Lady Byron Vindicated. Гарриет Бичер-Стоу

given to understand that no common rule or measure could apply to such an undoubtedly divine production; and so the hearts of men were to be wrung with pity for his sorrows as the yearning pain of a god, and with anger at his injuries as sacrilege on the sacredness of genius, till they were ready to cast themselves at his feet, and adore.

      Then he was to be set up on a pedestal, like Nebuchadnezzar's image on the plains of Dura; and what time the world heard the sound of cornet, sackbut, and dulcimer, in his enchanting verse, they were to fall down and worship.

      For Lady Byron, Moore had simply the respect that a commoner has for a lady of rank, and a good deal of the feeling that seems to underlie all English literature—that it is no matter what becomes of the woman when the man's story is to be told. But, with all his faults, Moore was not a cruel man; and we cannot conceive such outrageous cruelty and ungentlemanly indelicacy towards an unoffending woman, as he shows in these 'Memoirs,' without referring them to Lord Byron's own influence in making him an unscrupulous, committed partisan on his side.

      So little pity, so little sympathy, did he suppose Lady Byron to be worthy of, that he laid before her, in the sight of all the world, selections from her husband's letters and journals, in which the privacies of her courtship and married life were jested upon with a vulgar levity; letters filled, from the time of the act of separation, with a constant succession of sarcasms, stabs, stings, epigrams, and vindictive allusions to herself, bringing her into direct and insulting comparison with his various mistresses, and implying their superiority over her. There, too, were gross attacks on her father and mother, as having been the instigators of the separation; and poor Lady Milbanke, in particular, is sometimes mentioned with epithets so offensive, that the editor prudently covers the terms with stars, as intending language too gross to be printed.

      The last mistress of Lord Byron is uniformly brought forward in terms of such respect and consideration, that one would suppose that the usual moral laws that regulate English family life had been specially repealed in his favour. Moore quotes with approval letters from Shelley, stating that Lord Byron's connection with La Guiccioli has been of inestimable benefit to him; and that he is now becoming what he should be, 'a virtuous man.' Moore goes on to speak of the connection as one, though somewhat reprehensible, yet as having all those advantages of marriage and settled domestic ties that Byron's affectionate spirit had long sighed for, but never before found; and in his last résumé of the poet's character, at the end of the volume, he brings the mistress into direct comparison with the wife in a single sentence: 'The woman to whom he gave the love of his maturer years idolises his name; and, with a single unhappy exception, scarce an instance is to be found of one brought … into relations of amity with him who did not retain a kind regard for him in life, and a fondness for his memory.'

      Literature has never yet seen the instance of a person, of Lady Byron's rank in life, placed before the world in a position more humiliating to womanly dignity, or wounding to womanly delicacy.

      The direct implication is, that she has no feelings to be hurt, no heart to be broken, and is not worthy even of the consideration which in ordinary life is to be accorded to a widow who has received those awful tidings which generally must awaken many emotions, and call for some consideration, even in the most callous hearts.

      The woman who we are told walked the room, vainly striving to control the sobs that shook her frame, while she sought to draw from the servant that last message of her husband which she was never to hear, was not thought worthy even of the rights of common humanity.

      The first volume of the 'Memoir' came out in 1830. Then for the first time came one flash of lightning from the silent cloud; and she who had never spoken before spoke out. The libels on the memory of her dead parents drew from her what her own wrongs never did. During all this time, while her husband had been keeping her effigy dangling before the public as a mark for solemn curses, and filthy lampoons, and secretly-circulated disclosures, that spared no sacredness and violated every decorum, she had not uttered a word. She had been subjected to nameless insults, discussed in the assemblies of drunkards, and challenged to speak for herself. Like the chaste lady in 'Comus,' whom the vile wizard had bound in the enchanted seat to be 'grinned at and chattered at' by all the filthy rabble of his dehumanised rout, she had remained pure, lofty, and undefiled; and the stains of mud and mire thrown upon her had fallen from her spotless garments.

      Now that she is dead, a recent writer in 'The London Quarterly' dares give voice to an insinuation which even Byron gave only a suggestion of when he called his wife Clytemnestra; and hints that she tried the power of youth and beauty to win to her the young solicitor Lushington, and a handsome young officer of high rank.

      At this time, such insinuations had not been thought of; and the only and chief allegation against Lady Byron had been a cruel severity of virtue.

      At all events, when Lady Byron spoke, the world listened with respect, and believed what she said.

      Here let us, too, read her statement, and give it the careful attention she solicits (Moore's 'Life of Byron,' vol. vi. p. 275):—

      'I have disregarded various publications in which facts within my own knowledge have been grossly misrepresented; but I am called upon to notice some of the erroneous statements proceeding from one who claims to be considered as Lord Byron's confidential and authorised friend. Domestic details ought not to be intruded on the public attention: if, however, they are so intruded, the persons affected by them have a right to refute injurious charges. Mr. Moore has promulgated his own impressions of private events in which I was most nearly concerned, as if he possessed a competent knowledge of the subject. Having survived Lord Byron, I feel increased reluctance to advert to any circumstances connected with the period of my marriage; nor is it now my intention to disclose them further than may be indispensably requisite for the end I have in view. Self-vindication is not the motive which actuates me to make this appeal, and the spirit of accusation is unmingled with it; but when the conduct of my parents is brought forward in a disgraceful light by the passages selected from Lord Byron's letters, and by the remarks of his biographer, I feel bound to justify their characters from imputations which I know to be false. The passages from Lord Byron's letters, to which I refer, are—the aspersion on my mother's character (p. 648, l. 4):[19] "My child is very well and flourishing, I hear; but I must see also. I feel no disposition to resign it to the contagion of its grandmother's society." The assertion of her dishonourable conduct in employing a spy (p. 645, l. 7, &c.): "A Mrs. C. (now a kind of housekeeper and spy of Lady N.'s), who, in her better days, was a washerwoman, is supposed to be—by the learned—very much the occult cause of our domestic discrepancies." The seeming exculpation of myself in the extract (p. 646), with the words immediately following it, "Her nearest relations are a——;" where the blank clearly implies something too offensive for publication. These passages tend to throw suspicion on my parents, and give reason to ascribe the separation either to their direct agency, or to that of "officious spies" employed by them.[20] From the following part of the narrative (p. 642), it must also be inferred that an undue influence was exercised by them for the accomplishment of this purpose: "It was in a few weeks after the latter communication between us (Lord Byron and Mr. Moore) that Lady Byron adopted the determination of parting from him. She had left London at the latter end of January, on a visit to her father's house in Leicestershire; and Lord Byron was in a short time to follow her. They had parted in the utmost kindness—she wrote him a letter, full of playfulness and affection, on the road; and, immediately on her arrival at Kirkby Mallory, her father wrote to acquaint Lord Byron that she would return to him no more."

      'In my observations upon this statement, I shall, as far as possible, avoid touching on any matters relating personally to Lord Byron and myself. The facts are—I left London for Kirkby Mallory, the residence of my father and mother, on the 15th of January, 1816. Lord Byron had signified to me in writing (Jan. 6) his absolute desire that I should leave London on the earliest day that I could conveniently fix. It was not safe for me to undertake the fatigue of a journey sooner than the 15th. Previously to my departure, it had been strongly impressed on my mind that Lord Byron was under the influence of insanity. This opinion was derived in a great measure from the communications made to me by his nearest relatives and personal attendant, who had more opportunities than myself of observing