Armorel of Lyonesse. Walter Besant

was enabled to present an appearance both picturesque and pleasing, chiefly because it carried the imagination back to a period so very remote. To begin with, she wore her bonnet all day long. Fifty years ago it was not uncommon in country places to find very old ladies who wore their bonnets all day long. Ursula Rosevean, however, was the last who still preserved that ancient custom. It was a large bonnet that she wore, a kind of bonnet calculated to impress very deeply the imagination of one—whether male or female—who saw it for the first time: it was of bold design, as capacious as a store-ship, as flowing in its lines as an old man-of-war—inspired to a certain extent by the fashions of the Waterloo period—yet, in great part, of independent design. Those few who were permitted to gaze upon the bonnet beheld it reverently. Within the bonnet an adroit arrangement of cap and ribbons concealed whatever of baldness or exiguity as to locks—but what does one know? Venus Calva has never been worshipped by men; and women only pay their tribute at her shrine from fear—never from love. The face of the sleeping lady reminded one—at first, vaguely—of history. Presently one perceived that it was the identical face which that dread occidental star, Queen Elizabeth herself, would have assumed had she lived to the age of ninety-five, which was Ursula's time of life in the year 1884. For it was an aquiline face, thin and sharp; and if her eyes had been open you would have remarked that they were bright and piercing, also like those of the Tudor Queen. Her cheek still preserved something of the colour which had once made it beautiful; but cheek and forehead alike were covered with lines innumerable, and her withered hands seemed to have grown too small for their natural glove. She was dressed in black silk, and wore a gold chain about her neck.

      The clock struck half-past five, melodiously. Then the girl started and sat upright—as awakened out of her dream. 'Armorel,' it seemed to say—nay, since it seemed to say, it actually did say—'Child Armorel, I am old and wise. For a hundred and forty-three years, ever since I left the hands of the ingenious Peter Trevellick, of Penzance, in the year 1741, I have been counting the moments, never ceasing save at those periods when surgical operations have been necessary. In each year there are 31,536,000 moments. Judge, therefore, for yourself how many moments in all I have counted. I must, you will own, be very wise indeed. I am older even than your great-great-grandmother. I remember her a baby first, and then a pretty child, and then a beautiful woman, for all she is now so worn and wizened. I remember her father and her grandfather. Also her brothers and her son, and her grandson—and your own father, dear Armorel. The moments pass: they never cease: I tell them as they go. You have but short space to do all you wish to do. You, child, have done nothing at all yet. But the moments pass. Patience. For you, too, work will be found. Youth passes. You can hear it pass. I tell the moments in which it melts away and vanishes. Age itself shall pass. You may listen if you please. I tell the moments in which it slowly passes.'

      Armorel looked at the clock with serious eyes during the delivery of this fine sermon, the whole bearing of which she did not perhaps comprehend. Then she started up suddenly and sprang to her feet, stung by a sudden pang of restlessness, with a quick breath and a sigh. We who have passed the noon of life are apt to forget the disease of restlessness to which youth is prone: it is an affection which greatly troubles that period of life, though it should be the happiest and the most contented; it is a disorder due to anticipation, impatience, and inexperience. The voyage is all before: youth is eager to be sailing on that unknown ocean full of strange islands. Who would not be restless with such a journey before one and such discoveries to make?

      Armorel opened the door noiselessly, and slipped out. At the same moment the old dog awoke and crept out with her, going delicately and on tiptoe, lest he should awaken the ancient lady. In the hall outside the girl stood listening. The house was quite silent, save that from the kitchen there was wafted on the air a soft droning—gentle, melodious, and murmurous, like the contented booming of a bumble-bee among the figwort. Armorel laughed gently. 'Oh!' she murmured, 'they are all asleep. Grandmother is asleep in the parlour; Dorcas and Chessun are asleep in the kitchen; Justinian is asleep in the cottage; and I suppose the boy is asleep somewhere in the farmyard.'

      The girl led the way, and the dog followed.

      She passed through the door into the garden of the front. It was not exactly a well-ordered garden, because everything seemed to grow as it pleased; but then in Samson you have not to coax flowers and plants into growing: they grow because it pleases them to grow: this is the reason why they grow so tall and so fast. The garden faced the south-west, and was protected from the north and east by the house itself and by a high stone wall. There is not anywhere on the island a warmer and sunnier corner than this little front garden of Holy Hill. The geranium clambered up the walls beside and among the branches of the tree-fuchsia, both together covering the front of the house with the rich colouring of their flowers. On either side of the door grew a great tree, with gnarled trunk and twisted branches, of lemon verbena, fragrant and sweet, perfuming the air; the myrtles were like unto trees for size; the very marguerites ran to timber of the smaller kind; the pampas-grass in the warmest corner rose eight feet high, waving its long silver plumes; the tall stalk still stood which had borne the flowers of an aloe that very summer; the leaves of the plant itself were slowly dying away, their life-work, which is nothing at all but the production of that one flowering stem, finished. That done, the world has no more attractions for the aloe: it is content—it slowly dies away. And in the front of the garden was a row of tall dracæna palms. An old ship's figure-head, thrown ashore after a wreck, representing the head and bust of a beautiful maiden, gilded, but with a good deal of the gilt rubbed off, stood on the left hand of the garden, half hidden by another fuchsia-tree in flower: and a huge old-fashioned ship's lantern hung from an iron bar projecting over the door of the house.

      The house itself was of stone, with a roof of small slates. Impossible to say how old it was, because in this land stone-work ages rapidly, and soon becomes covered with yellow and orange lichen, while in the interstices there grows the grey sandwort; and in the soft sea air and the damp sea mists the sharp edges even of granite are quickly rounded off and crumbled. But it was a very old house, save for the square projecting window, which had been added recently—say thirty or forty years ago—a long, low house of two storeys, simply built; it stands half-way up the hill which slopes down to the water's edge; it is protected from the north and north-east winds, which are the deadliest enemies to Scilly, partly by the hill behind and partly by a spur of grey rock running like an ancient Cyclopean wall down the whole face of the hill into the sea, where for many a fathom it sticks out black teeth, round which the white surge rises and tumbles, even in the calmest time.

      Beyond the garden-wall—why they wanted a garden-wall I know not, except for the pride and dignity of the thing—was a narrow green, with a little, a very little, pond; in the pond there were ducks; and beside the green was a small farmyard, containing everything that a farmyard should contain, except a stable. It had no stable, because there are no horses or carts upon the island. Pigs there are, and cows; fowls there are, and ducks and geese, and a single donkey for the purpose of carrying the flower-baskets from the farm to the landing-place; but neither horse nor cart.

      Beyond the farmyard was a cottage, exactly like the house, but smaller. It was thatched, and on the thatch grew clumps of samphire. This was the abode of Justinian Tryeth, bailiff, head man, or foreman, who managed the farm. When you have named Ursula Rosevean, and Armorel, her great-great-granddaughter, and Justinian Tryeth, and Dorcas his wife—she was a native of St. Agnes, and therefore a Hicks by birth—Peter his son, and Chessun his daughter, you have a complete directory of the island, because nobody else now lives on Samson. Formerly, however, and almost within the memory of the oldest inhabitant, according to the computation of antiquaries and the voice of tradition, this island maintained a population of over two score.

      The hill which rises behind the house is the southern hill of the two, which, with the broad valley between them, make up the island of Samson. This hill slopes steeply seaward to south and west. It is not a lofty hill, by any means. In Scilly there are no lofty hills. When Nature addressed herself to the construction of this archipelago she brought to the task a light touch: at the moment she happened to be full of feeling for the great and artistic effects which may be produced by small elevations, especially in those places where the material is granite. Therefore, though she raised no Alpine peak in Scilly, she provided great abundance and any variety of bold coast-line with rugged cliffs,