William Shakespeare: A Critical Study. Georg Brandes

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Название William Shakespeare: A Critical Study
Автор произведения Georg Brandes
Жанр Языкознание
Серия
Издательство Языкознание
Год выпуска 0
isbn 4064066201487



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tithes. This would be advantageous both to him and to the town, for the purchase of tithes was generally a good investment, and the character of the purchaser was of importance to the town, since a portion of the sum raised went into the municipal treasury.[1]

      It appears, however, that the purchase-money required was still beyond Shakespeare's means, for not until seven years later, in 1605, does he buy, for the considerable sum of £440, a moiety of the lease of the tithes of Stratford, Old Stratford, Bishopton, and Welcombe. These tithes originally belonged to the Church, but passed to the town in 1554, and from 1580 onwards were farmed by private persons. As might have been expected, the purchase of them involved Shakespeare in several lawsuits.

      In a letter of 1598 or 1599, Adrian Quiney, of Stratford, writes to his son Richard, who looked after the interests of his fellow-townsmen in the capital: "Yff yow bargen with Wm. Sha. or receve money therfor, brynge youre money homme that yow maye." This Richard Quiney is the writer of the only extant letter addressed to Shakespeare (probably never despatched), in which he begs his "loveinge contreyman," in moving and pious terms, for a loan of £30, promising security and interest. Another letter from Sturley, dated November 4, 1598, mentions the news "that our countriman Mr. Wm. Shak. would procure us monei, which I will like of as I shall heare when, and wheare, and howe."

      All these documents render it sufficiently apparent that Shakespeare did not share the loathing of interest which it was the fashion of his day to affect, and which Antonio, in The Merchant of Venice, flaunts in the face of Shylock. The taking of interest was at that time regarded as forbidden to a Christian, but was usual nevertheless; and Shakespeare seems to have charged the current rate, namely, ten per cent.

      During the following, years he continued to acquire still more land. In 1602 he buys, at Stratford, arable land of the value of no less than £320, and pays £60 for a house and a piece of ground. In 1610 he adds twenty acres to his property. In 1612, in partnership with three others, he buys a house and garden in London for £140.

      And Shakespeare was a strict man of business. We find him proceeding by attorney against a poor devil named Philip Rogers of Stratford, who in the years 1603-4 had bought small quantities of malt from him to the total value of £1, 19s. 10d., and who had besides borrowed two shillings of him. Six shillings he had repaid; and Shakespeare now sets the law in motion to recover the balance of £1, 15s. 10d. In 1608-9 he again brings an action against a Stratford debtor. This time he gets a verdict for £6, with £1, 4s. of costs; and as the debtor has absconded, Shakespeare proceeds against his security.

      All these details show, in the first place, how closely Shakespeare kept up his connection with Stratford during his residence in London. By the year 1599 he has succeeded in restoring the credit of his family. He has made his poor, debt-burdened father a gentleman with a coat-of-arms, and has himself become one of the largest and richest landowners in his native place. He continues steadily to increase his capital and his property at Stratford; and it is obviously a mere corollary to this whole course of action that he should, while still in the full vigour of manhood, leave London, the theatre, and literature behind him, to return to Stratford and pass his last years as a prosperous landowner.

      We next observe Shakespeare's eagerness to rise above his calling as a player. From 1599 onwards, he had the satisfaction of being able to write himself down: Wm. Shakespeare of Stratford-upon-Avon in the County of Warwick, gentleman. But it must not, of course, be understood that he was now in a position of equality with men of genuinely noble birth. So little was this the case, that even in the "Epistle Dedicatorie" to the Folio of 1623, the two actors, his comrades, who issue the book, describe him as the "servant" of the Earls of Pembroke and Montgomery, whose "dignity" they know to be "greater than to descend to the reading of these trifles." They nevertheless inscribe the "trifles" to the "incomparable paire of brethren" out of gratitude for the great "indulgence" and "favour" which they had "used" to the deceased poet.

      The chief interest, however, of these old contracts and business letters lies in the insight they give us into a region of Shakespeare's soul, the existence of which, in their absence, we should never have divined. We see that he may very well have been thinking of himself when he makes Hamlet (v. I) say beside Ophelia's open grave: "This fellow might be in's time a great buyer of land, with his statutes, his recognizances, his fines, his double vouchers, his recoveries: is this the fine of his fines, and the recovery of his recoveries, to have his fine pate full of fine dirt?"

      And—to return to our point of departure—we see that when Shakespeare, in The Merchant of Venice, makes the whole play turn upon the different relations of different men to property, position, and wealth, the problem was one with which he was at the moment personally preoccupied.

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