Brothers & Sisters - John & Anna Buchan Edition (Collection of Their Greatest Works). Buchan John

was thankful to be out of that bedroom. In the passage I listened, but could hear no sound anywhere. There was indeed a sound in the air, but it appeared to come from the outer world, a sound like an organ or an orchestra a long way off. I concluded that there must be a church somewhere near where the choir-boys were practising.

      The room I entered was a very queer place. It looked partly like a museum, partly like an office, and partly like a library. The curiosity shop had been full of rubbish, but I could see at a glance that there was no rubbish here. There were some fine Italian plaques—I knew something about these, for Mary collected them—and a set of green Chinese jars which looked the real thing. Also, there was a picture which seemed good enough to be a Hobbema. For the rest there were several safes of a most substantial make; but there were no papers lying about, and every drawer of a big writing-table was locked. I had not the wherewithal to burgle the safes and the table, even if I had wanted to. I was certain that most valuable information lurked somewhere in that place, but I did not see how I could get at it.

      I was just about to leave, when I realised that the sound of music which I had heard in the passage was much louder here. It was no choir-boys' practising, but strictly secular music, apparently fiddles and drums, and the rhythm suggested a dance. Could this odd building abut on a dance-hall? I looked at my watch and saw that it was scarcely eleven and that I had only been some twenty minutes indoors. I was now in a mood of almost foolhardy confidence, so I determined to do a little more research.

      The music seemed to come from somewhere to the left. The windows of the room, so far as I could judge, must look into Wellesley Street, which showed me how I had misjudged that thoroughfare. There might be a dancing-hall tucked in among the automobile shops. Anyhow I wanted to see what lay beyond this room, for there must be an entrance to it other than by the curiosity shop. Sure enough I found a door between two bookcases covered with a heavy portière, and emerged into still another passage.

      Here the music sounded louder, and I seemed to be in a place like those warrens behind the stage in a theatre, where rooms are of all kinds of shapes and sizes. The door at the end was locked, and another door which I opened gave on a flight of wooden steps. I did not want to descend just yet, so I tried another door, and then shut it softly. For the room it opened upon was lighted, and I had the impression of human beings not very far off. Also the music, as I opened the door, came out in a great swelling volume of sound.

      I stood for a moment hesitating, and then I opened that door again. For I had a notion that the light within did not come from anything in the room. I found myself in a little empty chamber, dusty and cheerless, like one of those cubby-holes you see in the Strand, where the big plate-glass front window reaches higher than the shop, and there is a space between the ceiling and the next floor. All one side was of glass, in which a casement was half open, and through the glass came the glare of a hundred lights from somewhere beyond. Very gingerly I moved forward, till I could look down on what was happening below.

      For the last few seconds I think I had known what I was going to see. It was the dancing-club which I had visited some weeks before with Archie Roylance. There were the sham Chinese decorations, the blaze of lights, the nigger band, the whole garish spectacle. Only the place was far more crowded than on my previous visit. The babble of laughter and talk which rose from it added a further discord to the ugly music, but there was a fierce raucous gaiety about it all, an overpowering sense of something which might be vulgar but was also alive and ardent. Round the skirts of the hall was the usual rastaquouère crowd of men and women drinking liqueurs and champagne, and mixed with fat Jews and blue-black dagos the flushed faces of boys from barracks or college who imagined they were seeing life. I thought for a moment that I saw Archie, but it was only one of Archie's kind, whose lean red visage made a queer contrast with the dead white of the woman he sat by.

      The dancing was madder and livelier than on the last occasion. There was more vigour in the marionettes, and I was bound to confess that they knew their trade, little as I valued it. All the couples were expert, and when now and then a bungler barged in he did not stay long. I saw no sign of the girl in green whom Archie had admired, but there were plenty like her. It was the men I most disliked, pallid skeletons or puffy Latins, whose clothes fitted them too well, and who were sometimes as heavily made-up as the women.

      One especially I singled out for violent disapproval. He was a tall young man, with a waist like a wasp, a white face, and hollow drugged eyes. His lips were red like a chorus-girl's, and I would have sworn that his cheeks were rouged. Anyhow he was a loathsome sight. But ye gods! he could dance. There was no sign of animation in him, so that he might have been a corpse, galvanised by some infernal power and compelled to move through an everlasting dance of death. I noticed that his heavy eyelids were never raised.

      Suddenly I got a bad shock. For I realised that this mannequin was no other than my ancient friend, the Marquis de la Tour du Pin.

      I hadn't recovered from that when I got a worse. He was dancing with a woman whose hair seemed too bright to be natural. At first I could not see her face clearly, for it was flattened against his chest, but she seemed to be hideously and sparsely dressed. She too knew how to dance, and the slim grace of her body was conspicuous even in her vulgar clothes. Then she turned her face to me, and I could see the vivid lips and the weary old pink and white enamel of her class. Pretty, too …

      And then I had a shock which nearly sent me through the window. For in this painted dancer I recognised the wife of my bosom and the mother of Peter John.

      XIV.

       SIR ARCHIBALD ROYLANCE PUTS HIS FOOT IN IT

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      Three minutes later I was back in the curiosity shop. I switched off my light, and very gently opened the street door. There was a sound of footsteps on the pavement, so I drew back till they had passed. Then I emerged into the quiet street, with Abel's little brazier glowing in front of me, and Abel's little sharp face poked out of his pent-house.

      "All right, sir?" he asked cheerfully.

      "All right," I said. "I have found what I wanted."

      "There was a party turned up not long after you had gone in. Lucky I had locked the door after you. He wasn't inside more than five minutes. A party with a black topcoat turned up at the collar—respectable party he looked—oldish—might have been a curate. Funny thing, sir, but I guessed correctly when you were coming back, and had the door unlocked ready for you… . If you've done with me I'll clear off."

      "Can you manage alone?" I asked. "There's a good deal to tidy up."

      He winked solemnly. "In an hour there won't be a sign of anything. I have my little ways of doing things. Good night, sir, and thank you." He was like a boots seeing a guest off from an hotel.

      I found that the time was just after half-past eleven, so I walked to Tottenham Court Road and picked up a taxi, telling the man to drive to Great Charles Street in Westminster. Mary was in London, and I must see her at once. She had chosen to take a hand in the game, probably at Sandy's instigation, and I must find out what exactly she was doing. The business was difficult enough already with Sandy following his own trail and me forbidden to get into touch with him, but if Mary was also on the job it would be naked chaos unless I knew her plans. I own I felt miserably nervous. There was nobody in the world whose wisdom I put higher than hers, and I would have trusted her to the other side of Tophet, but I hated to think of a woman mixed up in something so ugly and perilous. She was far too young and lovely to be safe on the back-stairs. And yet I remembered that she had been in uglier affairs before this and I recalled old Blenkiron's words: "She can't scare and she can't soil." And then I began to get a sort of comfort from the feeling that she was along with me in the game; it made me feel less lonely. But it was pretty rough luck on Peter John. Anyhow I must see her, and I argued that she would probably be staying with her Wymondham aunts, and that in any case I could get news of her there.

      The Misses Wymondham were silly ladies, but their butler would have made Montmartre respectable. He and I had always got on well, and I think the