Arsene Lupin. Морис Леблан

making his presence known; then he approached her, knelt at her feet, pressed her head to his breast, folded her in his arms, and his actions indicated an infinite measure of love and sympathy. For a time not a word was uttered, but her tears became less abundant.

      "I was so anxious to make you happy," he murmured.

      "I am happy."

      "No; you are crying.... Your tears break my heart, Clotilde."

      The caressing and sympathetic tone of his voice soothed her, and she listened to him with an eager desire for hope and happiness. Her features were softened by a smile, and yet how sad a smile! He continued to speak in a tone of tender entreaty:

      "You should not be unhappy, Clotilde; you have no cause to be."

      She displayed her delicate white hands and said, solemnly:

      "Yes, Maxime; so long as I see those hands I shall be sad."

      "Why?"

      "They are stained with blood."

      "Hush! Do not think of that!" exclaimed Lupin. "The dead is past and gone. Do not resurrect it."

      And he kissed the long, delicate hand, while she regarded him with a brighter smile as if each kiss effaced a portion of that dreadful memory.

      "You must love me, Maxime; you must—because no woman will ever love you as I do. For your sake, I have done many things, not at your order or request, but in obedience to your secret desires. I have done things at which my will and conscience revolted, but there was some unknown power that I could not resist. What I did I did involuntarily, mechanically, because it helped you, because you wished it ... and I am ready to do it again to-morrow ... and always."

      "Ah, Clotilde," he said, bitterly, "why did I draw you into my adventurous life? I should have remained the Maxime Bermond that you loved five years ago, and not have let you know the ... other man that I am."

      She replied in a low voice:

      "I love the other man, also, and I have nothing to regret."

      "Yes, you regret your past life—the free and happy life you once enjoyed."

      "I have no regrets when you are here," she said, passionately. "All faults and crimes disappear when I see you. When you are away I may suffer, and weep, and be horrified at what I have done; but when you come it is all forgotten. Your love wipes it all away. And I am happy again.... But you must love me!"

      "I do not love you on compulsion, Clotilde. I love you simply because ... I love you."

      "Are you sure of it?"

      "I am just as sure of my own love as I am of yours. Only my life is a very active and exciting one, and I cannot spend as much time with you as I would like—just now."

      "What is it? Some new danger? Tell me!"

      "Oh! nothing serious. Only...."

      "Only what?" she asked.

      "Well, he is on our track."

      "Who? Herlock Sholmes?"

      "Yes; it was he who dragged Ganimard into that affair at the Hungarian restaurant. It was he who instructed the two policemen to watch the house in the rue Chalgrin. I have proof of it. Ganimard searched the house this morning and Sholmes was with him. Besides——"

      "Besides? What?"

      "Well, there is another thing. One of our men is missing."

      "Who?"

      "Jeanniot."

      "The concierge?"

      "Yes."

      "Why, I sent him to the rue Chalgrin this morning to pick up the garnets that fell out of my brooch."

      "There is no doubt, then, that Sholmes caught him."

      "No; the garnets were delivered to the jeweler in the rue de la Paix."

      "Then, what has become of him!"

      "Oh! Maxime, I am afraid."

      "There is nothing to be afraid of, but I confess the situation is very serious. What does he know? Where does he hide himself? His isolation is his strong card. I cannot reach him."

      "What are you going to do?"

      "Act with extreme prudence, Clotilde. Some time ago I decided to change my residence to a safer place, and Sholmes' appearance on the scene has prompted me to do so at once. When a man like that is on your track, you must be prepared for the worst. Well, I am making my preparations. Day after to-morrow, Wednesday, I shall move. At noon it will be finished. At two o'clock I shall leave the place, after removing the last trace of our residence there, which will be no small matter. Until then——"

      "Well?"

      "Until then we must not see each other and no one must see you, Clotilde. Do not go out. I have no fear for myself, but I have for you."

      "That Englishman cannot possibly reach me."

      "I am not so sure of that. He is a dangerous man. Yesterday I came here to search the cupboard that contains all of Monsieur Destange's old papers and records. There is danger there. There is danger everywhere. I feel that he is watching us—that he is drawing his net around us closer and closer. It is one of those intuitions which never deceive me."

      "In that case, Maxime, go, and think no more of my tears. I shall be brave, and wait patiently until the danger is past. Adieu, Maxime."

      They held one another for some time in a last fond embrace. And it was she that gently pushed him outside. Sholmes could hear the sound of their voices in the distance.

      Emboldened by the necessities of the situation and the urgent need of bringing his investigation to a speedy termination, Sholmes proceeded to make an examination of the house in which he now found himself. He passed through Clotilde's boudoir into a corridor, at the end of which there was a stairway leading to the lower floor; he was about to descend this stairway when he heard voices below, which caused him to change his route. He followed the corridor, which was a circular one, and discovered another stairway, which he descended and found himself amidst surroundings that bore a familiar appearance. He passed through a door that stood partly open and entered a large circular room. It was Monsieur Destange's library.

      "Ah! splendid!" he exclaimed. "Now I understand everything. The boudoir of Mademoiselle Clotilde—the blonde Lady—communicates with a room in the adjoining house, and that house does not front on the Place Malesherbes, but upon an adjacent street, the rue Montchanin, if I remember the name correctly.... And I now understand how Clotilde Destange can meet her lover and at the same time create the impression that she never leaves the house; and I understand also how Arsène Lupin was enabled to make his mysterious entrance to the gallery last night. Ah! there must be another connection between the library and the adjoining room. One more house full of ways that are dark! And no doubt Lucien Destange was the architect, as usual!... I should take advantage of this opportunity to examine the contents of the cupboard and perhaps learn the location of other houses with secret passages constructed by Monsieur Destange."

      Sholmes ascended to the gallery and concealed himself behind some draperies, where he remained until late in the evening. At last a servant came and turned off the electric lights. An hour later the Englishman, by the light of his lantern, made his way to the cupboard. As he had surmised, it contained the architect's old papers, plans, specifications and books of account. It also contained a series of registers, arranged according to date, and Sholmes, having selected those of the most recent dates, searched in the indexes for the name "Harmingeat." He found it in one of the registers with a reference to page 63. Turning to that page, he read:

      "Harmingeat, 40 rue Chalgrin."

      This was followed by a detailed account of the work done in and about the installation of a furnace in the house. And in the margin of the book someone had written these words: "See account M.B."

      "Ah!