chasten even his beloved children,” answered the vicar.
“I think,” said a gentleman near the foot of the table, “that the Covenanters made some apology of the same kind for the failure of their prophecies at the battle of Danbar, when their mutinous preachers compelled the prudent Lesley to go down against the Philistines in Gilgal.”
The vicar fixed a scrutinizing and not a very complacent eye upon this intruder. He was a young man, of mean stature and rather a reserved appearance. Early and severe study had quenched in his features the gaiety peculiar to his age, and impressed upon them a premature cast of thoughtfulness. His eve had, however, retained its fire,