SENTIMENTAL TOMMY & Its Sequel, Tommy and Grizel (Illustrated Edition). J. M. Barrie

bottom o' my kist there's a little silver teapot. It's no' real silver, but it's fell bonny. I bought it for Elspeth twa or three months back when I saw I couldna last the winter. I bought it to her for a marriage present. She's no' to see it till her wedding-day comes round. Syne you're to give it to her, man, and say it's with her mother's love. Tell her all about me, for it canna harm her then. Tell her of the fool lies I sent to Thrums, but dinna forget what a bonny place I thought it all the time, nor how I stood on many a driech night at the corner of that street, looking so waeful at the lighted windows, and hungering for the wring of a Thrums hand or the sound of the Thrums word, and all the time the shrewd blasts cutting through my thin trails of claithes. Tell her, man, how you and me spent this night, and how I fought to keep my hoast down so as no' to waken her. Mind that whatever I have been, I was aye fond o' my bairns, and slaved for them till I dropped. She'll have long forgotten what I was like, and it's just as well, but yet—Look at me, Tommy, look long, long, so as you'll be able to call up my face as it was on the far-back night when I telled you my mournful story. Na, you canna see in the dark, but haud my hand, haud it tight, so that, when you tell Elspeth, you'll mind how hot it was, and the skin loose on it; and put your hand on my cheeks, man, and feel how wet they are wi' sorrowful tears, and lay it on my breast, so that you can tell her how I was shrunk awa'. And if she greets for her mother a whiley, let her greet."

      The sobbing boy hugged his mother. "Do you think I'm an auld woman?" she said to him.

      "You're gey auld, are you no'?" he answered.

      "Ay," she said, "I'm gey auld; I'm nine and twenty. I was seventeen on the day when Aaron Latta went half-road in the cart wi' me to Cullew, hauding my hand aneath my shawl. He hadna spiered me, but I just kent."

      Tommy remained in his mother's bed for the rest of the night, and so many things were buzzing in his brain that not for an hour did he think it time to repeat his new prayer. At last he said reverently: "O God, keep me from being a magerful man!" Then he opened his eyes to let God see that his prayer was ended, and added to himself: "But I think I would fell like it."

      Chapter XI.

       Aaron Latta

       Table of Contents

      The Airlie post had dropped the letters for outlying farms at the Monypenny smithy and trudged on. The smith having wiped his hand on his hair, made a row of them, without looking at the addresses, on his window-sill, where, happening to be seven in number, they were almost a model of Monypenny, which is within hail of Thrums, but round the corner from it, and so has ways of its own. With the next clang on the anvil the middle letter fell flat, and now the likeness to Monypenny was absolute.

      Again all the sound in the land was the melancholy sweet kink, kink, kink of the smith's hammer.

      Across the road sat Dite Deuchars, the mole-catcher, a solitary figure, taking his pleasure on the dyke. Behind him was the flour-miller's field, and beyond it the Den, of which only some tree-tops were visible. He looked wearily east the road, but no one emerged from Thrums; he looked wearily west the road, which doubled out of sight at Aaron Latta's cottage, little more than a stone's throw distant. On the inside of Aaron's window an endless procession seemed to be passing, but it was only the warping mill going round. It was an empty day, but Dite, the accursed, was used to them; nothing ever happened where he was, but many things as soon as he had gone.

      He yawned and looked at the houses opposite. They were all of one story; the smith's had a rusty plough stowed away on its roof; under a window stood a pew and bookboard, bought at the roup of an old church, and thus transformed into a garden-seat. There were many of them in Thrums that year. All the doors, except that of the smithy, were shut, until one of them blew ajar, when Dite knew at once, from the smell which crossed the road, that Blinder was in the bunk pulling the teeth of his potatoes. May Ann Irons, the blind man's niece, came out at this door to beat the cistern with a bass, and she gave Dite a wag of her head. He was to be married to her if she could get nothing better.

      By and by the Painted Lady came along the road. She was a little woman, brightly dressed, so fragile that a collie might have knocked her over with his tail, and she had a beautiful white-and-pink face, the white ending of a sudden in the middle of her neck, where it met skin of a duller color. As she tripped along with mincing gait, she was speaking confidentially to herself, but when she saw Dite grinning, she seemed, first, afraid, and then sorry for herself, and then she tried to carry it off with a giggle, cocking her head impudently at him. Even then she looked childish, and a faded guilelessness, with many pretty airs and graces, still lingered about her, like innocent birds loath to be gone from the spot where their nest has been. When she had passed monotony again reigned, and Dite crossed to the smithy window, though none of the letters could be for him. He could read the addresses on six of them, but the seventh lay on its back, and every time he rose on his tip-toes to squint down at it, the spout pushed his bonnet over his eyes.

      "Smith," he cried in at the door, "to gang hame afore I ken wha that letter's to is more than I can do."

      The smith good-naturedly brought the letter to him, and then glancing at the address was dumfounded. "God behears," he exclaimed, with a sudden look at the distant cemetery, "it's to Double Dykes!"

      Dite also shot a look at the cemetery. "He'll never get it," he said, with mighty conviction.

      The two men gazed at the cemetery for some time, and at last Dite muttered, "Ay, ay, Double Dykes, you was aye fond o' your joke!"

      "What has that to do wi' 't?" rapped out the smith, uncomfortably.

      Dite shuddered. "Man," he said, "does that letter no bring Double Dykes back terrible vive again! If we was to see him climbing the cemetery dyke the now, and coming stepping down the fields in his moleskin waistcoat wi' the pearl buttons—"

      Auchterlonie stopped him with a nervous gesture.

      "But it couldna be the pearl buttons," Dite added thoughtfully, "for Betty Finlayson has been wearing them to the kirk this four year. Ay, ay, Double Dykes, that puts you farther awa' again."

      The smith took the letter to a neighbor's house to ask the advice of old Irons, the blind tailor, who when he lost his sight had given himself the name of Blinder for bairns to play with.

      "Make your mind easy, smith," was Blinder's counsel. "The letter is meant for the Painted Lady. What's Double Dykes? It's but the name of a farm, and we gave it to Sanders because he was the farmer. He's dead, and them that's in the house now become Double Dykes in his place."

      But the Painted Lady only had the house, objected Dite; Nether Drumgley was farming the land, and so he was the real Double Dykes. True, she might have pretended to her friends that she had the land also.

      She had no friends, the smith said, and since she came to Double Dykes from no one could find out where, though they knew her furniture was bought in Tilliedrum, she had never got a letter. Often, though, as she passed his window she had keeked sideways at the letters, as bairns might look at parlys. If he made a tinkle with his hammer at such times off she went at once, for she was as easily flichtered as a field of crows, that take wing if you tap your pipe on the loof of your hand. It was true she had spoken to him once; when he suddenly saw her standing at his smiddy door, the surprise near made him fall over his brot. She looked so neat and ladylike that he gave his hair a respectful pull before he remembered the kind of woman she was.

      And what was it she said to him? Dite asked eagerly.

      She had pointed to the letters on the window-sill, and said she, "Oh, the dear loves!" It was a queer say, but she had a bonny English word. The English word was no doubt prideful, but it melted in the mouth like a lick of sirup. She offered him sixpence for a letter, any letter he liked, but of course he refused it. Then she prigged with him just to let her hold one in her hands, for said she, bairnlike, "I used to get one every day." It so happened that one of the letters was to Mysy Bobbie; and Mysy was of so little importance that he thought there would be no harm in letting the Painted Lady hold her letter, so he gave it to her, and you should have seen her dawting