Journal of Biblical and Pneumatological Research. Paul Elbert

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Название Journal of Biblical and Pneumatological Research
Автор произведения Paul Elbert
Жанр Религия: прочее
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Издательство Религия: прочее
Год выпуска 0
isbn 9781498275316



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Greg Carey and L. Gregory Bloomquist, eds., Vision and Persuasion: Rhetorical Dimensions of Apocalyptic Discourse (St. Louis, MO: Chalice, 1999).

      Hence, the hearer forms a partnership with the speaker or writer in constructing the argument; there is often a need for “audience participation” in the construction of parts of the argument. John T. Kirby, “The Rhetorical Situations of Revelation 1–3,” NTS 34 (1988): 197–207, sheds light on the nature of enthymemes in that “[they] advance conclusions on the strength of premises which may or may not be explicitly formulated. Premises are often expressed in Greek by oti or gar, conclusions by oun. The use of logos here is important because the pronouncements, though absolute, are seen not to be irrationally despotic: there is logos, a rationale, underlying them all” (202–203).

      Whereas 5:5–6 (lion/Lamb) is one single vision, in ch. 7 there are two distinct visions, introduced by Meta_ tou~to ei]don (7:1) and Meta_ tau~ta ei]don (7:9): the activity of the 144,000 in 7:1–8 and the vision of the great multitude in 7:9–17 (see Ekkehardt Muller, Microstructural Analysis of Revelation 4–11 [Berrien Springs, MI: Andrews University Press, 1994], 258, for the analysis of the formula introducing visions).

      Whereas in 5:5–6, the “hearing” (implicit) of the lion is immediately followed by the sight of the sacrificed Lamb (ei]don), in ch. 7, each vision (7:1–8 and 7:9–17) has its own distinctive analogue of sight/sound as follows.

      Scene A. 7:1–8: John “sees” (Meta_ tou~to ei]don) the four angels holding back the winds of the earth; he “sees” (kai\ ei]don) another angel coming with the seal of God; he “hears” (h!kousa) the number of each of the tribes of the 144,000 to be sealed.

      Scene B. 7:9–17: Here, John “sees” (Meta_ tau~ta ei]don) the great multitude; he “hears” (implicit) their songs (vv. 10, 11); he then “hears” (implicit) the description and explanation of who the crowd is.

      Clearly, then, the pattern of analogues is different in 5:5–6 and 7:1–8, 9–17. This is not to say that John does not intend some relation between the two. Most likely, he does. The point is that the relation must be made based on interpretation, not on the form of the analogues. Indeed, we suggest that this is one of the most beneficial aspects of our analysis — that it allows for a more explicit and accurate understanding of the relation of passages through the text of the Apocalypse.

      Sensitivity to Aural Elements of a Text: Some Acoustical Elements in Revelation

      DAVID SEAL

      [email protected]

      Regent University, Virginia Beach, Virginia 23464

      Introduction

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