SENTIMENTAL TOMMY & Its Sequel, Tommy and Grizel (Illustrated Edition). J. M. Barrie

it with her hand and holding it to her breast like a lassie with a pigeon. "Isn't it sweet?" she said, and before he could stop her she kissed it. She forgot it was no letter of hers, and made to open it, and then she fell a-trembling and saying she durst not read it, for you never knew whether the first words might not break your heart. The envelope was red where her lips had touched it, and yet she had an innocent look beneath the paint. When he took the letter from her, though, she called him a low, vulgar fellow for presuming to address a lady. She worked herself into a fury, and said far worse than that; a perfect guller of clarty language came pouring out of her. He had heard women curse many a time without turning a hair, but he felt wae when she did it, for she just spoke it like a bairn that had been in ill company.

      The smith's wife, Suphy, who had joined the company, thought that men were easily taken in, especially smiths. She offered, however, to convey the letter to Double Dykes. She was anxious to see the inside of the Painted Lady's house, and this would be a good opportunity. She admitted that she had crawled to the east window of it before now, but that dour bairn of the Painted Lady's had seen her head and whipped down the blind.

      Unfortunate Suphy! she could not try the window this time, as it was broad daylight, and the Painted Lady took the letter from her at the door. She returned crestfallen, and for an hour nothing happened. The mole-catcher went off to the square, saying, despondently, that nothing would happen until he was round the corner. No sooner had he rounded the corner than something did happen.

      A girl who had left Double Dykes with a letter was walking quickly toward Monypenny. She wore a white pinafore over a magenta frock, and no one could tell her whether she was seven or eight, for she was only the Painted Lady's child. Some boys, her natural enemies, were behind; they had just emerged from the Den, and she heard them before they saw her, and at once her little heart jumped and ran off with her. But the halloo that told her she was discovered checked her running. Her teeth went into her underlip; now her head was erect. After her came the rabble with a rush, flinging stones that had no mark and epithets that hit. Grizel disdained to look over her shoulder. Little hunted child, where was succor to come from if she could not fight for herself?

      Though under the torture she would not cry out. "What's a father?" was their favorite jeer, because she had once innocently asked this question of a false friend. One tried to snatch the letter from her, but she flashed him a look that sent him to the other side of the dyke, where, he said, did she think he was afraid of her? Another strutted by her side, mimicking her in such diverting manner that presently the others had to pick him out of the ditch. Thus Grizel moved onward defiantly until she reached Monypenny, where she tossed the letter in at the smithy door and immediately returned home. It was the letter that had been sent to her mother, now sent back, because it was meant for the dead farmer after all.

      The smith read Jean Myles's last letter, with a face of growing gravity. "Dear Double Dykes," it said, "I send you these few scrapes to say I am dying, and you and Aaron Latta was seldom sindry, so I charge you to go to him and say to him 'Aaron Latta, it's all lies Jean Myles wrote to Thrums about her grandeur, and her man died mony year back, and it was the only kindness he ever did her, and if she doesna die quick, her and her starving bairns will be flung out into the streets.' If that doesna move him, say, 'Aaron Latta, do you mind yon day at Inverquharity and the cushie doos?' likewise, 'Aaron Latta, do you mind yon day at the Kaims of Airlie?' likewise, 'Aaron Latta, do you mind that Jean Myles was ower heavy for you to lift? Oh, Aaron, you could lift me so pitiful easy now.' And syne says you solemnly three times, 'Aaron Latta, Jean Myles is lying dying all alone in a foreign land; Aaron Latta, Jean Myles is lying dying all alone in a foreign land; Aaron Latta, Jean Myles is lying dying all alone in a foreign land.' And if he's sweer to come, just say, 'Oh, Aaron, man, you micht; oh, Aaron, oh, Aaron, are you coming?'"

      The smith had often denounced this woman, but he never said a word against her again. He stood long reflecting, and then took the letter to Blinder and read it to him.

      "She doesna say, 'Oh, Aaron Latta, do you mind the Cuttle Well?'" was the blind man's first comment.

      "She was thinking about it," said Auchterlonie.

      "Ay, and he's thinking about it," said Blinder, "night and day, night and day. What a town there'll be about that letter, smith!"

      "There will. But I'm to take it to Aaron afore the news spreads. He'll never gang to London though."

      "I think he will, smith."

      "I ken him well."

      "Maybe I ken him better."

      "You canna see the ugly mark it left on his brow."

      "I can see the uglier marks it has left in his breast."

      "Well, I'll take the letter; I can do no more."

      When the smith opened the door of Aaron's house he let out a draught of hot air that was glad to be gone from the warper's restless home. The usual hallan, or passage, divided the but from the ben, and in the ben a great revolving thing, the warping-mill, half filled the room. Between it and a pile of webs that obscured the light a little silent man was sitting on a box turning a handle. His shoulders were almost as high as his ears, as if he had been caught forever in a storm, and though he was barely five and thirty, he had the tattered, dishonored beard of black and white that comes to none till the glory of life has gone.

      Suddenly the smith appeared round the webs. "Aaron," he said, awkwardly, "do you mind Jean Myles?"

      The warper did not for a moment take his eyes off a contrivance with pirns in it that was climbing up and down the whirring mill.

      "She's dead," he answered.

      "She's dying," said the smith.

      A thread broke, and Aaron had to rise to mend it.

      "Stop the mill and listen," Auchterlonie begged him, but the warper returned to his seat and the mill again revolved.

      "This is her dying words to you," continued the smith. "Did you speak?"

      "I didna, but I wish you would take your arm off the haik."

      "She's loath to die without seeing you. Do you hear, man? You shall listen to me, I tell you."

      "I am listening, smith," the warper replied, without rancour. "It's but right that you should come here to take your pleasure on a shamed man." His calmness gave him a kind of dignity.

      "Did I ever say you was a shamed man, Aaron?"

      "Am I not?" the warper asked quietly; and Auchterlonie hung his head.

      Aaron continued, still turning the handle, "You're truthful, and you canna deny it. Nor will you deny that I shamed you and every other mother's son that night. You try to hod it out o' pity, smith, but even as you look at me now, does the man in you no rise up against me?"

      "If so," the smith answered reluctantly, "if so, it's against my will."

      "It is so," said Aaron, in the same measured voice, "and it's right that it should be so. A man may thieve or debauch or murder, and yet no be so very different frae his fellow-men, but there's one thing he shall not do without their wanting to spit him out o' their mouths, and that is, violate the feelings of sex."

      The strange words in which the warper described his fall had always an uncomfortable effect on those who heard him use them, and Auchterlonie could only answer in distress, "Maybe that's what it is."

      "That's what it is. I have had twal lang years sitting on this box to think it out. I blame none but mysel'."

      "Then you'll have pity on Jean in her sair need," said the smith. He read slowly the first part of the letter, but Aaron made no comment, and the mill had not stopped for a moment.

      "She says," the smith proceeded, doggedly—"she says to say to you, 'Aaron Latta, do you mind yon day at Inverquharity and the cushie doos?'"

      Only the monotonous whirr of the mill replied.

      "She says, 'Aaron Latta, do you mind that Jean Myles was ower heavy for you to lift? Oh, Aaron, you could lift me so pitiful easy now.'"

      Another