The Heart of Mid-Lothian, Complete. Walter Scott

when the chaise had been ordered to attend; and saying he would be in readiness, modestly withdrew from the apartment.

      “Jack,” said the barrister to his companion, “I remember that poor fellow’s face; you spoke more truly than you were aware of; he really is one of my clients, poor man.”

      “Poor man!” echoed Halkit—“I suppose you mean he is your one and only client?”

      “That’s not my fault, Jack,” replied the other, whose name I discovered was Hardie. “You are to give me all your business, you know; and if you have none, the learned gentleman here knows nothing can come of nothing.”

      “You seem to have brought something to nothing though, in the case of that honest man. He looks as if he were just about to honour with his residence the Heart of Mid-Lothian.”

      “You are mistaken—he is just delivered from it.—Our friend here looks for an explanation. Pray, Mr. Pattieson, have you been in Edinburgh?”

      I answered in the affirmative.

      “Then you must have passed, occasionally at least, though probably not so faithfully as I am doomed to do, through a narrow intricate passage, leading out of the north-west corner of the Parliament Square, and passing by a high and antique building with turrets and iron grates,

      Making good the saying odd,

       ‘Near the church and far from God’ ”—

      Mr. Halkit broke in upon his learned counsel, to contribute his moiety to the riddle—“Having at the door the sign of the Red man”—

      “And being on the whole,” resumed the counsellor interrupting his friend in his turn, “a sort of place where misfortune is happily confounded with guilt, where all who are in wish to get out”—

      “And where none who have the good luck to be out, wish to get in,” added his companion.

      “I conceive you, gentlemen,” replied I; “you mean the prison.”

      “The prison,” added the young lawyer—“You have hit it—the very reverend Tolbooth itself; and let me tell you, you are obliged to us for describing it with so much modesty and brevity; for with whatever amplifications we might have chosen to decorate the subject, you lay entirely at our mercy, since the Fathers Conscript of our city have decreed that the venerable edifice itself shall not remain in existence to confirm or to confute its.”

      “Then the Tolbooth of Edinburgh is called the Heart of Mid-Lothian?” said I.

      “So termed and reputed, I assure you.”

      “I think,” said I, with the bashful diffidence with which a man lets slip a pun in presence of his superiors, “the metropolitan county may, in that case, be said to have a sad heart.”

      “Right as my glove, Mr. Pattieson,” added Mr. Hardie; “and a close heart, and a hard heart—Keep it up, Jack.”

      “And a wicked heart, and a poor heart,” answered Halkit, doing his best.

      “And yet it may be called in some sort a strong heart, and a high heart,” rejoined the advocate. “You see I can put you both out of heart.”

      “I have played all my hearts,” said the younger gentleman.

      “Then we’ll have another lead,” answered his companion.—“And as to the old and condemned Tolbooth, what pity the same honour cannot be done to it as has been done to many of its inmates. Why should not the Tolbooth have its ‘Last Speech, Confession, and Dying Words?’ The old stones would be just as conscious of the honour as many a poor devil who has dangled like a tassel at the west end of it, while the hawkers were shouting a confession the culprit had never heard of.”

      “I am afraid,” said I, “if I might presume to give my opinion, it would be a tale of unvaried sorrow and guilt.”

      “Not entirely, my friend,” said Hardie; “a prison is a world within itself, and has its own business, griefs, and joys, peculiar to its circle. Its inmates are sometimes short-lived, but so are soldiers on service; they are poor relatively to the world without, but there are degrees of wealth and poverty among them, and so some are relatively rich also. They cannot stir abroad, but neither can the garrison of a besieged fort, or the crew of a ship at sea; and they are not under a dispensation quite so desperate as either, for they may have as much food as they have money to buy, and are not obliged to work, whether they have food or not.”

      “But what variety of incident,” said I (not without a secret view to my present task), “could possibly be derived from such a work as you are pleased to talk of?”

      “Infinite,” replied the young advocate. “Whatever of guilt, crime, imposture, folly, unheard-of misfortunes, and unlooked-for change of fortune, can be found to chequer life, my Last Speech of the Tolbooth should illustrate with examples sufficient to gorge even the public’s all-devouring appetite for the wonderful and horrible. The inventor of fictitious narratives has to rack his brains for means to diversify his tale, and after all can hardly hit upon characters or incidents which have not been used again and again, until they are familiar to the eye of the reader, so that the development, enle’vement, the desperate wound of which the hero never dies, the burning fever from which the heroine is sure to recover, become a mere matter of course. I join with my honest friend Crabbe, and have an unlucky propensity to hope, when hope is lost, and to rely upon the cork-jacket, which carries the heroes of romance safe through all the billows of affliction.” He then declaimed the following passage, rather with too much than too little emphasis:—

      Much have I feared, but am no more afraid,

       When some chaste beauty by some wretch betrayed,

       Is drawn away with such distracted speed,

       That she anticipates a dreadful deed.

       Not so do I—Let solid walls impound

       The captive fair, and dig a moat around;

       Let there be brazen locks and bars of steel,

       And keepers cruel, such as never feel;

       With not a single note the purse supply,

       And when she begs, let men and maids deny;

       Be windows there from which she dare not fall,

       And help so distant, ’tis in vain to call;

       Still means of freedom will some Power devise,

       And from the baffled ruffian snatch his prize.

      “The end of uncertainty,” he concluded, “is the death of interest; and hence it happens that no one now reads novels.”

      “Hear him, ye gods!” returned his companion. “I assure you, Mr. Pattieson, you will hardly visit this learned gentleman, but you are likely to find the new novel most in repute lying on his table—snugly intrenched, however, beneath Stair’s Institutes, or an open volume of Morrison’s Decisions.”

      “Do I deny it?” said the hopeful jurisconsult, “or wherefore should I, since it is well known these Delilahs seduce my wisers and my betters? May they not be found lurking amidst the multiplied memorials of our most distinguished counsel, and even peeping from under the cushion of a judge’s arm-chair? Our seniors at the bar, within the bar, and even on the bench, read novels; and, if not belied, some of them have written novels into the bargain. I only say, that I read from habit and from indolence, not from real interest; that, like ancient Pistol devouring his leek, I read and swear till I get to the end of the narrative. But not so in the real records of human vagaries—not so in the State Trials, or in the Books of Adjournal, where every now and then you read new pages of the human heart, and turns of fortune far beyond what the boldest novelist ever attempted to produce from the coinage of his brain.”

      “And for such narratives,” I asked, “you suppose the History of the Prison of Edinburgh might afford appropriate materials?”

      “In