Brothers & Sisters - John & Anna Buchan Edition (Collection of Their Greatest Works). Buchan John

him when Fosse was sold was that Mary and I were to have it. The house in Great Charles Street was one of those tremendously artistic new dwellings with which the intellectual plutocracy have adorned the Westminster slums.

      "Is her ladyship home yet?" I asked.

      "No, Sir Richard, but she said she wouldn't be late. I expect her any moment."

      "Then I think I'll come in and wait. How are you, Barnard? Found your city legs yet?"

      "I am improving, Sir Richard, I thank you. Very pleased to have Miss Mary here, if I may take the liberty of so speaking of her. Miss Claire is in Paris still, and Miss Wymondham is dancing to-night, and won't be back till very late. How are things at Fosse, sir, if I may make so bold? And how is the young gentleman? Miss Mary has shown me his photograph. A very handsome young gentleman, sir, and favours yourself."

      "Nonsense, Barnard. He's the living image of his mother. Get me a drink, like a good fellow. A tankard of beer, if you have it, for I've a throat like a grindstone."

      I drank the beer and waited in a little room which would have been charming but for the garish colour scheme which Mary's aunts had on the brain. I was feeling quite cheerful again, for Peter John's photograph was on the mantelpiece and I reckoned that any minute Mary might be at the doorway.

      She came in just before midnight. I heard her speak to Barnard in the hall, and then her quick step outside the door. She was preposterously dressed, but she must have done something to her face in the taxi, for the paint was mostly rubbed from it, leaving it very pale.

      "Oh, Dick, my darling," she cried, tearing off her cloak and running to my arms. "I never expected you. There's nothing wrong at home?"

      "Not that I know of, except that it's deserted. Mary, what on earth brought you here?"

      "You're not angry, Dick?"

      "Not a bit—only curious."

      "How did you know I was here?"

      "Guessed. I thought it the likeliest cover to draw. You see I've been watching you dancing to-night. Look here, my dear, if you put so much paint and powder on your face and jam it so close to old Turpin's chest, it won't be easy for the poor fellow to keep his shirt-front clean."

      "You—watched—me—dancing! Were you in that place?"

      "Well, I wouldn't say in it. But I had a prospect of the show from the gallery. And it struck me that the sooner we met and had a talk the better."

      "The gallery! Were you in the house? I don't understand."

      "No more do I. I burgled a certain house in a back street for very particular reasons of my own. In the process I may mention that I got one of the worst frights of my life. After various adventures I came to a place where I heard the dickens of a row which I made out to be dance music. Eventually I found a dirty little room with a window and to my surprise looked down on a dancing-hall. I know it, for I had once been there with Archie Roylance. That was queer enough, but imagine my surprise when I saw my wedded wife, raddled like a geisha, dancing with an old friend who seemed to have got himself up to imitate a wax-work."

      She seemed scarcely to be listening. "But in the house! Did you see no one?"

      "I saw one man and I heard another. The fellow I saw was a man I once met in the small hours with Medina."

      "But the other? You didn't see him? You didn't hear him go out?"

      "No." I was puzzled at her excitement. "Why are you so keen about the other?"

      "Because I think—I'm sure—it was Sandy—Colonel Arbuthnot."

      This was altogether beyond me. "Impossible!" I cried. "The place is a lair of Medina's. The man I saw was Medina's servant or satellite. Do you mean to say that Sandy has been exploring that house?"

      She nodded. "You see it is the Fields of Eden."

      "Oh, I know. I found that out for myself. Do you tell me that Sandy discovered it too?"

      "Yes. That is why I was there. That is why I have been living a perfectly loathsome life and am now dressed like a chorus girl."

      "Mary," I said solemnly, "my fine brain won't support any more violent shocks. Will you please to sit down beside me, and give me the plain tale of all you have been doing since I said good-bye to you at Fosse?"

      "First," she said, "I had a visit from a dramatic critic on holiday, Mr. Alexander Thomson. He said he knew you and that you had suggested that he should call. He came three times to Fosse, but only once to the house. Twice I met him in the woods. He told me a good many things, and one was that he couldn't succeed and you couldn't succeed, unless I helped. He thought that if a woman was lost only a woman could find her. In the end he persuaded me. You said yourself, Dick, that Nanny was quite competent to take charge of Peter John, with Dr. Greenslade so close at hand. And I hear from her every day, and he is very well and happy."

      "You came to London. But when?"

      "The day you came back from Norway."

      "But I've been having letters regularly from you since then."

      "That is my little arrangement with Paddock. I took him into my confidence. I send him the letters in batches and he posts one daily."

      "Then you've been here more than a fortnight. Have you seen Sandy?"

      "Twice. He has arranged my life for me, and has introduced me to my dancing partner, the Marquis de la Tour du Pin, whom you call Turpin. I think I have had the most horrible, the most wearing time that any woman ever had. I have moved in raffish circles and have had to be the most raffish of the lot. Do you know, Dick, I believe I'm really a good actress? I have acquired a metallic voice, and a high silly laugh, and hard eyes, and when I lie in bed at night I blush all over for my shamelessness. I know you hate it, but you can't hate it more than I do. But it had to be done. I couldn't be a 'piker,' as Mr. Blenkiron used to say."

      "Any luck?"

      "Oh, yes," she said wearily. "I have found Miss Victor. It wasn't very difficult, really. When I had made friends with the funny people that frequent these places it wasn't hard to see who was different from the others. They're all mannequins, but the one I was looking for was bound to be the most mannequinish of the lot. I wanted someone without mind or soul, and I found her. Besides, I had a clue to start with. Odell, you know."

      "It was the green girl."

      She nodded. "I couldn't be certain, of course, till I had her lover to help me. He is a good man, your French Marquis. He has played his part splendidly. You see, it would never do to try to awake Adela Victor now. We couldn't count on her being able to keep up appearances without arousing suspicion, till the day of release arrived. But something had to be done, and that is my business especially. I have made friends with her, and I talk to her and I have attached her to me just a little, like a dog. That will give me the chance to do the rest quickly when the moment comes. You cannot bring back a vanished soul all at once unless you have laid some foundation. We have to be very, very careful, for she is keenly watched, but I think—yes, I am sure—it is going well."

      "Oh, bravo!" I cried. "That makes Number Two. I may tell you that I have got Number One." I gave her a short account of my doings in Norway. "Two of the poor devils will get out of the cage anyhow. I wonder if it wouldn't be possible to pass the word to Victor and the Duke. It would relieve their anxiety."

      "I thought of that," she replied, "but Colonel Arbuthnot says No, on no account. He says it might ruin everything. He takes a very solemn view of the affair, you know. And so do I. I have seen Mr. Medina."

      "Where?" I asked in astonishment.

      "I got Aunt Doria to take me to a party where he was to be present. Don't be worried. I wasn't introduced to him, and he never heard my name. But I watched him, and knowing what I did I was more afraid than I have ever been in my life. He is extraordinarily attractive—no, not attractive—seductive, and he is as cold and hard as chilled steel. You know these impressions I get of people which I can't explain—you say they are always right. Well,