Название | The English Spy: An Original Work Characteristic, Satirical, And Humorous |
---|---|
Автор произведения | C. M. Westmacott |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4057664627834 |
The Doctor's Daughter—an old Song—A Round of Sculls—
Epitaphs on the Living and the Dead—Tom Tick, a College
Tale—The Voyagers—Notes and Anecdotes 221
THE OXFORD RAKE'S PROGRESS 233
TOWN AND GOWN, AN OXFORD ROW.
Battle of the Togati and the Town—Raff—A Night—Scene in
the High-Street, Oxford—Description of the Combatants—
Attack of the Gownsmen upon the Mitre—Evolutions of the
Assailants—Manoeuvres of the Proctors and Bull—Dogs—
Perilous Condition of Blackmantle and his Associates, Eglan-
tine, Echo, and Transit—Snug Retreat of Lionise—The High—
Street after the Battle—Origin of the Argotiers, and Inven-
tion of Cant—phrases—History of the Intestine Wars and
Civil Broils of Oxford, from the Time of Alfred—Origin
of the late Strife—Ancient Ballad—Retreat of the Togati—
Reflections of a Freshman—Black Matins, or the Effect of
late Drinking upon early Risers—Visit to Golgotha, or the
Place of Sculls—Lecture from the Big—Wigs—Tom Echo
receives Sentence of Rustication 246
TOWNE AND GOWNE 263
THE STAGE COACH, OR THE TRIP TO BRIGHTON.
Improvements in Travelling—Contrast of ancient and
modern Conveyances and Coachmen—Project for a new Land
Steam Carriage—The Inn—yard at the Golden Cross, Charing
Cross—Mistakes of Passengers—Variety of Characters—Ad-
vantages of the Box—seat—Obstructions on the Road—A
Pull—up at the Elephant and Castle—Move on to Kennington
Common—New Churches—Civic Villas at Brixton—Modern
Taste in Architecture described—Arrival at Croydon; why
not now the King's Road?—The Joliffe Hounds—A Hunting
Leader—Anecdotes of the Horse, by Coachee—The new
Tunnel at Reigate—The Baron's Chamber—The Golden Ball
—the Silver Ball—and the Golden Calf—Entrance into
Brighton 274
THE PROPOSITION.
Family Secrets—Female Tactics—How to carry the Point 287
SKETCHES AT BRIGHTON.
The Pavilion Party—Interior described—Royal and Noble
Anecdotes—The King and Mathews 292
CHARACTERS ON THE BEACH AND STEYNE,
BRIGHTON.
On Bathing and Bathers—Advantages of Shampooing—
French Decency—Brighton Politeness—Sketches of Character
—The Banker's Widow—Miss J——s—Mrs. F——1—Peter
Paragraph, he London Correspondent—J—k S——h—The
French Consul—Paphian Divinities—C—— L——, Esq.
Squeeze into the Libraries—The new Plunging Bath—
Chain Pier—Cockney Comicalities—Royal Gardens—The
Club House 305
METROPOLITAN SKETCHES.
Heartly, Echo, and Transit start for a Spree—Scenes by
Daylight, Starlight, and Gaslight—Black Monday at Tatter—
sail's—The first Meeting after the Great St. Leger—Heroes of
the Turf paying and receiving—Dinner at Fishmongers' Hall
—Committee of Greeks—The Affair of the Cogged Dice—A
Regular Break—down—Rules for the New Club—The Daffy
Club, or a Musical Muster of the Fancy: striking Portraits—
Counting the Stars—Covent Garden, what it was and what it
is—The Finish—Anecdotes of Characters—The Hall of Infamy,
alias the Covent Garden Hell 327
VISIT TO WESTMINSTER HALL.
Worthies thereof—Legal Sketches of the Long Robe—An
Awkward Recognition—Visit to Banco Regis—Surrey Col—
legians giving a Lift to a Limb of the Law—Out of Rule and in
Rule—"Thus far shalt thou go, and no further"—Park
Rangers personified—Visit to the Life Academy, Somerset
House—R. A—ys of Genius reflecting on the true Line of
Beauty—Peep into the Green Rooms of the two Theatres Royal,
Drury Lane and Covent Garden—Bernard Blackmantle
reading his new Play and Farce—The City Ball at the Mansion
House—The Squeeze—Civic Characters—Return to Oxford—
Invite to Cambridge—Jemmy Gordon's Frolic—Term ends 355
Illustration Listing Page Images
[1]—[2]—[3]—[4]—[5]—[6]—[7]—[8]—[9]—[10]
ILLUSTRATIONS IN THE ENGLISH SPY.
(By R. CRUIKSHANK unless otherwise attributed)
We hope it will be generally admitted that few volumes have
a more decided claim upon the public patronage, in respect
to the novelty and variety of design, as well as the number
of illustrations, than the one here presented to the reader.
To speak of the choice humorous talent engaged in the work
would only be to re-echo the applauding sentiments of the
reviewers and admirers of rich graphic excellence.
Cruikshank and Rowlandson are names not unworthy a space
upon the same roll with Hogarth, Gilray, and Bunbury: to
exhibit scenes of character in real life, sketched upon the
spot, was an undertaking of no mean importance;
particularly, when it is remembered how great the difficulty
must have been in collecting together accurate portraits.
The work, it will be perceived, contains thirty-six Copper-
Plates, etched, aquainted, and coloured, by and under the
direction of the respective artists whose names appear to
the different subjects, the principal part of which are the
sole production of Mr. Robert Cruikshank. The Wood
Engravings, twenty-eight in number, besides the Vignettes, (which