The Black Baronet; or, The Chronicles Of Ballytrain. William Carleton

appear, he had, in truth, no great relish; and this, principally on Lucy Gourlay's account, and with a view to her future happiness, which he did not think had any great chance of being promoted by a matrimonial alliance with his son.

      Not many minutes after the interview between Lucy and her father, a liveried servant arrived, bearing a letter in reply to one from Sir Thomas, to the following effect:

      “My Dear Gourlay—I have got much stronger within the last fortnight; that is, so far as my mere bodily health is concerned. As I shall proceed to London in a day or two, it is perhaps better that I should see you upon the subject of this union, between your daughter and my son, especially as you seem to wish it so anxiously. To tell you the truth, I fear very much that you are, contrary to remonstrance, and with your eyes open to the consequences, precipitating your charming and admirable Lucy upon wretchedness and disconsolation for the remainder of her life; and I can tell her, and would if I were allowed, that the coronet of a countess, however highly either she or you may appreciate it, will be found but a poor substitute for the want of that affection and esteem, upon which only can be founded domestic happiness and contentment.

      “Ever, my dear Gourlay, faithfully yours,

      “CULLAMORE.”

      The baronet's face, after having perused this epistle, brightened up as much as any face of such sombre and repulsive expression could be supposed to do; but, again, upon taking into consideration what he looked upon as the unjustifiable obstinacy of his daughter, it became once more stern and overshadowed. He ground his teeth with vexation as he paced to and fro the room, as was his custom when in a state of agitation or anger. After some minutes, during which his passion seemed only to increase, he went to her apartment, and, thrusting in his head to ascertain that she was safe, he deliberately locked the door, and, putting the key in his pocket, once more ordered his horse, and proceeded to Glenshee Castle, the princely residence of his friend, Lord Cullamore.

      None of our readers, we presume, would feel disposed to charge our hardened baronet with any tendency to superstition. That he felt its influence, however, was a fact; for it may have been observed that there is a class of minds which, whilst they reject all moral control when any legitimate barrier stands between them and the gratification of their evil passions or designs, are yet susceptible of the effects which are said to proceed from such slight and trivial incidents as are supposed to be invested with a mysterious and significant influence upon the actions of individuals. It is not, however, those who possess the strongest passions that are endowed with the strongest principles, unless when it happens that these passions are kept in subjection by religion or reason. In fact, the very reverse of the proposition in general holds true; and, indeed, Sir Thomas Gourlay was a strong and startling proof of this. In his case, however, it might be accounted for by the influence over his mind, when young, of a superstitious nurse named Jennie Corbet, who was a stout believer in all the superstitious lore which at that time constituted a kind of social and popular creed throughout the country. It was not that the reason of Sir Thomas was at all convinced by, or yielded any assent to, such legends, but a habit of belief in them, which he was never able properly to throw off, had been created, which left behind it a lingering impression resulting from their exhibition, which, in spite of all his efforts, clung to him through life.

      Another peculiarity of his we may as well mention here, which related to his bearing while on horseback. It had been shrewdly observed by the people, that, whilst in the act of concocting any plan, or projecting any scheme, he uniformly rode at an easy, slow, and thoughtful pace; but, when under the influence of his angry passions, he dashed along with a fury and vehemence of speed that startled those whom he met, and caused them to pause and look after him with wonder.

      The distance between Red Hall and Glenshee Castle was not more than four miles; the estates of both proprietors lying, in fact, together. The day was calm, mild, and breathed of the fragrant and opening odors of spring. Sir Thomas had nearly measured half the distance at a very slow pace, for, in truth, he was then silently rehearsing his part in the interview which was about to take place between him and his noble friend. The day, though calm, as we said, was nevertheless without sunshine, and, consequently, that joyous and exhilarating spirit of warmth and light which the vernal sun floods down upon all nature, rendering earth and air choral with music, was not felt so powerfully. On the contrary, the silence and gloom were somewhat unusual, considering the mildness which prevailed. Every one, however, has experienced the influence of such days—an influence which, notwithstanding the calm and genial character of the day itself, is felt to be depressing, and at variance with cheerfulness and good spirits.

      Be this as it may, Sir Thomas was proceeding leisurely along, when a turn of the road brought him at once upon the brow of the small valley from which the residence of the Cullamore family had its name—Glenshee, or, in English, the Glen of the Fairies. Its sides were wild, abrupt, and precipitous, and partially covered with copse-wood, as was the little brawling stream which ran through it, and of which the eye of the spectator could only catch occasional glimpses from among the hazel, dogberry, and white thorn, with which it was here and there covered. In the bottom, there was a small, but beautiful green carpet, nearly, if not altogether circular, about a hundred yards in diameter, in the centre of which stood one of those fairy rings that gave its name and character to the glen. The place was, at all times, wild, and so solitary that, after dusk, few persons in the neighborhood wished to pass it alone. On the day in question, its appearance was still and impressive, and, owing to the gloom which prevailed, it presented a lonely and desolate aspect, calculated, certainly, in some degree, to inspire a weak mind with something of that superstitious feeling which was occasioned by its supernatural reputation. We said that the baronet came to a winding part of the road which brought this wild and startling spot before him, and just at the same moment he was confronted by an object quite as wild and as startling. This was no-other than a celebrated fortune-teller of that day, named Ginty Cooper, a middle-aged sibyl, who enjoyed a very wide reputation for her extraordinary insight into futurity, as well as for performing a variety of cures upon both men and cattle, by her acquaintance, it was supposed, with fairy lore, the influence of charms, and the secret properties of certain herbs with which, if you believed her, she had been made acquainted by the Dainhe Shee, or good people themselves.

      The baronet's first feeling was one of annoyance and vexation, and for what cause, the reader will soon understand.

      “Curse this ill-looking wretch,” he exclaimed mentally; “she is the first individual I have met since I left home. It is not that I regard the matter a feather, but, somehow, I don't wish that a woman—especially such a blasted looking sibyl as this—should be the first person I meet when going on any business of importance.” Indeed, it is to be observed here, that some of Ginty's predictions and cures were such as, among an ignorant and credulous people, strongly impressed by the superstitions of the day, and who placed implicit reliance upon her prophetic and sanative faculties, were certainly calculated to add very much to her peculiar influence over them, originating, as they believed, in her communion with supernatural powers. Her appearance, too, was strikingly calculated to sustain the extraordinary reputation which she bore, yet it was such as we feel it to be almost impossible to describe. Her face was thin, and supernaturally pale, and her features had a death-like composure, an almost awful rigidity, that induced the spectator to imagine that she had just risen from the grave. Her thin lips were repulsively white, and her teeth so much whiter that they almost filled you with fear; but it was in her eye that the symbol of her prophetic power might be said to lie. It was wild, gray, and almost transparent, and whenever she was, or appeared to be, in a thoughtful mood, or engaged in the contemplation of futurity, it kept perpetually scintillating, or shifting, as it were, between two proximate objects, to which she seemed to look as if they had been in the far distance of space—that is, it turned from one to another with a quivering rapidity which the eye of the spectator was unable to follow. And yet it was evident on reflection, that in her youth she must have been not only good-looking, but handsome. This quick and unnatural motion of the eye was extremely wild and startling, and when contrasted with the white and death-like character of her teeth, and the moveless expression of her countenance, was in admirable keeping with the supernatural qualities attributed to her. She wore no bonnet, but her white death-bed like cap was tied round her head by a band of clean linen, and came