The Tales of Haunted Nights (Gothic Horror: Bulwer-Lytton-Series). Эдвард Бульвер-Литтон

I have always been mild in my calling, and have taken purses without cutting throats, I bear an excellent character, and can eat my macaroni at Naples without any danger to life and limb. For the last two years I have settled in these parts, where I hold sway, and where I have purchased land. I am called a farmer, signor; and I myself now only rob for amusement, and to keep my hand in. I trust I have satisfied your curiosity. We are within a hundred yards of the castle.”

      “And how,” asked the Englishman, whose interest had been much excited by his companion’s narrative—“and how came you acquainted with my host?—and by what means has he so well conciliated the goodwill of yourself and friends?”

      Maestro Paolo turned his black eyes very gravely towards his questioner. “Why, signor,” said he, “you must surely know more of the foreign cavalier with the hard name than I do. All I can say is, that about a fortnight ago I chanced to be standing by a booth in the Toledo at Naples, when a sober-looking gentleman touched me by the arm, and said, ‘Maestro Paolo, I want to make your acquaintance; do me the favour to come into yonder tavern, and drink a flask of lacrima.’ ‘Willingly,’ said I. So we entered the tavern. When we were seated, my new acquaintance thus accosted me: ‘The Count d’O—has offered to let me hire his old castle near B—. You know the spot?’

      “ ‘Extremely well; no one has inhabited it for a century at least; it is half in ruins, signor. A queer place to hire; I hope the rent is not heavy.’

      “ ‘Maestro Paolo,’ said he, ‘I am a philosopher, and don’t care for luxuries. I want a quiet retreat for some scientific experiments. The castle will suit me very well, provided you will accept me as a neighbour, and place me and my friends under your special protection. I am rich; but I shall take nothing to the castle worth robbing. I will pay one rent to the count, and another to you.’

      “With that we soon came to terms; and as the strange signor doubled the sum I myself proposed, he is in high favour with all his neighbours. We would guard the whole castle against an army. And now, signor, that I have been thus frank, be frank with me. Who is this singular cavalier?”

      “Who?—he himself told you, a philosopher.”

      “Hem! searching for the Philosopher’s Stone—eh, a bit of a magician; afraid of the priests?”

      “Precisely; you have hit it.”

      “I thought so; and you are his pupil?”

      “I am.”

      “I wish you well through it,” said the robber, seriously, and crossing himself with much devotion; “I am not much better than other people, but one’s soul is one’s soul. I do not mind a little honest robbery, or knocking a man on the head if need be—but to make a bargain with the devil! Ah, take care, young gentleman, take care!”

      “You need not fear,” said Glyndon, smiling; “my preceptor is too wise and too good for such a compact. But here we are, I suppose. A noble ruin—a glorious prospect!”

      Glyndon paused delightedly, and surveyed the scene before and below with the eye of a painter. Insensibly, while listening to the bandit, he had wound up a considerable ascent, and now he was upon a broad ledge of rock covered with mosses and dwarf shrubs. Between this eminence and another of equal height, upon which the castle was built, there was a deep but narrow fissure, overgrown with the most profuse foliage, so that the eye could not penetrate many yards below the rugged surface of the abyss; but the profoundness might be well conjectured by the hoarse, low, monotonous roar of waters unseen that rolled below, and the subsequent course of which was visible at a distance in a perturbed and rapid stream that intersected the waste and desolate valleys.

      To the left, the prospect seemed almost boundless—the extreme clearness of the purple air serving to render distinct the features of a range of country that a conqueror of old might have deemed in itself a kingdom. Lonely and desolate as the road which Glyndon had passed that day had appeared, the landscape now seemed studded with castles, spires, and villages. Afar off, Naples gleamed whitely in the last rays of the sun, and the rose-tints of the horizon melted into the azure of her glorious bay. Yet more remote, and in another part of the prospect, might be caught, dim and shadowy, and backed by the darkest foliage, the ruined pillars of the ancient Posidonia. There, in the midst of his blackened and sterile realms, rose the dismal Mount of Fire; while on the other hand, winding through variegated plains, to which distance lent all its magic, glittered many and many a stream by which Etruscan and Sybarite, Roman and Saracen and Norman had, at intervals of ages, pitched the invading tent. All the visions of the past—the stormy and dazzling histories of Southern Italy—rushed over the artist’s mind as he gazed below. And then, slowly turning to look behind, he saw the grey and mouldering walls of the castle in which he sought the secrets that were to give to hope in the future a mightier empire than memory owns in the past. It was one of those baronial fortresses with which Italy was studded in the earlier middle ages, having but little of the Gothic grace or grandeur which belongs to the ecclesiastical architecture of the same time, but rude, vast, and menacing, even in decay. A wooden bridge was thrown over the chasm, wide enough to admit two horsemen abreast; and the planks trembled and gave back a hollow sound as Glyndon urged his jaded steed across.

      A road which had once been broad and paved with rough flags, but which now was half-obliterated by long grass and rank weeds, conducted to the outer court of the castle hard by; the gates were open, and half the building in this part was dismantled; the ruins partially hid by ivy that was the growth of centuries. But on entering the inner court, Glyndon was not sorry to notice that there was less appearance of neglect and decay; some wild roses gave a smile to the grey walls, and in the centre there was a fountain in which the waters still trickled coolly, and with a pleasing murmur, from the jaws of a gigantic Triton. Here he was met by Mejnour with a smile.

      “Welcome, my friend and pupil,” said he: “he who seeks for Truth can find in these solitudes an immortal Academe.”

      CHAPTER 4.II.

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      And Abaris, so far from esteeming Pythagoras, who taught these

       things, a necromancer or wizard, rather revered and admired him

       as something divine.—Iamblich., “Vit. Pythag.”

       The attendants whom Mejnour had engaged for his strange abode were such as might suit a philosopher of few wants. An old Armenian whom Glyndon recognised as in the mystic’s service at Naples, a tall, hard-featured woman from the village, recommended by Maestro Paolo, and two long-haired, smooth-spoken, but fierce-visaged youths from the same place, and honoured by the same sponsorship, constituted the establishment. The rooms used by the sage were commodious and weather-proof, with some remains of ancient splendour in the faded arras that clothed the walls, and the huge tables of costly marble and elaborate carving. Glyndon’s sleeping apartment communicated with a kind of belvedere, or terrace, that commanded prospects of unrivalled beauty and extent, and was separated on the other side by a long gallery, and a flight of ten or a dozen stairs, from the private chambers of the mystic. There was about the whole place a sombre and yet not displeasing depth of repose. It suited well with the studies to which it was now to be appropriated.

      For several days Mejnour refused to confer with Glyndon on the subjects nearest to his heart.

      “All without,” said he, “is prepared, but not all within; your own soul must grow accustomed to the spot, and filled with the surrounding nature; for Nature is the source of all inspiration.”

      With these words Mejnour turned to lighter topics. He made the Englishman accompany him in long rambles through the wild scenes around, and he smiled approvingly when the young artist gave way to the enthusiasm which their fearful beauty could not have failed to rouse in a duller breast; and then Mejnour poured forth to his wondering pupil the stores of a knowledge that seemed inexhaustible and boundless. He gave accounts the most curious, graphic, and minute of the various races (their characters, habits, creeds, and manners) by which that fair