Brothers & Sisters - John & Anna Buchan Edition (Collection of Their Greatest Works). Buchan John

shutting of that door he walked clean out of the world.

      At first he was angry, and presently, when he realised his situation, a little alarmed. The place seemed to be small, it was utterly dark, and as stuffy as the inside of a safe. His chief thought at the moment was that it would never do for him to be caught in a raid on a dance-club, for his true name might come out and the harm which Archie's foolish tongue had wrought might be thereby aggravated. But soon he saw that he had stepped out of one kind of danger into what was probably a worse. He was locked in an infernal cupboard in a house which he knew to have the most unholy connections.

      He started to grope around, and found that the place was larger than he thought. The walls were bare, the floor seemed to be of naked boards, and there was not a stick of furniture anywhere, nor, so far as he could see, any window. He could not discover the door he had entered by, which on the inside must have been finished dead level with the walls. Presently he found that his breathing was difficult, and that almost put him in a panic, for the dread of suffocation had always been for him the private funk from which the bravest man is not free. To breathe was like having his face tightly jammed against a pillow. He made an effort and controlled himself, for he realised that if he let himself become hysterical he would only suffocate the faster… .

      Then he declares that he felt a hand pressing on his mouth… . It must have been imagination, for he admits that the place was empty, but all the same the hand came again and again—a large soft hand smelling of roses. His nerves began to scream, and his legs to give under him. The roses came down on him in a cloud, and that horrible flabby hand, as big as a hill, seemed to smother him. He tried to move, to get away from it, and before he knew he found himself on his knees. He struggled to get up, but the hand was on him, flattening him out, and that intolerable sweet sickly odour swathed him in its nauseous folds… . And then he lost consciousness… .

      How long he was senseless he doesn't know, but he thinks it must have been a good many hours. When he came to he was no longer in the cupboard. He was lying on what seemed to be a couch in a room which felt spacious, for he could breathe freely, but it was still as black as the nether pit. He had a blinding headache, and felt rather sick and as silly as an owl. He couldn't remember how he had come there, but as his hand fell on his shirt-front, and he realised he was in dress clothes, he recollected Archie's cry. That was the last clear thing in his head, but it steadied him, for it reminded him how grave was his danger. He has told me that at first he was half stifled with panic, for he was feeling abominably weak; but he had just enough reason left in him to let him take a pull on his nerves. "You must be a man," he repeated to himself. "Even if you have stumbled into hell, you must be a man."

      Then a voice spoke out of the darkness, and at the sound of it most of his fright disappeared. It was no voice that he knew, but a pleasant voice, and it spoke to him in French. Not ordinary French, you understand, but the French of his native valley in the South, with the soft slurring patois of his home. It seemed to drive away his headache and nausea, and to soothe every jangled nerve, but it made him weaker. Of that he has no doubt. This friendly voice was making him a child again.

      His memory of what it said is hopelessly vague. He thinks that it reminded him of the life of his boyhood—the old chateau high in a fold of the limestone hills, the feathery chestnuts in the valley bottom, the clear pools where the big trout lived, the snowy winters when the wolves came out of the forests to the farmyard doors, the hot summers when the roads were blinding white and the turf on the downs grew as yellow as corn. The memory of it was all jumbled, and whatever the voice said its effect was more like music than spoken words. It smoothed out the creases in his soul, but it stole also the manhood from him. He was becoming limp and docile and passive like a weak child.

      The voice stopped and he felt a powerful inclination to sleep. Then suddenly, between sleeping and waking, he became aware of a light, a star which glowed ahead of him in the darkness. It waxed and then waned, and held his eyes like a vice. At the back of his head he knew that there was some devilry in the business, that it was something which he ought to resist, but for the life of him he could not remember why.

      The light broadened till it was like the circle which a magic-lantern makes on a screen. Into the air there crept a strange scent—not the sickly smell of roses, but a hard pungent smell which tantalised him with its familiarity. Where had he met it before? … Slowly out of it there seemed to shape a whole world of memories.

      Now Turpin before the War had put in some years' service in Africa with the Armée Coloniale as a lieutenant of Spahis, and had gone with various engineering and military expeditions south of the Algerian frontier into the desert. He used to rave to me about the glories of those lost days, that first youth of a man which does not return… . This smell was the desert, that unforgettable, untameable thing which stretches from the Mediterranean to the Central African forests, the place where, in the days when it was sea, Ulysses wandered, and where the magic of Circe and Calypso for all the world knows may still linger.

      In the moon of light a face appeared, a face so strongly lit up that every grim and subtle line of it was magnified. It was an Eastern face, a lean high-boned Arab face, with the eyes set in a strange slant. He had never seen it before, but he had met something like it when he had dabbled in the crude magic of the sands, the bubbling pot, and the green herb fire. At first it was only a face, half averted, and then it seemed to move so that the eyes appeared, like lights suddenly turned on at night as one looks from without at a dark house.

      He felt in every bone a thing he had almost forgotten, the spell and the terror of the desert. It was a cruel and inhuman face, hiding God knows what of ancient horror and sin, but wise as the Sphinx and eternal as the rocks. As he stared at it the eyes seemed to master and envelop him, and, as he put it, suck the soul out of him.

      You see he had never been told about Kharáma. That was the one mistake Mary made, and a very natural one, for it was not likely that he and the Indian would foregather. So he had nothing in his poor muddled head to help him to combat this mastering presence. He didn't try. He said he felt himself sinking into a delicious lethargy, like the coma which overtakes a man who is being frozen to death.

      I could get very little out of Turpin about what happened next. The face spoke to him, but whether in French or some African tongue he didn't know—French, he thought—certainly not English. I gather that, while the eyes and the features were to the last degree awe-inspiring, the voice was, if anything, friendly. It told him that he was in instant danger, and that the only hope lay in utter impassivity. If he attempted to exercise his own will, he was doomed, and there was sufficient indication of what that doom meant to shake his lethargy into spasms of childish fear. "Your body is too feeble to move," said the voice, "for Allah has laid His hand on it." Sure enough Turpin realised that he hadn't the strength of a kitten. "You have surrendered your will to Allah till He restores it to you." That also was true, for Turpin knew he could not summon the energy to brush his hair, unless he was ordered to. "You will be safe," said the voice, "so long as you sleep. You will sleep till I bid you awake."

      Sleep he probably did, for once again came a big gap in his consciousness… . The next he knew he was being jolted in something that ran on wheels, and he suddenly rolled over on his side, as the vehicle took a sharp turn. This time it didn't take him quite so long to wake up. He found he was in a big motor-car, with his overcoat on, and his hat on the seat beside him. He was stretched out almost at full length, and comfortably propped up with cushions. All this he realised fairly soon, but it was some time before he could gather up the past, and then it was all blurred and sketchy… . What he remembered most clearly was the warning that he was in grave peril and was only safe while he did nothing. That was burned in on his mind, and the lesson was pointed by the complete powerlessness of his limbs. He could hardly turn over from his side to his back, and he knew that if he attempted to stand he would fall down in a heap. He shut his eyes and tried to think.

      Bit by bit the past pieced itself together. He remembered Archie's cry—and things before that—Mary—the girl in green. Very soon the truth smote him in the face. He had been kidnapped like the rest, and had had the same tricks played on him… . But they had only affected his body. As he realised this tremendous fact Turpin swelled with pride. Some devilry had stolen his physical strength, but his soul was his own still, his memory and his will.