Create airy and delicate lace designs for table, bed, and wardrobe using the time-honored technique of Irish crochet. This handsome handicraft, known for its raised floral motifs and intricate background patterns, probably originated in the convents of Ireland, where diligent nuns prepared beautiful ornaments for use in church services. Today, this stunning form of lace-making has been adapted and simplified for dozens of day-to-day uses: decorating curtains, tablecloths, pillows, bedspreads, lingerie, collars, children's clothing, doilies, and more.Rita Weiss, a noted needlework designer and bestselling author, has collected the finest, easily workable examples of Irish crochet from rare American thread company booklets of more than 50 years ago. Step-by-step instructions, stitch and hook charts, metric conversion charts, and 40 clear illustrations allow you to make magnificent accessories in these lovely patterns: My Wild Irish Rose, Popcorn, Rose of Sharon, Cinderella, More Than a Touch of Blarney, Beauty Rose, «Smilin' Through,» Tournament of Roses, Wedding Ring, Dublin Beauty, Irish Springtime, and others. No skills beyond a familiarity with ordinary crochet technique are needed to create these beautiful patterns. In addition, expert tips on blocking and finishing make it certain that your final product will be nothing short of a work of art.With this versatile, inexpensive guide, the beauty of Irish crochet — once thought too difficult to achieve by any but the most experienced needleworkers — is now within reach of even beginning crocheters.
"Sir William Cecil Dampier's Readings in the Literature of Science has long been a classic. Unlike many other collections, it has the virtue of dealing thoroughly with three major subjects which are at the very heart of science: cosmogony, atomic theory and evolution. For each, the readings have been selected so as to give a continuous story, enabling the reader to share in the great excitement of the process of scientific discovery and the growth of knowledge from the earliest times to the present. Here, in the original writings of the men who have made science, are displayed the noble qualities of the disciplined imagination which are the chief defining characteristics of the scientific enterprise." — I. Bernard Cohen, Professor of the History of Science, Harvard UniversityFrom the biblical book of Genesis to Henri Bergson's Creative Evolution, these extracts from world literature illustrate the development of scientific thought across millennia. Starting with speculations by the ancient Greeks on the structure of the universe, selections on cosmogony include works by Copernicus, Galileo, Newton, Laplace, Foucault, and Einstein. Theories and reports on experimental results concerning the nature of matter range from Paracelsus' writings on alchemy to Faraday's work with electrochemistry and Sir Ernest Rutherford's studies of radioactivity and the structure of the atom. The final section on evolutionary theory begins with Aristotle and Pliny and features landmark works by the giants in the field, among them, Linnaeus, Lamarck, Lyell, Malthus, Darwin, and Mendel. 36 figures. 7 tables.
Geared toward advanced beginners, this dual-language volume offers the convenient, accessible format of English translations on pages facing the matching Spanish text. It introduces such authors as Lope de Vega, Cervantes, Alarcón, Unamuno, and Darío, and such works as El buscón, Cartas marruecas, El estudiante de Salamanca, and Santa. Contents include plays, lyric and narrative verse, and prose of many kinds—fiction, philosophy, autobiography, and more—for a generous sampling of the Spanish language's extraordinarily diverse and rich literary history.The selections begin at around 1550, at the outset of the 100 years known as the Golden Age. Excerpts from the era's major genres and authors include the works of three prominent playwrights, plus pastoral and picaresque novels, religious meditations, and a report from the New World. Three outstanding exponents of the Enlightenment appear here, in addition to contributions from the major Romantic playwrights and poets, several Realist and Naturalist novelists, and the pillars of the Generation of 1898. One-third of the selections are the works of Spanish-American writers. Accurate and up to date, this new translation by Stanley Appelbaum features a detailed Introduction with background on all of the writers and their works.
Designed for the lover of fine literature as well as the intermediate language student, this dual-language book contains 13 great, representative Spanish short stories. Chronologically arranged to illustrate the development of the story form in Spanish, the stories are presented both in Spanish and English, enabling students to learn a language while simultaneously studying literary classics. Edited by former Queens College professor Angel Flores, the volume includes brilliant works not available in any other edition published in the U.S. First-rate stories range from the medieval tales of Don Juan Manuel and the classics of Cervantes, Alarcon and Miguel de Unamuno to the highly acclaimed contemporary works of Jorge Luis Borges, Camilo Jose Cela, and Juan Goytisolo. Also included are satirical views of Spanish life by Leopolda Alas (Clarin) and Emilia Pardo Bazan, charming sketches by Ricardo Palma, and the socially and politically inspired writings of Benito Lynch and Horacia Quiroga. With this book, language students will be able to follow Spanish classics in the original while having immediate access to a complete, faithful English translation on the facing page. The dual format saves hours in word-hunting and note-taking, allowing more time for intensified study of the language, building vocabulary and practicing conversation. The present volume also contains an informative essay on Spanish literature, a biographical-critical introduction to each story, notes on obscure references and idioms and a Spanish-to-English vocabulary.Students of language and comparative literature will find the dual-language format convenient and helpful and the stories deeply satisfying; readers interested in Spanish literature will want to add this important and stimulating collection to their personal libraries. 
The story, or novella, as a literary genre has a much shorter history in Russia than in some Western countries, but it has nevertheless produced important works by some of the greatest names in Russian literature. This dual-language volume contains 12 such stories — memorable tales by Tolstoy, Dostoevsky, Pushkin, Chekhov, Gogol, Turgenev, Bunin, and other masters. Each selection is presented here in the original Russian with an excellent literal English translation on the facing pages.Also included are linguistic and cultural notes, a Russian-English vocabulary, study questions and more. In addition, Professor Struve has supplied an enlightening introduction to the Russian short story, as well as concise biographical/critical introductions to each selection. An especially helpful feature for students of Russian is the presence of stress accents in the Russian text, a feature usually found only in primers.
These eleven tales are by four outstanding nineteenth-century authors whose work brought new life to Spanish literature. Published between 1870 and 1900, they include «El Hechicero» (The Sorcerer), by Juan Valera, a highly polished allegorical retelling of an Andalusian legend. Pedro Antonio de Alarcón’s tale of bandits, «La buenaventura,» appears with his «La Comendadora,» inspired by an incident in a Granada convent. Three tales by Leopoldo Alas («Clarín»)–"Adios, Cordera," «Cambio de luz,» and «Benedictino»–exemplify the author's remarkably protean style. Emilia Pardo Bazán's stories («Afra,» «La Santa de Karnar,» «La cana,» «Dios castiga,» and «La Mayorazga de Bouzas») take place in her native Galicia. All exhibit the violence that fascinated Pardo Bazán, along with the independent, courageous female characters who populate her work.This dual-language edition features an informative introduction and ample footnotes, making it not only a pleasure to read but also a valuable learning and teaching aid for students and teachers of Spanish literature.
These two volumes contain the complete James Legge translation of the sacred writings of the great mystical religion that for millennia has counterbalanced the official Confucianism of the Chinese state. Together with the Confucian canon, these writings have been avidly studied by generations of Chinese scholars and literary men and their place in the formation of Chinese civilization is central.First published as volume xxxix and xl of Max Müller's Sacred Books of the East series, these volumes contain the complete texts of the Tao Te Ching attributed to Lao Tzü; the writings of Chuang Tzü; and several shorter works; the T'ai Shang or Tractate of Actions and Their Retributions, the Ch'ing Chang Ching or Classic of Purity, the Yin Fu Ching of Classic of the Harmony of the Seen and Unseen, the Yü Shu Ching or Classic of the Pivot of jade, and the Hsia Yung Ching or Classic of the Directory for a Day. Many of these lesser documents are to be found in translation only in this collection.Professor Legge, who held the chair in Chinese language and literature at Oxford for 20 years, introduces the collection with a discussion of differences among Confucianism, Taoism, and Buddhism, the authorship of the Tao Te Ching, the real meaning of Tao in Chinese thought, and other backgrounds.Orientalists and students of religion have long recognized this collection as indispensable. But laymen will find that the Tao Te Ching is not only profound but provocative and stimulating and that the parables and tales in the work of Chuang Tzü are delightful reading.
Metaphysical poetry, a term generally applied to the works of a group of English poets of the seventeenth century, is among the most read and studied verse in English literature, having proved enduringly popular and major influence on many twentieth-century poets. Dramatic and conversational in rhythm and tone, intriguing and complex in theme and idea, metaphysical poetry is also rich in striking and unusual imagery chosen from philosophy, theology, the arts, crafts, and sciences.This modestly priced anthology contains the best work by major poets of the school: John Donne, Andrew Marvell, George Herbert, Henry Vaughan, Richard Crashaw, Francis Quarles, and Thomas Traherne, all of whose works were originally considered a reaction against traditional Elizabethan verse of the late sixteenth century. Included are such masterpieces as Donne’s “The Good Morrow” and «Death, Be Not Proud»; Marvell's “The Garden” and «To His Coy Mistress»; Herbert’s “Easter Wings”; Vaughan’s “The World,” and many more.Ideal for use in classrooms from high school through college, this outstanding anthology will appeal as well to lovers of fine English poetry.
Greatly influenced by Europe's nineteenth-century literary trends, Mexico's writers crafted some of the most phenomenal prose fiction in Spanish America. This collection offers a rich sampling of significant Mexican short stories published from 1843 to 1918. Nine different tales range from the realism of López Portillo's “Reloj sin dueño” and the modernismo saturating Gutiérrez Nájera's «La mañana de San Juan» to the historical accuracy of Riva Palacio's «Las mulas de Su Excelencia» and the vivid romanticism of «Amor secreto» by Manuel Payno, named the «father of Mexican short stories.» Each story appears in its original Spanish text with expert English translations on each facing page. This dual-language edition features a fascinating new introduction and ample footnotes. An easy-reading pleasure for lovers of fine Spanish-language literature, it is also a valuable educational aid for students and teachers.
How to make a magic carpet, become invisible, and find love are among the useful procedures detailed in this famous book of magic. Reputedly written by King Solomon himself, this major text of Western ritual magic contains chants, prayers, and instructions — both general and specific — on trafficking with the spirit world.Editor and translator S. L. MacGregor Mathers was a leader of the Hermetic Order of the Golden Dawn, an influential group of magicians and mystics whose members included Arthur Machen, W. B. Yeats, and Evelyn Underhill. MacGregor Mathers based this extraordinary book on seven manuscripts from the British Museum's collections. Its formulas for conjuring up spirits and performing rituals offer a rich source of study for students of comparative religion, psychology, and the history of ideas. For working occultists, this classic provides a valuable and important guide to the execution of magical ceremonies.