The Ne'er-Do-Well. Rex Beach

get him full if you'll help manage him," Locke went on. "And here's the ticket." He tapped his pocket.

      "Where'd you get it?"

      "Bought it yesterday. It's first class and better, and he'll fit my description. We're about the same size."

      "Ain't you goin'?"

      "No. I've changed my mind. I may jump over to Paris. Come, are you on?"

      Higgins giggled. "Darn' funny idea, if you can get him full."

      "Wait." Locke rose and went to the bar, where he called loudly for the singer; then, when the bartender had deserted the piano, he spoke to Anthony: "Keep it up, old man, you're doing fine."

      For some moments he talked earnestly to the man behind the bar; but his back was to Higgins, Anthony was occupied, and Ringold still slumbered; hence no one observed the transfer of another of those yellow bills of which he seemed to have an unlimited store.

      Strangely enough, Mr. Jefferson Locke's plan worked without a hitch. Within ten minutes after Kirk Anthony had taken the drink handed him he declared himself sleepy, and rose from the piano, only to seek a chair, into which he flung himself heavily.

      "It's all right," Locke told his drunken companion. "I've got a taxi waiting. We'll leave Ringold where he is."

      Twenty-four hours later Adelbert Higgins undertook to recall what had happened to him after he left Muller's place on East Fourteenth Street, but his memory was tricky. He recollected a vaguely humorous discussion of some sort with a stranger, the details of which were almost entirely missing. He remembered that dawn had broken when he came out of the saloon, but beyond that he could not go with any degree of certainty. There was a hazy memory of an interminable ride in a closed vehicle of some sort, a dizzy panorama of moving buildings, bleak, wind-swept trees, frosty meadows, and land-locked lakes backed by what were either distant mountain ranges or apartment houses. This last, however, was all very blurred and indistinct.

      As to who was with him on the ride, or what took place thereafter, he had no memory and no opportunity of learning, owing to certain unexpected and alarming occurrences which made it imperative for him to terminate his connection with his college, as big Marty Ringold had done earlier in the day, and begin to pack his belongings. Partly out of deference to the frantic appeals of his widowed mother, partly owing to the telephoned advice of Mr. Michael Padden, of Sixth Avenue, who said the injured man had recognized one of his assailants, he booked passage to Japan by the next steamer out of Vancouver. He left New York that afternoon by the Twentieth Century Limited, taking with him only one suit-case and a determination to see the world.

III

       Table of Contents

      A GAP

      Strictly speaking, Kirk Anthony did not awake to a realization of his surroundings, but became conscious of them through a long process of dull, dreamy speculation. He never knew the precise moment when his eyes opened and sleep left him, but at cost of considerable mental effort he finally brought himself to the conviction that hours had passed and another day had arrived. More than once after long, white nights in New York City, he had awakened amid strange surroundings and had been forced to wait upon his lagging memory; but this time his mind refused to work, even after he knew himself to be fully roused. So he closed his eyes with the admonition:

      "Now, begin all over again, Kirk. When you left Padden's place you went to Maxim's and listened to the fat quartette, then to the place where the waiter held out a dollar. After the trouble at that point, you tried to get into Tony's rathskeller and couldn't, so you started for the East Side. Ringold was very drunk. Good! Everything is clear so far. Next you were playing a piano with yellow teeth while somebody sang something about a 'Little Brown Cot.' After that—Lord, you must have been drinking! Well, let's run through it again."

      But his efforts were vain; he could recall nothing beyond the piano, so fell to wondering what hotel this could be.

      "Some East Side joint," he decided, "and a cheap one too, from the size of this stall." He noted another brass bed close at hand and reasoned that Ringold or Higgins must have risen early, leaving him to finish his sleep. That was considerate, of course, but—Good heavens, it must be late! And he was due to motor to New Haven at noon! He raised himself suddenly, and was half out of bed when he fell back, with a cry, as if an unseen hand had smitten him. He clapped both palms to his head, realizing that he was very sick indeed. The sensation was unlike anything he had ever felt before. His head was splitting, he felt a frightful nausea, the whole room was rocking and reeling as if to pitch him out of bed. It was terrible; so he arose blindly and felt his way toward the telephone. Failing to find it, he pushed a button instead, then tumbled back to bed, reviling the luck that had brought him to such a miserable place. He closed his eyes tightly and calmed his stomach by an effort of will. At last he heard the door open and a voice inquire:

      "Did you ring, sir?"

      "An hour ago. Haven't you more than one bell-hop in this place?"

      "I'm sorry, sir."

      "And I'm sick, mighty sick. I'm going to die."

      "I think not, sir; the others are sick, too."

      "That's good! I was afraid they'd dressed and gone." It was some consolation to know that Ringold and Higgins had not escaped their share of suffering. "How is Hig—the bony fellow?"

      "Do you mean the gentleman in thirty-two?"

      "How should I know his number? That's not Hig's description, however—even you could tell that he is no gentle—Oh, Lord!"

      "Can I get you something, sir—a little champagne, perhaps, to settle your stomach?"

      "NO, NO! Get me a taxicab. I want to go up-town."

      "Rather a long drive, isn't it?" snickered the bell-boy.

      "Never mind the comedy." Anthony opened his eyes. "Hello! Are you the clerk?" Instead of the bell-hop he had expected he beheld a man in white jacket and black trousers.

      "No, sir, I'm the steward."

      The invalid shook his head faintly. "Funny place I've got into. What's the name of it?"

      "This? Oh! The SANTA CRUZ."

      "Never heard of it. Why didn't they give me a good room? This is fierce."

      "Suite A is considered very good, sir. It is one of the best on the line."

      "Line?" Kirk grunted. "So this is some dead-line dump. Well, I'm going to get out—understand? Hand me my trousers and I'll slip you a quarter."

      The steward did as desired, but a blind search showed the pockets to be empty.

      "Give me the coat and vest." But here again Kirk found nothing, and was forced to apologize. "Sorry, old man, but I must have left it at the office. Now be a good fellow and hustle up that taxi. I'm getting sicker every minute."

      "Perhaps you had better have the doctor?"

      "Is there a good one handy?"

      "Yes, sir."

      "Here in the hotel?"

      The steward seemed undecided whether to treat the occupant of Suite A as a humorist or a lunatic, but finally he observed, "This isn't a hotel, sir."

      "That's what I though-t-more like a roadhouse," "This is a ship."

      "A—WHAT?" Anthony raised himself and stared at the white-clad figure over the foot of his little brass bed.

      "This is a ship, sir."

      "You get out of here!" yelled the infuriated young man. He cast his eyes about for some missile to hurl at this insolent menial, and, spying a heavy glass pitcher upon a stand beside him, reached for it, whereat the steward