Roumanian Stories, Translated from the Original Roumanian. Anonymous

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Название Roumanian Stories, Translated from the Original Roumanian
Автор произведения Anonymous
Жанр Языкознание
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Издательство Языкознание
Год выпуска 0
isbn 4057664636652



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now an incident recurred to my mind, to which, at the time, I had paid scant attention. On one occasion I had perceived a pair of restless eyes peeping at me through a chink in the mill bridge. Those eyes were surely hers; they sparkled so—and were so full of light and mirth. There, in the dark night, that ardent kiss seemed to burn me and I waited—I waited for something that I could not explain even to myself.

      I dozed, dreaming of those grey eyes. I cannot tell—perhaps I fell asleep. I awoke in the full light of the moon which was flooding atmosphere and lake with its silver beams. The water glittered, the night was still, the mill was silent; in the distance the weir was murmuring as in a dream.

      Here and there, the water rippled into circles the colour of agate; groups of duck were bathing in the moonlight. I put my hand to my gun. I raised my eyes, I was ready to pull—when I paused. A melodious song, scarcely intelligible, could be heard coming from the lake. It was a simple song, and monotonous, but its remoteness, the echo across the water, the clear light of the moon, lent it a profound charm. I immediately thought of the lady of the lake.

      I placed my gun beside me and listened. It was a simple and touching melody. It had ceased for some time, but I still strained my ears; I could only catch the soft murmur of the distant weir. Time passed, and yet I still expected something to happen.

      After a while I heard distinctly the soft splash of oars. I looked everywhere, I could not make out whence it came. Then, suddenly, amid the obscurity of the rushes, the gently floating boat came gliding into the sea of light with the girl reclining in the silvery beams. The lily shone in her dark hair.

      I cannot tell you what I felt, for the storm of emotion cannot be expressed in words, and besides that, I was young then, and half a century has passed since my youth. I know I stood with wondering eyes and gazed like one possessed: in very truth this was the fairy of the lake!

      All at once I saw a movement. The boat turned, and the oars struck the water, making great ripples of light. It was directed towards my cave. She came with wild speed, staring, her great eyes like phosphorescent stars. But when she got near, she once more let the boat glide, then turned abruptly, and laughing passed by the cave—a silvery laugh, which I have never forgotten, no, not to this day although it is so long ago. She passed by like a phantom, laughing, and her eyes shining like two stars in the night of those great eyebrows. To the right of me she rose, and threw something towards me; then, sinking down, she again took the oars, struck the water, and shot out into the open lake.

      She disappeared. One could only hear the soft stroke of the oars; then that, too, ceased, and perfect silence fell upon the silvery lake.

      By my side I found a bouquet of carnations and sweet basil, the flowers of love.

      At daybreak the old man came to take me off. When I turned towards the yard I once again bent my head in the direction of the old black building. Eyes watched me through the chink in the mill bridge.

      That very day I went away. Many a time have I wanted to return to the old Zavu mill, but fate has willed it otherwise. At last, when I could have done so, other loves have held me in other places. Years have passed, but the bunch of dried carnations and basil reminds me of it all. And from time to time, my thoughts wander to the fairy of the lake.

      The Easter Torch

       Table of Contents

      By I. L. Caragiale

      Leiba Zibal, mine host of Podeni, was sitting lost in thought, by a table placed in the shadow in front of the inn; he was awaiting the arrival of the coach which should have come some time ago; it was already an hour behind time.

      The story of Zibal’s life is a long and cheerless one: when he is taken with one of his feverish attacks it is a diversion for him to analyse one by one the most important events in that life.

      Huckster, seller of hardware, jobber, between whiles even rougher work perhaps, seller of old clothes, then tailor, and boot-black in a dingy alley in Jassy; all this had happened to him since the accident whereby he lost his situation as office boy in a big wine-shop. Two porters were carrying a barrel down to a cellar under the supervision of the lad Zibal. A difference arose between them as to the division of their earnings. One of them seized a piece of wood that lay at hand and struck his comrade on the forehead, who fell to the ground covered in blood. At the sight of the wild deed the boy gave a cry of alarm, but the wretch hurried through the yard, and in passing gave the lad a blow. Zibal fell to the ground fainting with fear. After several months in bed he returned to his master, only to find his place filled up. Then began a hard struggle for existence, which increased in difficulty after his marriage with Sura. Their hard lot was borne with patience. Sura’s brother, the inn-keeper of Podeni, died; the inn passed into Zibal’s hands, and he carried on the business on his own account.

      Here he had been for the last five years. He had saved a good bit of money and collected good wine—a commodity that will always be worth good money—Leiba had escaped from poverty, but they were all three sickly, himself, his wife, and his child, all victims of malaria, and men are rough and quarrelsome in Podeni—slanderous, scoffers, revilers, accused of vitriol throwing. And the threats! A threat is very terrible to a character that bends easily beneath every blow. The thought of a threat worked more upon Leiba’s nerves than did his attacks of fever.

      “Oh, wretched Gentile!” he thought, sighing.

      This “wretched” referred to Gheorghe—wherever he might be!—a man between whom and himself a most unpleasant affair had arisen.

      Gheorghe came to the inn one autumn morning, tired with his walk; he was just out of hospital—so he said—and was looking for work. The innkeeper took him into his service. But Gheorghe showed himself to be a brutal and a sullen man. He swore continually, and muttered to himself alone in the yard. He was a bad servant, lazy and insolent, and he stole. He threatened his mistress one day when she was pregnant, cursing her, and striking her on the stomach. Another time he set a dog on little Strul.

      Leiba paid him his wages at once, and dismissed him. But Gheorghe would not go: he asserted with violence that he had been engaged for a year. Then the innkeeper sent to the town hall to get guards to remove him.

      Gheorghe put his hand swiftly to his breast, crying:

      “Jew!” and began to rail at his master. Unfortunately, a cart full of customers arrived at that moment. Gheorghe began to grin, saying: “What frightened you, Master Leiba? Look, I am going now.” Then bending fiercely over the bar towards Leiba, who drew back as far as possible, he whispered: “Expect me on Easter Eve; we’ll crack red eggs together, Jew! You will know then what I have done to you, and I will answer for it.”

      Just then, customers entered the inn.

      “May we meet in good health at Easter, Master Leiba!” added Gheorghe as he left.

      Leiba went to the town hall, then to the sub-prefecture to denounce the threatener, begging that he might be watched. The sub-prefect was a lively young man; he first accepted Leiba’s humble offering, then he began to laugh at the timid Jew, and make fun of him. Leiba tried hard to make him realize the gravity of the situation, and pointed out how isolated the house stood from the village, and even from the high road. But the sub-prefect, with a more serious air, advised him to be prudent; he must not mention such things, for, truly, it would arouse the desire to do them in a village where men were rough and poor, ready to break the law.

      A few days later, an official with two riders came to see him about Gheorghe; he was “wanted” for some crime.

      If only Leiba had been able to put up with him until the arrival of these men! In the meanwhile, no one knew the whereabouts of Gheorghe. Although this had happened some time ago, Gheorghe’s appearance, the movement as though he would have drawn something from his breast, and the threatening words had all remained deeply impressed upon the mind of the terror-stricken man. How was it that that memory remained so clear?

      It