Критика
Различные книги в жанре КритикаЗаконы Фьезоле
Вниманию читателей предлагается книга выдающегося теоретика искусства Джона Рёскина (1819–1900), посвященная изобразительному искусству. Автор, в свое время много путешествовавший по Италии, излагает принципы рисования, установленные великим флорентийцем Джотто (Фьезоле – пригород Флоренции). Эти принципы – истинные законы красоты – отличаются от методов классических школ, которые считались общепринятыми и в которых, по мнению автора, содержатся серьезные ошибки и недостатки. Книга включает в себя серию практических приемов и упражнений, которые рекомендуются молодым людям, имеющим склонность к рисованию, а также афоризмы Рёскина, признанного мастера этого литературного жанра.
О романтизме
«Под романтизмом в просторечии принято всегда понимать нечто, хотя и весьма возвышенное, но отвлеченное; хотя и поэтическое, но туманное и расплывчатое; а главное – далекое от жизни, оторванное от действительности… Человека отвлеченного, рассеянного, неуклюжего, непрактичного мы склонны называть романтиком…»
Новая сцена и новая драма
«Вычурно разукрашенная ваза; она расколота пополам, но половины ее соединены и скреплены старой, перегнивающей веревкой. В вазе пустили побеги лесные фиалки. Нарядная, массивная античная колонна; она брошена на землю и разбита. Обломки колонны покрыты дикими полевыми цветами. Лет десять тому назад подобного рода рисунки и виньетки неизменно красовались на заглавных листах и страницах западно-европейских художественных журналов, взявших под свое покровительство «новое искусство» …»
Записки о современных вопросах России
Гусарский полковник Г. Н. Палеолог в пореформенные годы выступал как заурядный военный историк и довольно плодовитый публицист. Рецензируемая Салтыковым книга представляет собой сборник связанных только общим реакционным духом тринадцати статей, посвященных самым различным вопросам – от положения народного хозяйства при вольнонаемном труде до устройства полковых комитетов для контроля за расходованием хозяйственных денег. Салтыков не только разоблачает крепостническую направленность сборника – он использует его содержание, чтобы тонко провести мысль, что самодержавная власть по своей природе противится реформам и вынуждена идти на них лишь под давлением обстоятельств.
Time Travel
AN OBSERVER BOOK OF THE YEARFrom the acclaimed author of The Information and Chaos, a mind-bending exploration of time travel: its subversive origins, its evolution in literature and science, and its influence on our understanding of time itself.Gleick's story begins at the turn of the twentieth century with the young H. G. Wells writing and rewriting the fantastic tale that became his first book, an international sensation, The Time Machine. A host of forces were converging to transmute the human understanding of time, some philosophical and some technological – the electric telegraph, the steam railroad, the discovery of buried civilisations, and the perfection of clocks. Gleick tracks the evolution of time travel as an idea in the culture – from Marcel Proust to Doctor Who, from Woody Allen to Jorge Luis Borges. He explores the inevitable looping paradoxes and examines the porous boundary between pulp fiction and modern physics. Finally, he delves into a temporal shift that is unsettling our own moment: the instantaneous wired world, with its all-consuming present and vanishing future.
Time Bites: Views and Reviews
Assembled here for the first time in book form are the very best occasional writings from the winner of the Nobel Prize for Literature.A selection of the very best of Doris Lessing's essays: articles on writers as diverse as Jane Austen, Muriel Spark, Virginia Woolf, D. H. Lawrence and Mikael Bulgakov sit alongside autobiographical looks at the beliefs that have shaped Lessing’s thinking. There are adoring and adorable pieces on the beloved cats that she has allowed to share her life, and insightful looks at the Africa in which she grew up, and London and England, the place where she made her home.The range of subjects, cultures and periods within these essays is huge, but the collection is utterly consistent in one key regard: Doris Lessing’s clear-eyed vision and clearly expressed prose are present throughout. There is a huge amount of wisdom and entertainment in these pages, shot through with Lessing’s infectiously forthright, zestful and impish spirit.
A House of Air
WITH AN INTRODUCTION BY HERMIONE LEEThe previously uncollected occasional prose of a great English writer – full of wit, feeling and illumination.Penelope Fitzgerald was a prolific letter writer. She avoided the phone if she could, never even contemplated the possibility of going online. Her warmth, humour and supreme storytelling abilities found their best forum here. Surprising, wonderfully funny, definitive, this is a major collection of Penelope Fitzgerald’s reviews, essays and autobiographical writings.This collection includes pieces on contemporary novelists Giles Foden, Anne Enright, Carol Shields, Rose Tremain, Roddy Doyle; on classic writers Muriel Spark, A.E. Housman, Rose Macaulay, M.R. James, Stevie Smith, Dorothy L. Sayers; on remembering her grandfather E.H. Shepard; on her love of Devon and Spain and William Morris: on writers in their old age; and witty and poignant recollections of her schooldays, her life on a Thames barge, her childhood in Hampstead and the ghost who lived next door but one.This is a fantastically funny book – as much of an entertainment as the Kingsley Amis letters.
A Secret Vice: Tolkien on Invented Languages
First ever critical study of Tolkien’s little-known essay, which reveals how language invention shaped the creation of Middle-earth and beyond, to George R R Martin’s Game of Thrones.J.R.R. Tolkien’s linguistic invention was a fundamental part of his artistic output, to the extent that later on in life he attributed the existence of his mythology to the desire to give his languages a home and peoples to speak them. As Tolkien puts it in ‘A Secret Vice’, ‘the making of language and mythology are related functions’’.In the 1930s, Tolkien composed and delivered two lectures, in which he explored these two key elements of his sub-creative methodology. The second of these, the seminal Andrew Lang Lecture for 1938–9, ‘On Fairy-Stories’, which he delivered at the University of St Andrews in Scotland, is well known. But many years before, in 1931, Tolkien gave a talk to a literary society entitled ‘A Hobby for the Home’, where he unveiled for the first time to a listening public the art that he had both himself encountered and been involved with since his earliest childhood: ‘the construction of imaginary languages in full or outline for amusement’.This talk would be edited by Christopher Tolkien for inclusion as ‘A Secret Vice’ in The Monsters and the Critics and Other Essays and serves as the principal exposition of Tolkien’s art of inventing languages. This new critical edition, which includes previously unpublished notes and drafts by Tolkien connected with the essay, including his ‘Essay on Phonetic Symbolism’, goes some way towards re-opening the debate on the importance of linguistic invention in Tolkien’s mythology and the role of imaginary languages in fantasy literature.
Proust Among the Stars: How To Read Him; Why Read Him?
The first book to address everyone who relishes reading Proust and wants to know more about how his writing works.This is a matchless close reading of a literary masterpiece, In Search of Lost Time, and a lesson in how to read the Great Books profitably and pleasurably.‘Read this excellent book’ Stuart Jeffries, Guardian‘Very refreshing… a splendidly tough-minded and generous introduction’ Gabriel Josipovici, Independent‘Brilliant’ Peter Conrad, Observer‘A splendidly thought-filled book’ Eric Griffiths, Evening StandardA book that recalls that Proust’s novel is one of the great exercises in speculative imagining in the world’s literature; and that its originality lies first in the quality of Proust’s textual invention, page after page, line after line. Art, death, sex, politics, loss, guilt, morality – all Proust’s major themes are here in all their glory, but revealed close up.
Гоа. Крушение мечты
Прежде чем куда-то попасть и увидеть что-то новое, мы создаем у себя в сознании некий образ того, что мы ожидаем увидеть. И когда мы приезжаем на новое место, то очень хотим, чтобы наше ожидание минимум соответствовало реальности. Когда же наше ожидания не совпадают с увиденным, мы испытываем горькое разочарование. Индия. Страна великой и древней культуры. Во что она превратилась, мы сможем узнать из данной статьи.