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An astonishing novel of epic ambition, Vandal Love—winner of the prestigious Commonwealth Writers’ Prize for best first book in 2007—follows generations of a unique French-Canadian family across North America and through the twentieth century.A family curse—a genetic trick resulting from centuries of hardship—causes the Hervé children to be born either giants or runts. Book One follows the giants’ line, exploring Jude Hervé’s career as a boxer in Georgia and Louisiana in the 1960s, his escape from that brutal life alone with his baby daughter Isa, and her eventual decision to enter into a strange, chaste marriage with a much older man. Book Two traces a different kind of life entirely, as the runts of the family discover that their power lies in a kind of unifying love. François seeks the identity of his missing father for years, while his own son, Harvey, flees from modern society into spiritual quests. But none of the Hervés can abandon their longing for a place where they might find others like themselves.In assured and mystically powerful prose, Deni Y. Béchard tells a wide-ranging, spellbinding story of a family trying to create an identity in an unwelcoming landscape. Imbued throughout with a deep sensitivity to the physical world, Vandal Love is a breathtaking literary debut about the power of love to create and destroy—in our lives, and in our history.
A Hotel Lobby at the Edge of the World
The distilled, haunting, and subtly complex poems in Adam Clay’s A Hotel Lobby at the Edge of the World often arrive at that moment when solitude slips into separation, when a person suddenly realizes he can barely see the place he set out from however long ago. He now sees he must find his connection back to the present, socially entangled world in which he lives. For Clay, reverie can be a siren’s song, luring him to that space in which prisoners will begin “to interrogate themselves.”Clay pays attention to the poet’s return to the world of his daily life, tracking the subtly shifting tenors of thought that occur as the landscape around him changes. Clay is fully aware of the difficulties of Thoreau’s “border life,” and his poems live somewhere between those of James Wright and John Ashbery: they seek wholeness, all the while acknowledging that “a fragment is as complete as thought can be.” In the end, what we encounter most in these poems is a generous gentleness–an attention to the world so careful it’s as if the mind is “washing each grain of sand.”
Black Dog, Black Night
The poems in Black Dog, Black Night highlight an aspect of Vietnamese verse previously unfamiliar to American readers: its remarkable contemporary voices. Celebrating Vietnam’s diverse and thriving literary culture, the poems collected here combine elements of French Romanticism, Russian Expressionism, American Modernism, and native folk stories into a Vietnamese poetic tradition marked by vivid imagery, powerful emotions, and inventive forms. Included here are 17 postmodern and experimental Vietnamese poets, including the founding editor of Skanky Possum magazine, as well as American poets of Vietnamese descent.
The Blue Plateau
Located in the Blue Mountains southwest of Sydney, the Blue Plateau is a contrary collection of canyons and creeks, cow paddocks and eucalyptus forests, the first people and ranchers. This book reveals the plateau through its inhabitants: the Gundungurra people who were there first and still remain; the Maxwell family, who tried, but failed, to tame the land; the affable, impoverished, often drunken ranchers and firefighters; and the author himself, a poet trying to insinuate his citified self into a rugged landscape defined by drought, fire, and scarcity. Like the works of Peter Mathiessen, Barry Lopez, and William Least Heat-Moon, The Blue Plateau is a deep examination of place that transcends genre, incorporating poetry, people’s history, ecology, mythology, and memoir to reveal how humanity and nature intertwine to create a home. Elegiac and intimately composed, this vivid portrait of a rugged wilds expands readers’ sense of the place they call home.
Cracking India
The 1947 Partition of India is the backdrop for this powerful novel, narrated by a precocious child who describes the brutal transition with chilling veracity. Young Lenny Sethi is kept out of school because she suffers from polio. She spends her days with Ayah, her beautiful nanny, visiting with the large group of admirers that Ayah draws. It is in the company of these working class characters that Lenny learns about religious differences, religious intolerance, and the blossoming genocidal strife on the eve of Partition. As she matures, Lenny begins to identify the differences between the Hindus, Moslems, and Sikhs engaging in political arguments all around her. Lenny enjoys a happy, privileged life in Lahore, but the kidnapping of her beloved Ayah signals a dramatic change. Soon Lenny’s world erupts in religious, ethnic, and racial violence. By turns hilarious and heartbreaking, the domestic drama serves as a microcosm for a profound political upheaval.
The Song of Kahunsha
Ten-year-old Chamdi has rarely ventured outside his orphanage and entertains a fantasy of what Bombay is like beyond its garden walls – a paradise he calls Kahunsha, “the city of no sadness.” He runs away to search for his long-lost father and finds himself thrust into chaos. Moving, poignant, and wonderfully rich in the sights and sounds of Bombay, this novel is the story of Chamdi's struggle for survival on the city's dangerous streets.
Wonderful Investigations
Over the course of six critically acclaimed books—including a compelling meditation on Moby-Dick—Dan Beachy-Quick has established himself as “one of America’s most significant young poets” (Lyn Hejinian).In Wonderful Investigations, Beachy-Quick broaches “a hazy line, a faulty boundary” between our daily world and one rich with wonder; a magical world in which, through his work as a writer, Beachy-Quick participates with a singular combination of critical intelligence and lyricism. Touching on the works of Emerson, Thoreau, Proust, and Plato, among others, Beachy-Quick outlines the problem of duality in modern thought—the separation of the mind and body, word and referent, intelligence and mystery, human and natural—and makes the case for a fuller kind of nature poetry, one that strives to overcome this false separation, and to celebrate the notion that “wonder is the fact that the world has never ceased to be real.”
The Farther Shore
In his unforgettable debut novel, Matthew Eck puts readers inside the mind of a confused young soldier caught in the fog of unexpected warfare. A small unit of soldiers from the U.S. Army is separated from their command and left for dead. Their only option is to keep moving, in hope that they’ll escape the marauding gangs and clansmen who appear to rule the city. Josh, a young soldier, and his “battle buddies” are left to wander in this hostile territory. A series of horrifying, often violent encounters leaves only a few of them alive. The Farther Shore is a short, stark war novel in which the characters are both haunting and inhuman, natives and invaders alike. The emerging story reflects a new kind of military engagement, with all the attendant horrors and difficulties of fighting in a strange new postmodern battlefield.
Willow Room, Green Door
In her highly anticipated new collection, Deborah Keenan sifts through inanimate objects and forgotten memories in search of personal validation. Her journal-like confessions create an instant bond with the reader, yet these seemingly simple poems daringly redefine common language. Keenan skillfully twists words to suit her ends, creating a colorful, dream-like world filled with lions, paintings, wars, and mummies. Throughout, she constantly reorganizes this world in an effort to realize her place in it.
Gaze
Christopher Howell’s haunted and haunting collection, Gaze, is a book of counterpoints, swinging between moments of delicate connection (touching a girl’s wrist) and striking brutality (a boy slamming a just-caught fish against a boat’s stern to kill it “as he was taught”). Howell explores how our interior and exterior lives are entangled—the past living on inside us as we live inside the physical world that surrounds us—and he reminds us particularly of how loss releases us into the present, how in the process of living, “everybody pays.”Gaze is divided into three sections, focusing successively on the objective world, the world of inner life, and finally on the «other world» of the imagination and alternate reality. The author speaks through his own voice as well as the voices of other characters, ghosts, and creatures. Shifting between lyric and narrative poetry, the many voices come together to question and explore our perception of the world. While many similarly ambitious books unwisely set out to stake a claim on wisdom, however, these poems proceed incrementally and with humility—and thus, through their quiet and careful examinations, offer a far greater kind of wisdom.