Gutenberg’s invention of movable type in the fifteenth century introduced an era of mass communication that permanently altered the structure of society. While publishing has been buffeted by persistent upheaval and transformation ever since, the current combination of technological developments, market pressures, and changing reading habits has led to an unprecedented paradigm shift in the world of books.Bringing together a wide range of perspectives — industry veterans and provocateurs, writers, editors, and digital mavericks — this invaluable collection reflects on the current situation of literary publishing, and provides a road map for the shifting geography of its future: How do editors and publishers adapt to this rapidly changing world? How are vibrant public communities in the Digital Age created and engaged? How can an industry traditionally dominated by white men become more diverse and inclusive? Mindful of the stakes of the ongoing transformation, Literary Publishing in the 21st Century goes beyond the usual discussion of 'print vs. digital' to uncover the complex, contradictory, and increasingly vibrant personalities that will define the future of the book.
Widely regarded as one of the most progressive and educated states in the nation, Minnesota boasts a rich literary tradition. Writers from Sinclair Lewis and F. Scott Fitzgerald to Louise Erdrich and Garrison Keillor have called it home. Like the rest of America, Minnesota has seen enormous changes over the century and a half since its founding. Population has skyrocketed, particularly into the suburbs ringing the city. Family farms have yielded to agribusiness, and waves of immigrants have given it a new, more diverse identity. Selected for both literary merit and to reflect the state's increasing changes, this anthology presents a literary mosaic of Minnesota at the outset of a new century. With writings by and about an extraordinarily wide range of voices and characters, including powerful work by Sarah Stonich and Éireann Lorsung, Fiction on a Stick is an essential collection for fans of the North Star State, regional fiction, and serious literature.
The poems in Black Dog, Black Night highlight an aspect of Vietnamese verse previously unfamiliar to American readers: its remarkable contemporary voices. Celebrating Vietnam’s diverse and thriving literary culture, the poems collected here combine elements of French Romanticism, Russian Expressionism, American Modernism, and native folk stories into a Vietnamese poetic tradition marked by vivid imagery, powerful emotions, and inventive forms. Included here are 17 postmodern and experimental Vietnamese poets, including the founding editor of Skanky Possum magazine, as well as American poets of Vietnamese descent.
English language teaching has undergone a lot of changes with fads and trends coming and going for centuries. With the widespread use of English in diverse contexts, the innovations and changes around the world, English language scholars and practitioners faced new challenges. In the 21st century, there is a great need to examine «old» and to explore contemporary issues thoroughly from different angles. This volume aims at updating perspectives on English language teaching and teacher education, with a special focus on the Turkish EFL context, exploring the status of the English language, learner-centeredness, professional development, conceptualizing teaching, and professionalism. The book will be of value to scholars, prospective and practicing teachers in the TESOL field.
Gas-Phase Chemistry in Space: From elementary particles to complex organic molecules is written by a collection of experts in the field of astrochemistry. The book introduces essential concepts that govern the formation, excitation and destruction of molecules at postgraduate and research levels. A broad range of topics are covered; from early universe chemistry and stellar nucleosynthesis, to the study of bimolecular reaction kinetics. Detailed description of the gas-phase process is provided and recent examples of the interplay between observational and laboratory astrophysics are examined. Using more than 100 figures, as well as examples, this work reveals, in detail, both theoretical and experimental perspectives that can be implemented in future discoveries.
The title Ciphers of Transcendence reflects the philosophical interests of Patrick Masterson, Emeritus Professor of Philosophy of Religion, University College Dublin. Transcendence is a millefeuille term conveying layered and diverse nuances, from the first openness of human awareness towards the outside world, to the ultimate affirmation of and commitment to a loving and infinite Transcendent. Patrick Masterson has devoted his philosophical career to reflection upon the unfathomable nature of the latter, seeking to decipher instances and images of transcendence within the realm of limited human experience. Through teaching and writing he has shared with students and readers his deeply personal reflections on questions of primal importance. Patrick Masterson’s colleagues and students – all devoted friends – here offer, in return, their diverse perspectives. The essays deal in one way or another with transcendence, examined in dialogue with a roll call of thinkers across the ages, from ancient authors to medieval masters, modern giants to recent luminaries. The volume is enhanced by the inclusion of an essay by leading contemporary thinker Alasdair MacIntyre, and a poem from Seamus Heaney that evokes across the silence of solitude the tender presence of transcendence.
Studies of Irish nationalism have been primarily historical in scope and overwhelmingly male in content. Too often, the ‘shadow of the gunman’ has dominated. Little recognition has been given to the part women have played, yet over the centuries they have undertaken a variety of roles – as combatants, prisoners, writers and politicians. In this exciting new book the full range of women’s contribution to the Irish nationalist movement is explored by writers whose interests range from the historical and sociological to the literary and cultural. From the little known contribution of women to the earliest nationalist uprisings of the 1600s and 1700s, to their active participation in the republican campaigns of the twentieth century, different chapters consider the changing contexts of female militancy and the challenge this has posed to masculine images and structures. Using a wide range of sources, including textual analysis, archives and documents, newspapers and autobiographies, interviews and action research, individual writers examine sensitive and highly complex debates around women’s role in situations of conflict. At the cutting edge of contemporary scholarship, this is a major contribution to wider feminist debates about the gendering of nationalism, raising questions about the extent to which women’s rights, demands and concerns can ever be fully accommodated within nationalist movements.
Novelist, short-story writer, critic, memoirist, broadcaster and journalist: Benedict Kiely (1919–2007) was not only one of the best known but one of the most artistically and culturally distinctive men of letters of his day. His fascination with the island of Ireland, the myths and memories of its people, and the many-voiced quality of its traditions, has secured for him a unique place in the country’s literary history. His substantial body of fiction and non-fiction is a repository of lore and learning, and amply rewards not only the interest shown in it over many years by his popularity among the general public, but also that of Irish and international literary scholarship. Strangely, however, despite his renowned reputation and canonical status, Kiely remains a writer whose work has generated surprisingly little secondary literature, academic or otherwise. This charming collection of twelve essays by some of Ireland’s foremost writers and esteemed international critics, in this, his centenary year, will breathe new life into Kiely’s work and place him back where he belongs, at the heart of Irish literature.
Originally published in 1960 and edited by Conor Cruise O’Brien, The Shaping of Modern Ireland was a seminal work surveying the lives of prominent early twentieth-century figures who influenced Irish affairs in the years between the death of Charles Stewart Parnell in 1891 and the Easter Rising of 1916. The chapters were written by leading historians and commentators from the Ireland of the 1950s, some of whom personally knew the subjects of their essays. This volume draws its inspiration from that seminal work. Written by some of today’s leading figures from the world of Irish history, politics, journalism and the arts, it revisits a crucial phase in the country’s history, one that culminated in the Easter Rising and the Revolution, when everything ‘changed utterly’. With chapters on men and women of the stature of Carson, Connolly and Markievicz, but also industrialists such as Guinness who contributed to ‘shaping modern Ireland’ in the social and economic sphere, this book offers an important contribution to the renewal of the debate on the country’s history.
In 1922, following a decade of political ferment and much bloodshed, the Irish Free State was established, became stabilised, and developed along conservative lines. During these years the prevailing impulse was to reprove the actions of republicans who had rejected the Anglo-Irish Treaty, and many significant revolutionary voices were left unheeded. One mind, more agile than most of his contemporaries, belonged to Ernie O’Malley. It was through his vastly popular ‘clipped lyric’ memoirs, especially On Another Man’s Wound in 1936, that many of the complexities of the republican mindset were brought to light for readers worldwide. In Modern Ireland and Revolution, leading Irish and American historians and academics deliver critical essays that consider the life, writings and monumental influence of Ernie O’Malley, and the modern arts that influenced him. After his involvement in the War of Independence and the Civil War, O’Malley developed a modernist approach while living abroad for ten years; he was devoted to the arts, moved in circles that included Georgia O’Keeffe and Paul Strand, and through his probing mind counteracted any notion that republicans of his era were dull, inflexible idealists. In this fascinating collection, art and revolution coincide, enriching every preconception of the minds that supported both sides of the Treaty, and revealing untoward truths about the Irish Free State’s process of remembrance.