Roman Society from Nero to Marcus Aurelius. Dill Samuel

quarries of Numidia and Synnada contributed the various colours of their marbles.679 The gardens of Entellus, with their purple clusters which defied the rigours of winter, seemed to Martial to outrival the legendary gardens of Phaeacia.680 In the suburbs, hard by the Tiburtine way, rose that defiant monument of Pallas, bearing the decree of the Senate, which aroused the angry scorn of the younger Pliny.681

      The life of one of these imperial slave ministers was a strangely romantic career which has surely been seldom matched in the history of human fortunes. Exposed and sold [pg 113]in early youth in the slave markets of Smyrna, Delos, or Puteoli, after an interval of ignominious servitude, installed as groom of the chambers, thence promoted, according to his aptitudes, to be keeper of the jewels, or tutor of the imperial heir, still further advanced to be director of the post, or to a place in the financial service, the freedman might end by receiving the honour of knighthood, the procuratorship of a province, or one of those great ministries which placed him in command of the Roman world. Yet we must not deceive ourselves as to his real position.682 To the very end of the Empire, the fictions on which aristocratic power is largely based, retained their fascination. In the fifth century a Senate, whose ancestors were often originally of servile race, could pour their scorn on the eunuch ministers of the East.683 And the decaying or parvenu Senate of the Flavians had, when they were free to express it, nothing but loathing for the reign of the freedmen.684 These powerful but low-born officials are a curious example of what has been often seen in later times, the point-blank refusal, or the grudging concession, of social status to men wielding vast and substantial power. The younger Pliny, in his Panegyric on Trajan, glories in the preference shown under the new régime for young men of birth, and in his letters he vents all the long-suppressed scorn of his order for the Claudian freedmen. Even the emperors who freely employed their services, were chary of raising them to high social rank. Freedmen ministers were hardly ever admitted to the ranks of the Senate685; they were rarely present at its sittings, even at the very time when they were governing the world. Sacerdotal and military distinctions were seldom conferred upon any of them. They were sometimes invested with the insignia of praetorian or quaestorian rank.686 A few were promoted to the dignity of knighthood, Icelus, Asiaticus, Hormus, and Claudius Etruscus687; but many a passage in Martial or Juvenal seems to show that ordinary equestrian rank was in those days a very doubtful distinction.688 The emperors, as raised above all ranks, might not [pg 114]have been personally unwilling to elevate their creatures to the highest social grade.689 But even the emperors, in matters of social prejudice, were not omnipotent.

      Still, the men who could win the favours of an Agrippina and a Messalina, could not be extinguished by the most jealous social prejudice. The Roman Senate were ready, on occasion, to fawn on a Pallas or a Narcissus, to vote them money and insignia of rank, nor did they always refuse them their daughters in marriage. In the conflict which is so often seen between caste pride and the effective power of new wealth, the wealth and power not unfrequently prevail. The lex Julia prohibited the union of freedmen with daughters of a senatorial house.690 Yet we know of several such marriages in the first century. The wife of the freedman Claudius Etruscus, was the sister of a consul who had held high command against the Dacians.691 Priscilla, the wife of Abascantus, another minister of servile origin, belonged to the great consular family of the Antistii. Felix, the brother of Pallas, had married in succession three ladies of royal blood, one of them the granddaughter of Cleopatra.692

      The women of this class, for generations, wielded, in their own way, a power which sometimes rivalled that of the men. These plebeian Aspasias are a puzzling class. With no recognised social position, with the double taint of servile origin and more than doubtful morals, they were often endowed with many charms and accomplishments, possessing a special attraction for bohemian men of letters. Their morals were the result of an uncertain social position, combined with personal attractions and education. To be excluded from good society by ignoble birth, yet to be more than its equal in culture, is a dangerous position, especially for women. Often of oriental extraction, these women were the most prominent votaries of the cults or superstitions which poured into Rome from the prolific East. Loose character and religious fervour were easily combined in antiquity. And the demi-monde of those days were ready to mourn passionately for Adonis and keep all the feasts of Isis or Jehovah, without [pg 115]scrupling to make a temple a place of assignation.693 The history of the early Empire, it has been rather inaccurately said, shows no reign of mistresses. Yet some of the freedwomen have left their mark on that dark page of history. Claudius was the slave of women, and two of his mistresses lent their aid to Narcissus to compass the ruin of Messalina.694 The one woman whom Nero really loved, and who loved him in return, was Acte, who had been bought in a slave market in Asia. She captured the heart of the Emperor in his early youth, and incurred the fierce jealousy of Agrippina, as she did, at a later date, that of the fair, ambitious Poppaea.695 Acte was faithful to his memory even after the last awful scene in Phaon’s gardens.696 And, along with his two nurses, the despised freedwoman guarded his remains and laid the last of his line beside his ancestors. Caenis, the mistress who consoled Vespasian after his wife’s death, without any attractions of youth or beauty, suited well the taste of the bourgeois Emperor. It was a rather sordid and prosaic union. And Caenis is said to have accumulated a fortune, and besmirched the honest Emperor’s name, by a wholesale traffic in State secrets and appointments.697 In the last years of our period a very different figure has been glorified by the art of Lucian. Panthea, the mistress of L. Verus, completely fascinated the imagination of Lucian when he saw her at Smyrna, during the visit of her lover to the East.698 Lucian pictures her delicately chiselled beauty and grace of form by recalling the finest traits in the great masterpieces of Pheidias and Praxiteles and Calamis, of Euphranor and Polygnotus and Apelles; Panthea combines them all. She has a voice of a marvellous and mellow sweetness, which lingers in the ear with a haunting memory. And the soul was worthy of such a fair dwelling-place. In her love of music and poetry, combined with a masculine strength of intellect capable of handling the highest problems in politics or dialectic, she was a worthy successor of those elder daughters of Ionia whose [pg 116]charm and strength drew a Socrates or a Pericles to their feet.699 Surrounded by luxury and the pomp of imperial rank, and linked to a very unworthy lover, Panthea never lost her natural modesty and simple sweetness.

      The great freedmen, who held the highest offices in the imperial service till the time of Hadrian with almost undisputed sway, are interesting by reason of the strangely romantic career of some of them. But these are very exceptional cases. In the bureaux of finance, it has been discovered from the inscriptions that the officials were all of equestrian rank. On the other hand, a great number of the provincial procurators were freedmen. And the agents of the Emperor’s private fisc seem to have been nearly always drawn from this class. The lower grades of the civil service were full of them.700 But to the student of society, the official freedmen are, as a class, not so interesting as their brethren who in these same years were making themselves masters of the trade and commercial capital of the Roman world. And the interest is heightened by the vivid art with which Petronius has ushered us into the very heart of this rather vulgar society. The Satiricon is to some extent a caricature. There were hosts of modest, estimable freedmen whose only record is in two or three lines on a funeral slab. Yet a caricature must have a foundation of truth, and a careful reader may discover the truth under the humorous exaggeration of Petronius.

      The transition from the status of slave to that of freedman was perhaps not so abrupt and marked as we might at first sight suppose. It is probable that many a slave of the better and more intelligent class found little practical change in the tenor of his life when he received the touch of the wand before the praetor. Some, like Melissus, the free-born slave of Maecenas, actually rejected the proffered boon.701 There was, of course, much cruelty to slaves in many Roman households, and the absolute power of a master, unrestrained by principle or kindly feeling, was an unmitigated curse till it was limited by the humane legislation of the second century.702 But there must have been many houses, like that of the younger Pliny, where the slaves were treated, in Seneca’s [pg 117]phrase, as humble friends and real members of the family, where their marriages were fêted with general gaiety,703 where their sicknesses were tenderly watched, and where they were truly mourned in death. The inscriptions reveal to us a better side of slave life, which is not so prominent in our literary authorities. There is many an inscription recording the love and faithfulness of the slave husband and wife, although not under those honoured names. And it is