The Story of the Heavens. Robert S. Ball

curious connection seems to exist between the periodicity of the spots and their distribution over the surface of the sun. When a minimum is about to pass away the spots generally begin to show themselves in latitudes about 30° north and south of the sun's equator; they then gradually break out somewhat nearer to the equator, so that at the time of maximum frequency most of them appear at latitudes not greater than 16°. This distance from the sun's equator goes on decreasing till the time of minimum. Indeed, the spots linger on very close to the equator for a couple of years more, until the outbreak signalising the commencement of another period has commenced in higher latitudes.

      We have still to note an extraordinary feature which points to an intimate connection between the phenomena of sun-spots and the purely terrestrial phenomena of magnetism. It is of course well known that the needle of a compass does not point exactly to the north, but diverges from the meridian by an angle which is different in different places and is not even constant at the same place. For instance, at Greenwich the needle at present points in a direction 17° West of North, but this amount is subject to very slow and gradual changes, as well as to very small daily oscillations. It was found about fifty years ago by Lamont (a Bavarian astronomer, but a native of Scotland) that the extent of this daily oscillation increases and decreases regularly in a period which he gave as 10-1⁄3 years, but which was subsequently found to be 11-1⁄10 years, exactly the same as the period of the spots on the sun. From a diligent study of the records of magnetic observations it has been found that the time of sun-spot maximum always coincides almost exactly with that of maximum daily oscillation of the compass needle, while the minima agree similarly. This close relationship between the periodicity of sun-spots and the daily movements of the magnetic needle is not the sole proof we possess that there is a connection of some sort between solar phenomena and terrestrial magnetism. A time of maximum sun-spots is a time of great magnetic activity, and there have even been special cases in which a peculiar outbreak on the sun has been associated with remarkable magnetic phenomena on the earth. A very interesting instance of this kind is recorded by Professor Young, who, when observing at Sherman on the 3rd August, 1872, perceived a very violent disturbance of the sun's surface. He was told the same day by a member of his party, who was engaged in magnetic observations and who was quite in ignorance of what Professor Young had seen, that he had been obliged to desist from his magnetic work in consequence of the violent motion of his magnet. It was afterwards found from the photographic records at Greenwich and Stonyhurst that the magnetic "storm" observed in America had simultaneously been felt in England. A similar connection between sun-spots and the aurora borealis has also been noticed, this fact being a natural consequence of the well-known connection between the aurora and magnetic disturbances. On the other hand, it must be confessed that many striking magnetic storms have occurred without any corresponding solar disturbance,[5] but even those who are inclined to be sceptical as to the connection between these two classes of phenomena in particular cases can hardly doubt the remarkable parallelism between the general rise and fall in the number of sun-spots and the extent of the daily movements of the compass needle.

       Fig. 16.—The Texture of the Sun and a small Spot.

      We have now described the principal solar phenomena with which the telescope has made us acquainted. But there are many questions connected with the nature of the sun which not even the most powerful telescope would enable us to solve, but which the spectroscope has given us the means of investigating.

      What we receive from the sun is warmth and light. The intensely heated mass of the sun radiates forth its beams in all directions with boundless prodigality. Each beam we feel to be warm, and we see to be brilliantly white, but a more subtle analysis than mere feeling or mere vision is required. Each sunbeam bears marks of its origin. These marks are not visible until a special process has been applied, but then the sunbeam can be made to tell its story, and it will disclose to us much of the nature of the constitution of the great luminary.

      We regard the sun's light as colourless, just as we speak of water as tasteless, but both of those expressions relate rather to our own feelings than to anything really characteristic of water or of sunlight. We regard the sunlight as colourless because it forms, as it were, the background on which all other colours are depicted. The fact is, that white is so far from being colourless that it contains every known hue blended together in certain proportions. The sun's light is really extremely composite; Nature herself tells us this if we will but give her the slightest attention. Whence come the beautiful hues with which we are all familiar? Look at the lovely tints of a garden; the red of the rose is not in the rose itself. All the rose does is to grasp the sunbeams which fall upon it, extract from these beams the red which they contain, and radiate that red light to our eyes. Were there not red rays conveyed with the other rays in the sunbeam, there could be no red rose to be seen by sunlight.

      The principle here involved has many other applications; a lady will often say that a dress which looks very well in the daylight does not answer in the evening. The reason is that the dress is intended to show certain colours which exist in the sunlight; but these colours are not contained to the same degree in gaslight, and consequently the dress has a different hue. The fault is not in the dress, the fault lies in the gas; and when the electric light is used it sends forth beams more nearly resembling those from the sun, and the colours of the dress appear with all their intended beauty.

      The most glorious natural indication of the nature of the sunlight is seen in the rainbow. Here the sunbeams are refracted and reflected from tiny globes of water in the clouds; these convey to us the sunlight, and in doing so decompose the white beams into the seven primary hues—red, orange, yellow, green, blue, indigo, and violet.

PLATE A. THE SUN. Royal Observatory, Greenwich, July 8, 1892.

      

       Fig. 17.—The Prism.

      The bow set in the cloud is typical of that great department of modern science of which we shall now set forth the principles. The globes of water decompose the solar beams; and we follow the course suggested by the rainbow, and analyse the sunlight into its constituents. We are enabled to do this with scientific accuracy when we employ that remarkable key to Nature's secrets known as the spectroscope. The beams of white sunlight consist of innumerable beams of every hue in intimate association. Every shade of red, of yellow, of blue, and of green, can be found in a sunbeam. The magician's wand, with which we strike the sunbeam and sort the tangled skein into perfect order, is the simple instrument known as the glass prism. We have represented this instrument in its simplest form in the adjoining figure (Fig. 17). It is a piece of pure and homogeneous glass in the shape of a wedge. When a ray of light from the sun or from any source falls upon the prism, it passes through the transparent glass and emerges on the other side; a remarkable change is, however, impressed on the ray by the influence of the glass. It is bent by refraction from the path it originally pursued, and is compelled to follow a different path. If, however, the prism bent all rays of light equally, then it would be of no service in the analysis of light; but it fortunately happens that the prism acts with varying efficiency on the rays of different hues. A red ray is not refracted so much as a yellow ray; a yellow ray is not refracted so much as a blue one. It consequently happens that when the composite beam of sunlight, in which all the different rays are blended, passes through the prism, they emerge in the manner shown in the annexed figure (Fig. 18). Here then we have the source of the analysing power of the prism; it bends the different hues unequally and consequently the beam of composite sunlight, after passing through the prism, no longer shows mere white light, but is expanded into a coloured band of light, with hues like the rainbow, passing from deep red at one end through every intermediate grade to the violet.

       Fig. 18.—Dispersion of Light by the Prism.

      We have in the prism the means of decomposing the light from the sun, or the light