The Essential Works of Tagore. Rabindranath Tagore

in ruins. Many an evening she had watched the moon made dizzy by the shaking of bamboo leaves, and on many a rainy day the smell of the wet earth had come to her over the young shoots of rice.

      Her pet name is known here among those datepalm groves, and in the court-years where girls sit and talk, while stitching their winter quilts. The water in this pool keeps in its depth the memory of her swimming limbs, and her wet feet had left their marks, day after day, on the footpath leading to the village.

      The women who come to-day with their vessels to the water, have all seen her smile over simple jests, and the old peasant, taking his bullocks to their bath, used to stop at her door every day to greet her.

      Many a sailing boat passes by this village; many a traveller takes rest beneath that banyan tree; the ferry boat crosses to yonder ford carrying crowds to the market; but they never notice this spot by the village road, near the pool with its ruined landing-stairs,—where dwelt she whom I luve.

      17

      While ages passed and the bees haunted the summer gardens, the moon smiled to the lilies of the night, the lightnings flashed their fiery kisses to the clouds and fled laughing, the poet stood in a corner, one with the trees and clouds. He kept his heart silent, like a flower, watched through his dreams as does the crescent moon; and wandered like the summer breeze for no purpose.

      One April evening, when the moon rose up like a bubble from the depth of the sunset; and one maiden was busy watering the plants; and one feeding her doe, and one making her peacock dance, the poet broke out singing,—“O listen to the secrets of the world. I know that the lily is pale for the moon’s love. The lotus draws her veil aside before the morning sun, and the reason is simple if you think. The meaning of the bee’s hum in the ear of the early jasmine has escaped the learned, but the poet knows.”

      The sun went down in a blaze of blush, the moon loitered behind the trees, and the south wind whispered to the lotus, that the poet was not as simple as he seemed. The maidens and youths clapped their hands and cried,—“The world’s secret is out.” They looked into each other’s eyes and sang—“Let our secret as well be flung into the winds.”

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      Your days will be full of cares, if you must give me your heart. My house by the cross-roads has its doors open and my mind is absent,—for I sing.

      I shall never be made to answer for it, if you must give me your heart. If I pledge my word to you in tunes now, and am too much in earnest to keep it when music is silent, you must forgive me; for the law laid in May is best broken in December.

      Do not always keep remembering it, if you must give me your heart. When your eyes sing with love, and your voice ripples with laughter, my answers to your questions will be wild, and not miserly accurate in facts,—they are to be believed for ever and then forgotten for good.

      19

      It is written in the book, that Man, when fifty, must leave the noisy world, to go to the forest seclusion. But the poet proclaims that only for tlxe young is the forest hermitage. For it is the birth-place of flowers, and the haunt of birds and bees; and hidden nooks are waiting there for the thrill of lover’s whispers. There the moonlight, that is all one kiss for the malati flowers, has its deep message, but those who understand it are far below fifty.

      And alas, youth is inexperienced and wilful, therefore it is but meet, that the old should take charge of the household, and the young take to the seclusion of forest shades, and the severe discipline of courting.

      20

      Where is the market for you, my song? Is it there where the learned muddle the summer breeze with their snuff; where dispute is unending if the oil depend upon the cask, or the cask upon the oil; where yellow manuscripts frown upon the fleet-footed frivolousness of life? My song cries out. Ah, no, no, no.

      Where is the market for you, my song? Is it there where the man of fortune groVs enormous in pride and flesh in his marble palace, with his books on the shelves, dressed in leather, painted in gold, dusted by slaves, their virgin pages dedicated to the god obscure? My song gasped and said, Ah, no, no, no.

      Where is the market for you, my song? Is it there where the young student sits, with his head bent upon his books, and his mind straying in youth's dream-land; where prose is prowling on the desk, and poetry hiding in the heart? There among that dusty disorder, would you care to play hide-and-seek? My song remains silent in shy hesitation.

      Where is the market for you, my song? Is it there where the bride is busy in the house, where she runs to her bedroom the moment she is free, and snatches, from under her pillowrs, the book of romance so roughly handled by the baby, so full of the scent of her hair? My song heaves a sigh and trembles with uncertain desire.

      Where is the market for you, my song? Is it there where the least of a bird’s notes is never missed, where the stream’s babbling finds its full wisdom where all the lute-strings of the world shower their music upon two fluttering hearts? My song bursts out and cries, Yes, yes.

      21

      Methinks, my love, before the daybreak of life you stood under some waterfall of happy dreams, filling your blood with its liquid turbulence. Or, perhaps, your path was through the garden of the gods, where the merry multitude of jasmine, lilies, and oleanders fell in your arms in heaps, and entering your heart became boisterous.

      Your laughter is a song whose words are drowned in the clamour of tune, a rapture of odour of flowers that are not seen; it is like the moonlight breaking through your lips’ window when the moon is hiding in your heart. I ask for no reason, I forget the cause, I only know that your laughter is the tumult of insurgent life.

      22

      I shall gladly suffer the pride of culture to die out in my house, if only in some fortunate future I am born a herd boy in the Brinda forest.

      The herd boy who grazes his cattle sitting under the banyan tree, and idly weaves gunja flowers into garlands, who loves to splash and plunge in the Jamuna’s cool deep stream.

      He calls his companions to wake up when morning dawns, and all the houses in the lane hum with the sound of the churn, clouds of dust are raised by the cattle, the maidens come out in the courtyard to milk the kine.

      As the shadows deepen under the tomal trees, and the dusk gathers on the river-banks; when the milkmaids, while crossing the turbulent water, tremble with fear; and loud peacocks, with tails outspread, dance in the forest, he watches the summer clouds.

      When the April night is sweet as a fresh-blown flower, he disappears in the forest with a peacock’s plume in his hair; the swing ropes are twined with flowers on the branches; the south wind throbs with music, and the merry shepherd boys crowd on the banks of the blue river.

      No, I will never be the leader, brothers, of this new age of new Bengal; I shall not trouble to light the lamp of culture for the benighted. If only I could be born, under the shady Asoka groves, in some village of Brinda, where milk is churned by the maidens.

      23

      I loved the sandy bank where, in the lonely pools, ducks clamoured and turtles basked in the sun; where, with evening, stray fishing-boats took shelter in the shadow by the tall grass.

      You loved the wooded bank where shadows were gathered in the arms of the bamboo thickets; where women came with their vessels through the winding lane.

      The same river flowed between us, singing the same song to both its banks. I listened to it, lying alone on the sand under the stars; and you listened sitting by the edge of the slope in the early morning light. Only the words I heard from it you did not know and the secret it spoke to you was a mystery for ever to me.

      24

      Your window half opened and veil half raised you stand there waiting for the bangle-seller to come with his tinsel. You idly watch the heavy cart creak on in the dusty road, and the boatmast crawling along the horizon across the faroff river.

      The world to you is like an old woman’s chant