The Mysteries of Udolpho. Анна Радклиф

friends, and devote herself to the cloister, in a spot, rendered sacred to her by containing the tomb of St. Aubert. The pensive enthusiasm, too, so natural to her temper, had spread a beautiful illusion over the sanctified retirement of a nun, that almost hid from her view the selfishness of its security. But the touches, which a melancholy fancy, slightly tinctured with superstition, gave to the monastic scene, began to fade, as her spirits revived, and brought once more to her heart an image, which had only transiently been banished thence. By this she was silently awakened to hope and comfort and sweet affections; visions of happiness gleamed faintly at a distance, and, though she knew them to be illusions, she could not resolve to shut them out for ever. It was the remembrance of Valancourt, of his taste, his genius, and of the countenance which glowed with both, that, perhaps, alone determined her to return to the world. The grandeur and sublimity of the scenes, amidst which they had first met, had fascinated her fancy, and had imperceptibly contributed to render Valancourt more interesting by seeming to communicate to him somewhat of their own character. The esteem, too, which St. Aubert had repeatedly expressed for him, sanctioned this kindness; but, though his countenance and manner had continually expressed his admiration of her, he had not otherwise declared it; and even the hope of seeing him again was so distant, that she was scarcely conscious of it, still less that it influenced her conduct on this occasion.

      It was several days after the arrival of Madame Cheron's servant before Emily was sufficiently recovered to undertake the journey to La Vallee. On the evening preceding her departure, she went to the cottage to take leave of La Voisin and his family, and to make them a return for their kindness. The old man she found sitting on a bench at his door, between his daughter, and his son-in-law, who was just returned from his daily labour, and who was playing upon a pipe, that, in tone, resembled an oboe. A flask of wine stood beside the old man, and, before him, a small table with fruit and bread, round which stood several of his grandsons, fine rosy children, who were taking their supper, as their mother distributed it. On the edge of the little green, that spread before the cottage, were cattle and a few sheep reposing under the trees. The landscape was touched with the mellow light of the evening sun, whose long slanting beams played through a vista of the woods, and lighted up the distant turrets of the chateau. She paused a moment, before she emerged from the shade, to gaze upon the happy group before her—on the complacency and ease of healthy age, depictured on the countenance of La Voisin; the maternal tenderness of Agnes, as she looked upon her children, and the innocency of infantine pleasures, reflected in their smiles. Emily looked again at the venerable old man, and at the cottage; the memory of her father rose with full force upon her mind, and she hastily stepped forward, afraid to trust herself with a longer pause. She took an affectionate and affecting leave of La Voisin and his family; he seemed to love her as his daughter, and shed tears; Emily shed many. She avoided going into the cottage, since she knew it would revive emotions, such as she could not now endure.

      One painful scene yet awaited her, for she determined to visit again her father's grave; and that she might not be interrupted, or observed in the indulgence of her melancholy tenderness, she deferred her visit, till every inhabitant of the convent, except the nun who promised to bring her the key of the church, should be retired to rest. Emily remained in her chamber, till she heard the convent bell strike twelve, when the nun came, as she had appointed, with the key of a private door, that opened into the church, and they descended together the narrow winding stair-case, that led thither. The nun offered to accompany Emily to the grave, adding, 'It is melancholy to go alone at this hour;' but the former, thanking her for the consideration, could not consent to have any witness of her sorrow; and the sister, having unlocked the door, gave her the lamp. 'You will remember, sister,' said she, 'that in the east aisle, which you must pass, is a newly opened grave; hold the light to the ground, that you may not stumble over the loose earth.' Emily, thanking her again, took the lamp, and, stepping into the church, sister Mariette departed. But Emily paused a moment at the door; a sudden fear came over her, and she returned to the foot of the stair-case, where, as she heard the steps of the nun ascending, and, while she held up the lamp, saw her black veil waving over the spiral balusters, she was tempted to call her back. While she hesitated, the veil disappeared, and, in the next moment, ashamed of her fears, she returned to the church. The cold air of the aisles chilled her, and their deep silence and extent, feebly shone upon by the moon-light, that streamed through a distant gothic window, would at any other time have awed her into superstition; now, grief occupied all her attention. She scarcely heard the whispering echoes of her own steps, or thought of the open grave, till she found herself almost on its brink. A friar of the convent had been buried there on the preceding evening, and, as she had sat alone in her chamber at twilight, she heard, at distance, the monks chanting the requiem for his soul. This brought freshly to her memory the circumstances of her father's death; and, as the voices, mingling with a low querulous peal of the organ, swelled faintly, gloomy and affecting visions had arisen upon her mind. Now she remembered them, and, turning aside to avoid the broken ground, these recollections made her pass on with quicker steps to the grave of St. Aubert, when in the moon-light, that fell athwart a remote part of the aisle, she thought she saw a shadow gliding between the pillars. She stopped to listen, and, not hearing any footstep, believed that her fancy had deceived her, and, no longer apprehensive of being observed, proceeded. St. Aubert was buried beneath a plain marble, bearing little more than his name and the date of his birth and death, near the foot of the stately monument of the Villerois. Emily remained at his grave, till a chime, that called the monks to early prayers, warned her to retire; then, she wept over it a last farewel, and forced herself from the spot. After this hour of melancholy indulgence, she was refreshed by a deeper sleep, than she had experienced for a long time, and, on awakening, her mind was more tranquil and resigned, than it had been since St. Aubert's death.

      But, when the moment of her departure from the convent arrived, all her grief returned; the memory of the dead, and the kindness of the living attached her to the place; and for the sacred spot, where her father's remains were interred, she seemed to feel all those tender affections which we conceive for home. The abbess repeated many kind assurances of regard at their parting, and pressed her to return, if ever she should find her condition elsewhere unpleasant; many of the nuns also expressed unaffected regret at her departure, and Emily left the convent with many tears, and followed by sincere wishes for her happiness.

      She had travelled several leagues, before the scenes of the country, through which she passed, had power to rouse her for a moment from the deep melancholy, into which she was sunk, and, when they did, it was only to remind her, that, on her last view of them, St. Aubert was at her side, and to call up to her remembrance the remarks he had delivered on similar scenery. Thus, without any particular occurrence, passed the day in languor and dejection. She slept that night in a town on the skirts of Languedoc, and, on the following morning, entered Gascony.

      Towards the close of this day, Emily came within view of the plains in the neighbourhood of La Vallee, and the well-known objects of former times began to press upon her notice, and with them recollections, that awakened all her tenderness and grief. Often, while she looked through her tears upon the wild grandeur of the Pyrenees, now varied with the rich lights and shadows of evening, she remembered, that, when last she saw them, her father partook with her of the pleasure they inspired. Suddenly some scene, which he had particularly pointed out to her, would present itself, and the sick languor of despair would steal upon her heart. 'There!' she would exclaim, 'there are the very cliffs, there the wood of pines, which he looked at with such delight, as we passed this road together for the last time. There, too, under the crag of that mountain, is the cottage, peeping from among the cedars, which he bade me remember, and copy with my pencil. O my father, shall I never see you more!'

      As she drew near the chateau, these melancholy memorials of past times multiplied. At length, the chateau itself appeared, amid the glowing beauty of St. Aubert's favourite landscape. This was an object, which called for fortitude, not for tears; Emily dried hers, and prepared to meet with calmness the trying moment of her return to that home, where there was no longer a parent to welcome her. 'Yes,' said she, 'let me not forget the lessons he has taught me! How often he has pointed out the necessity of resisting even virtuous sorrow; how often we have admired together the greatness of a mind, that can at once suffer and reason! O my father! if you are permitted to look down upon your child, it will please you to see, that she remembers, and endeavours to practise, the