Название | The Story of the Heavens |
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Автор произведения | Robert S. Ball |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4064066121693 |
Lunar objects are well suited for observation when the sunlight falls upon them in such a manner as to exhibit strongly contrasted lights and shadows. It is impossible to observe the moon satisfactorily when it is full, for then no conspicuous shadows are cast. The most opportune moment for seeing any particular lunar object is when it lies just at the illuminated side of the boundary between light and shade, for then the features are brought out with exquisite distinctness.
Plate VII.[7] gives an illustration of lunar scenery, the object represented being known to astronomers by the name of Triesnecker. The district included is only a very small fraction of the entire surface of the moon, yet the actual area is very considerable, embracing as it does many hundreds of square miles. We see in it various ranges of lunar mountains, while the central object in the picture is one of those remarkable lunar craters which we meet with so frequently in every lunar landscape. This crater is about twenty miles in diameter, and it has a lofty mountain in the centre, the peak of which is just illuminated by the rising sun in that phase of our satellite which is represented in the picture.
A typical view of a lunar crater is shown in Plate VIII. This is, no doubt, a somewhat imaginary sketch. The point of view from which the artist is supposed to have taken the picture is one quite unattainable by terrestrial astronomers, yet there can be little doubt that it is a fair representation of objects on the moon. We should, however, recollect the scale on which it is drawn. The vast crater must be many miles across, and the mountain at its centre must be thousands of feet high. The telescope will, even at its best, only show the moon as well as we could see it with the unaided eye if it were 250 miles away instead of being 240,000. We must not, therefore, expect to see any details on the moon even with the finest telescopes, unless they were coarse enough to be visible at a distance of 250 miles. England from such a point of view would only show London as a coloured spot, in contrast with the general surface of the country.
We return, however, from a somewhat fancy sketch to a more prosaic examination of what the telescope does actually reveal. Plate IX. represents the large crater Plato, so well known to everyone who uses a telescope. The floor of this remarkable object is nearly flat, and the central mountain, so often seen in other craters, is entirely wanting. We describe it more fully in the general list of lunar objects.
The mountain peaks on the moon throw long, well-defined shadows, characterised by a sharpness which we do not find in the shadows of terrestrial objects. The difference between the two cases arises from the absence of air from the moon. Our atmosphere diffuses a certain amount of light, which mitigates the blackness of terrestrial shadows and tends to soften their outline. No such influences are at work on the moon, and the sharpness of the shadows is taken advantage of in our attempts to measure the heights of the lunar mountains.
It is often easy to compute the altitude of a church steeple, a lofty chimney, or any similar object, from the length of its shadow. The simplest and the most accurate process is to measure at noon the number of feet from the base of the object to the end of the shadow. The elevation of the sun at noon on the day in question can be obtained from the almanac, and then the height of the object follows by a simple calculation. Indeed, if the observations can be made either on the 6th of April or the 6th of September, at or near the latitude of London, then calculations would be unnecessary. The noonday length of the shadow on either of the dates named is equal to the altitude of the object. In summer the length of the noontide shadow is less than the altitude; in winter the length of the shadow exceeds the altitude. At sunrise or sunset the shadows are, of course, much longer than at noon, and it is shadows of this kind that we observe on the moon. The necessary measurements are made by that indispensable adjunct to the equatorial telescope known as the micrometer.
This word denotes an instrument for measuring small distances. In one sense the term is not a happy one. The objects to which the astronomer applies the micrometer are usually anything but small. They are generally of the most transcendent dimensions, far exceeding the moon or the sun, or even our whole system. Still, the name is not altogether inappropriate, for, vast though the objects may be, they generally seem minute, even in the telescope, on account of their great distance.
We require for such measurements an instrument capable of the greatest nicety. Here, again, we invoke the aid of the spider, to whose assistance in another department we have already referred. In the filar micrometer two spider lines are parallel, and one intersects them at right angles. One or both of the parallel lines can be moved by means of screws, the threads of which have been shaped by consummate workmanship. The distance through which the line has been moved is accurately indicated by noting the number of revolutions and parts of a revolution of the screw. Suppose the two lines be first brought into coincidence, and then separated until the apparent length of the shadow of the mountain on the moon is equal to the distance between the lines: we then know the number of revolutions of the micrometer screw which is equivalent to the length of the shadow. The number of miles on the moon which correspond to one revolution of the screw has been previously ascertained by other observations, and hence the length of the shadow can be determined. The elevation of the sun, as it would have appeared to an observer at this point of the moon, at the moment when the measures were being made, is also obtainable, and hence the actual elevation of the mountain can be calculated. By measurements of this kind the altitudes of other lunar objects, such, for example, as the height of the rampart surrounding a circular-walled plane, can be determined.
The beauty and interest of the moon as a telescopic object induces us to give to the student a somewhat detailed account of the more remarkable features which it presents. Most of the objects we are to describe can be effectively exhibited with very moderate telescopic power. It is, however, to be remembered that all of them cannot be well seen at one time. The region most distinctly shown is the boundary between light and darkness. The student will, therefore, select for observation such objects as may happen to lie near that boundary at the time when he is observing.
1. Posidonius.—The diameter of this large crater is nearly 60 miles. Although its surrounding wall is comparatively slender, it is so distinctly marked as to make the object very conspicuous. As so frequently happens in lunar volcanoes, the bottom of the crater is below the level of the surrounding plain, in the present instance to the extent of nearly 2,500 feet.
2. Linné.—This small crater lies in the Mare Serenitatis. About sixty years ago it was described as being about 6-1⁄2 miles in diameter, and seems to have been sufficiently conspicuous. In 1866 Schmidt, of Athens, announced that the crater had disappeared. Since then an exceedingly small shallow depression has been visible, but the whole object is now very inconsiderable. This seems to be the most clearly attested case of change in a lunar object. Apparently the walls of the crater have tumbled into the interior and partly filled it up, but many astronomers doubt that a change has really taken place, as Schröter, a Hanoverian observer at the end of the eighteenth century, appears not to have seen any conspicuous crater in the place, though it must be admitted that his observations are rather incomplete. To give some idea of Schmidt's amazing industry in lunar researches, it may be mentioned that in six years he made nearly 57,000 individual settings of his micrometer in the measurement of lunar altitudes. His great chart of the mountains in the moon is based on no less than 2,731 drawings and sketches, if those are counted twice that may have been used for two divisions of the map.
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