THE COMPLETE ROUGON-MACQUART SERIES (All 20 Books in One Edition). Эмиль Золя

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Название THE COMPLETE ROUGON-MACQUART SERIES (All 20 Books in One Edition)
Автор произведения Эмиль Золя
Жанр Языкознание
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Издательство Языкознание
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isbn 9788027219599



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strange voluptuousness, to which Heaven, by the mournful accents of the tocsin, was promising early gratification. To die! To die! The bells repeated these words with increasing passion, and the lovers yielded to the calls of the darkness; they fancied they experienced a foretaste of the last sleep, in the drowsiness into which they again sank, whilst their lips met once more.

      Miette no longer turned away. It was she, now, who pressed her lips to Silvere’s, who sought with mute ardour for the delight whose stinging smart she had not at first been able to endure. The thought of approaching death had excited her; she no longer felt herself blushing, but hung upon her love, while he in faltering voice repeated: “I love you! I love you!”

      But at this Miette shook her head, as if to say it was not true. With her free and ardent nature she had a secret instinct of the meaning and purposes of life, and though she was right willing to die she would fain have known life first. At last, growing calmer, she gently rested her head on the young man’s shoulder, without uttering a word. Silvere kissed her again. She tasted those kisses slowly, seeking their meaning, their hidden sweetness. As she felt them course through her veins, she interrogated them, asking if they were all love, all passion. But languor at last overcame her, and she fell into gentle slumber. Silvere had enveloped her in her pelisse, drawing the skirt around himself at the same time. They no longer felt cold. The young man rejoiced to find, from the regularity of her breathing, that the girl was now asleep; this repose would enable them to proceed on their way with spirit. He resolved to let her slumber for an hour. The sky was still black, and the approach of day was but faintly indicated by a whitish line in the east. Behind the lovers there must have been a pine wood whose musical awakening it was that the young man heard amidst the morning breezes. And meantime the wailing of the bells grew more sonorous in the quivering atmosphere, lulling Miette’s slumber even as it had accompanied her passionate fever.

      Until that troublous night, these young people had lived through one of those innocent idylls that blossom among the toiling masses, those outcasts and folks of simple mind amidst whom one may yet occasionally find amours as primitive as those of the ancient Greek romances.

      Miette had been scarcely nine years old at the time when her father was sent to the galleys for shooting a gendarme. The trial of Chantegreil had remained a memorable case in the province. The poacher boldly confessed that he had killed the gendarme, but he swore that the latter had been taking aim at him. “I only anticipated him,” he said, “I defended myself; it was a duel, not a murder.” He never desisted from this line of argument. The presiding Judge of the Assizes could not make him understand that, although a gendarme has the right to fire upon a poacher, a poacher has no right to fire upon a gendarme. Chantegreil escaped the guillotine, owing to his obviously sincere belief in his own innocence, and his previous good character. The man wept like a child when his daughter was brought to him prior to his departure for Toulon. The little thing, who had lost her mother in her infancy, dwelt at this time with her grandfather at Chavanoz, a village in the passes of the Seille. When the poacher was no longer there, the old man and the girl lived upon alms. The inhabitants of Chavanoz, all sportsmen and poachers, came to the assistance of the poor creatures whom the convict had left behind him. After a while, however, the old man died of grief, and Miette, left alone by herself, would have had to beg on the high roads, if the neighbours had not remembered that she had an aunt at Plassans. A charitable soul was kind enough to take her to this aunt, who did not, however, receive her very kindly.

      Eulalie Chantegreil, the spouse of meger Rebufat, was a big, dark, stubborn creature, who ruled the home. She led her husband by the noise, said the people of the Faubourg of Plassans. The truth was, Rebufat, avaricious and eager for work and gain, felt a sort of respect for this big creature, who combined uncommon vigour with strict sobriety and economy.

      Thanks to her, the household thrived. The meger grumbled one evening when, on returning home from work, he found Miette installed there. But his wife closed his mouth by saying in her gruff voice: “Bah, the little thing’s strongly built, she’ll do for a servant; we’ll keep her and save wages.”

      This calculation pleased Rebufat. He went so far as to feel the little thing’s arms, and declared with satisfaction that she was sturdy for her age. Miette was then nine years old. From the very next day he made use of her. The work of the peasant-woman in the South of France is much lighter than in the North. One seldom sees them employed in digging the ground, carrying loads, or doing other kinds of men’s work. They bind sheaves, gather olives and mulberry leaves; perhaps their most laborious work is that of weeding. Miette worked away willingly. Open-air life was her delight, her health. So long as her aunt lived she was always smiling. The good woman, in spite of her roughness, at last loved her as her own child; she forbade her doing the hard work which her husband sometimes tried to force upon her, saying to the latter:

      “Ah! you’re a clever fellow! You don’t understand, you fool, that if you tire her too much to-day, she won’t be able to do anything tomorrow!”

      This argument was decisive. Rebufat bowed his head, and carried the load which he had desired to set on the young girl’s shoulders.

      The latter would have lived in perfect happiness under the secret protection of her aunt Eulalie, but for the teasing of her cousin, who was then a lad of sixteen, and employed his idle hours in hating and persecuting her. Justin’s happiest moments were those when by means of some gross falsehood he succeeded in getting her scolded. Whenever he could tread on her feet, or push her roughly, pretending not to have seen her, he laughed and felt the delight of those crafty folks who rejoice at other people’s misfortunes. Miette, however, would stare at him with her large black childish eyes gleaming with anger and silent scorn, which checked the cowardly youngster’s sneers. In reality he was terribly afraid of his cousin.

      The young girl was just attaining her eleventh year when her aunt Eulalie suddenly died. From that day everything changed in the house. Rebufat gradually come to treat her like a farm-labourer. He overwhelmed her with all sorts of rough work, and made use of her as a beast of burden. She never even complained, however, thinking that she had a debt of gratitude to repay him. In the evening, when she was worn out with fatigue, she mourned for her aunt, that terrible woman whose latent kindliness she now realised. However, it was not the hard work that distressed her, for she delighted in her strength, and took a pride in her big arms and broad shoulders. What distressed her was her uncle’s distrustful surveillance, his continual reproaches, and the irritated employer-like manner he assumed towards her. She had now become a stranger in the house. Yet even a stranger would not have been so badly treated as she was. Rebufat took the most unscrupulous advantage of this poor little relative, whom he pretended to keep out of charity. She repaid his harsh hospitality ten times over with her work, and yet never a day passed but he grudged her the bread she ate. Justin especially excelled in wounding her. Since his mother had been dead, seeing her without a protector, he had brought all his evil instincts into play in trying to make the house intolerable to her. The most ingenious torture which he invented was to speak to Miette of her father. The poor girl, living away from the world, under the protection of her aunt, who had forbidden any one ever to mention the words “galleys” or “convict” before her, hardly understood their meaning. It was Justin who explained it to her by relating, in his own manner, the story of the murder of the gendarme, and Chantegreil’s conviction. There was no end to the horrible particulars he supplied: the convicts had a cannonball fastened to one ankle by a chain, they worked fifteen hours a day, and all died under their punishment; their prison, too, was a frightful place, the horrors of which he described minutely. Miette listened to him, stupefied, her eyes full of tears. Sometimes she was roused to sudden violence, and Justin quickly retired before her clenched fists. However, he took a savage delight in thus instructing her as to the nature of prison life. When his father flew into a passion with the child for any little negligence, he chimed in, glad to be able to insult her without danger. And if she attempted to defend herself, he would exclaim: “Bah! bad blood always shows itself. You’ll end at the galleys like your father.”

      At this Miette sobbed, stung to the heart, powerless and overwhelmed with shame.

      She was already growing to womanhood at this period. Of precocious nature, she endured her martyrdom with extraordinary fortitude. She rarely gave way, excepting when her natural pride