This book is a collection of studies on mental health services in Ireland from the beginning of the nineteenth century to the present day. Essays cover overall trends in patient numbers, an exploration of the development of mental health law in Ireland, and studies on individual hospitals – all of which provide incredible insight into times past and yet speak volumes about mental health in contemporary Irish society. Topics include the famous nursing strike at Monaghan Asylum in 1919, when a red flag was raised over the building; extracts from Speedwell, a hospital newsletter, showing the social and sporting life at Holywell Hospital during the 1960s; an exploration of diseases such as beriberi and tuberculosis at Dundrum and the Richmond in the 1890s; the problems encountered by doctors in Ballinasloe Asylum as they tried to exert their authority over the Governors; and the experiences of Irish emigrants who found themselves in asylums in Australia and New Zealand. The book also includes a discussion of mental health services in Ireland 1959–2010, the first time such a chronology has been published. The editor, Pauline Prior, and the contributors, including Brendan Kelly, Dermot Walsh, Elizabeth Malcolm and E.M. Crawford, are well-known scholars within the disciplines of medicine, sociology and history, coming together for the first time to present an essential book on the history of mental health services in Ireland.
County Louth and the Irish Revolution, 1912–1923 explores the local activism of the IRA and how revolution was experienced by rural and urban labourers, RIC men, republican women, cultural activists, and Big House families. Events were increasingly shaped for all these groups by the developing reality of partition, transforming a marginal county into a borderland and creating a zone of new violence and banditry. The expert contributors to the first-ever local history of the county during this period bring to light a wealth of fascinating stories that will appeal to the general public and historians alike. Critically, these stories reveal new findings about the early military skirmishes in County Louth by republican figures such as Seán MacEntee and Frank Aiken; the controversial sectarian massacre at Altnaveigh; and how the Civil War made a fiery battlefield of Dundalk and Drogheda. County Louth and the Irish Revolution, 1912–1923 documents the complexity of the local experience as the national revolution merged with long-established antagonisms and traditions, the effects of which have shaped the county ever since.
Putting Ireland on trial, Jim Larkin’s verdict was damning and resolute. His words resound, shuddering towards the present day where class division and workers’ rights disputes make headlines with swelling frequency. In this pioneering collection, an exemplary list of contributors registers the radical momentum within Dublin in 1913, its effects internationally, and its paramount example in shaping political activism within Ireland to this day. The narrative of the beleaguered yet dignified workers who stood up to the greed of their Irish masters is examined, revealing the truths that were too fraught with trauma, shame and political tension to remain within popular memory. Beyond the animosity and immediate impact of the industrial dispute are its enduring lessons through the First World War, the Easter Rising, and the birth of the Irish Free State; its legacy, real and adopted, instructs the surge of activism currently witnessed, but to what effect? The Dublin Lockout, 1913 illuminates this pivotal class war in Irish history: inspiring, shocking, and the nearest thing Ireland had to a debate on the type of society that was wanted by its citizens.
This landmark book, reissued with a new foreword to mark the centenary of Irish women being granted the right to vote, is the first comprehensive analysis of the Irish suffrage movement from its mid-nineteenth-century beginnings to when feminist militancy exploded on the streets of Dublin and Belfast in the early twentieth century. Younger, more militant suffragists took their cue from their British counterparts, two of whom travelled to Ireland to throw a hatchet into the carriage of Prime Minister Herbert Asquith on O’Connell Bridge in 1912 (missing him but grazing Home Rule leader John Redmond, who was in the same carriage; both politicians opposed giving women the Vote). Despite such dramatic publicity, and other non-violent campaigning, women’s suffrage was a minority interest in an Ireland more concerned with the issue of gaining independence from Britain. The particular complexity of the Irish struggle is explored with new perspectives on unionist and nationalist suffragists and the conflict between Home Rule and suffragism, campaigning for the vote in country towns, life in industrial Belfast, conflicting feminist views on the First World War, and the suffragist uncovering of sexual abuse and domestic violence, as well as the pioneering use of hunger strike as a political tool. The ultimate granting of the franchise in 1918 represented the end of a long-fought battle by Irish women for the right to equal citizenship, and the beginning of a new Ireland that continues to debate the rights and equality of its female citizens.
How We Speak to One Another is some of the most engaging evidence we’ve got that the essay is going strong. Here, essayists talk back to each other, to the work they love and the work that disquiets them, and to the very basic building blocks of what we understand “essay” to be. What’s compiled in these pages testifies to the endless flexibility, generosity, curiosity, and audacity of essays. Even more than that, it provides the kind of pleasure any great essay collection does—upsetting our ideas and challenging the way we organize our sense of the world. Ander Monson is the author, most recently, of Letter to a Future Lover: Marginalia, Errata, Secrets, Inscriptions, and Other Ephemera Found in Libraries (Graywolf Press). He is also the author of Vanishing Point, a finalist for the National Book Critics Circle Award, and Neck Deep and Other Predicaments. Craig Reinbold's writing has appeared in journals and magazines including the Gettysburg Review, Iowa Review, New England Review, Guernica, Gulf Coast, and Brevity. He was the managing editor of Essay Daily from 2013 to 2016. Contributors include: Ander Monson, Marcia Aldrich, Kristen Radtke, Robin Hemley, Robert Atwan, Matt Dube, Aisha Sabatini Sloan, T. Clutch Fleischmann, Rigoberto González, Kati Standefer, Julie Lauterbach-Colby, César Diaz, Emily Deprang, Lucas Mann, Danica Novgorodoff, Bonnie J. Rough, Peter Grandbois, Albert Goldbarth, Alison Hawthorne Deming, Steven Church, Bethany Maile, David Legault, Joni Tevis, John D'Agata, Meehan Crist,Thomas Mira Y Lopez, Danielle Deulen, John T. Price, Maya L. Kapoor, Chelsea Biondolillo, Megan Kimble, Brian Doyle, Nicole Walkder, Paul Lisicky, Brian Oliu, Pam Houston, Dave Mondy, Phillip Lopate, Amy Benson, Patrick Madden, Elena Passarello, Erin Zwiener, Patricia Vigderman, and Ryan Van Meter.
A follow-up to Beats at Naropa, Cross Worlds offers another view into the Naropa University archives, focusing on material that addresses cross cultural and hybridized work and collaborationsContributors to the anthology represent a broad spectrum of voices, both demographically and aesthetically, and include major figures including Allen Ginsberg, Eileen Myles, Bei Dao, and Sherwin BitsuiThe anthology addresses important questions of poetry in an increasingly globalized and post-colonial political and literary landscapeCoffee House is closely associated with Naropa, and this deepens that relationship while also fulfilling our mission of publishing books that encourage and enable the production of new artContributions to the anthology stretch from aboriginal songmen to modernist theater and has a varied, almost conversational discourse is as lively as it is far-reaching and ambitious
Illuminating African narratives for readers both inside and outside the continent. A Nigerian immigrant to Senegal explores the increasing influence of China across the region, a Kenyan student activist writes of exile in Kampala, a Liberian scientist shares her diary of the Ebola crisis, a Nigerian journalist travels to the north to meet a community at risk, a Kenyan author travels to Senegal to interview a gay rights activist, and a South African writer recounts a tale of family discord and murder in a remote seaside town. In a collection that ranges from travel writing and memoir to reportage and meditative essays, editor Ellah Wakatama Allfrey has brought together some of the most talented writers of creative nonfiction from across Africa.
A collection of essays on the war in Iraq; including pieces by Jean Chrétien and John Howard, the prime ministers during the war. When it was declared in 2003, the U.S.-led invasion of Iraq was intensely controversial. While a few of America's partners, like Australia, joined in the war, many, including Canada, refused to take part. However the war in Iraq was viewed at the time, though, it is clear that that war and the war in Afghanistan have had a profound and lasting impact on international relations. Australia, Canada, and Iraq collects essays by fifteen esteemed academics, officials, and politicians, including the prime ministers of Australia and Canada at the time of the war – John Howard and Jean Chretién, respectively. This volume takes advantage of the perspective offered by the decade since the war to provide a clearer understanding of the Australian and Canadian decisions regarding Iraq, and indeed of the invasion itself.