The Essential Works of George Eliot. George Eliot

enough. They know the rights of a story before they hear it, and can tell a man what his thoughts are before he knows ’em himself.”

      “Like enough,” said Mrs. Poyser, “for the men are mostly so slow, their thoughts overrun ’em, an’ they can only catch ’em by the tail. I can count a stocking-top while a man’s getting’s tongue ready an’ when he outs wi’ his speech at last, there’s little broth to be made on’t. It’s your dead chicks take the longest hatchin’. Howiver, I’m not denyin’ the women are foolish: God Almighty made ’em to match the men.”

      “Match!” said Bartle. “Aye, as vinegar matches one’s teeth. If a man says a word, his wife ’ll match it with a contradiction; if he’s a mind for hot meat, his wife ’ll match it with cold bacon; if he laughs, she’ll match him with whimpering. She’s such a match as the horse-fly is to th’ horse: she’s got the right venom to sting him with—the right venom to sting him with.”

      “Yes,” said Mrs. Poyser, “I know what the men like—a poor soft, as ’ud simper at ’em like the picture o’ the sun, whether they did right or wrong, an’ say thank you for a kick, an’ pretend she didna know which end she stood uppermost, till her husband told her. That’s what a man wants in a wife, mostly; he wants to make sure o’ one fool as ’ull tell him he’s wise. But there’s some men can do wi’out that—they think so much o’ themselves a’ready. An’ that’s how it is there’s old bachelors.”

      “Come, Craig,” said Mr. Poyser jocosely, “you mun get married pretty quick, else you’ll be set down for an old bachelor; an’ you see what the women ’ull think on you.”

      “Well,” said Mr. Craig, willing to conciliate Mrs. Poyser and setting a high value on his own compliments, “I like a cleverish woman—a woman o’ sperrit—a managing woman.”

      “You’re out there, Craig,” said Bartle, dryly; “you’re out there. You judge o’ your garden-stuff on a better plan than that. You pick the things for what they can excel in—for what they can excel in. You don’t value your peas for their roots, or your carrots for their flowers. Now, that’s the way you should choose women. Their cleverness ’ll never come to much—never come to much—but they make excellent simpletons, ripe and strong-flavoured.”

      “What dost say to that?” said Mr. Poyser, throwing himself back and looking merrily at his wife.

      “Say!” answered Mrs. Poyser, with dangerous fire kindling in her eye. “Why, I say as some folks’ tongues are like the clocks as run on strikin’, not to tell you the time o’ the day, but because there’s summat wrong i’ their own inside…”

      Mrs. Poyser would probably have brought her rejoinder to a further climax, if every one’s attention had not at this moment been called to the other end of the table, where the lyricism, which had at first only manifested itself by David’s sotto voce performance of “My love’s a rose without a thorn,” had gradually assumed a rather deafening and complex character. Tim, thinking slightly of David’s vocalization, was impelled to supersede that feeble buzz by a spirited commencement of “Three Merry Mowers,” but David was not to be put down so easily, and showed himself capable of a copious crescendo, which was rendering it doubtful whether the rose would not predominate over the mowers, when old Kester, with an entirely unmoved and immovable aspect, suddenly set up a quavering treble—as if he had been an alarum, and the time was come for him to go off.

      The company at Alick’s end of the table took this form of vocal entertainment very much as a matter of course, being free from musical prejudices; but Bartle Massey laid down his pipe and put his fingers in his ears; and Adam, who had been longing to go ever since he had heard Dinah was not in the house, rose and said he must bid good-night.

      “I’ll go with you, lad,” said Bartle; “I’ll go with you before my ears are split.”

      “I’ll go round by the Common and see you home, if you like, Mr. Massey,” said Adam.

      “Aye, aye!” said Bartle; “then we can have a bit o’ talk together. I never get hold of you now.”

      “Eh! It’s a pity but you’d sit it out,” said Martin Poyser. “They’ll all go soon, for th’ missis niver lets ’em stay past ten.”

      But Adam was resolute, so the good-nights were said, and the two friends turned out on their starlight walk together.

      “There’s that poor fool, Vixen, whimpering for me at home,” said Bartle. “I can never bring her here with me for fear she should be struck with Mrs. Poyser’s eye, and the poor bitch might go limping for ever after.”

      “I’ve never any need to drive Gyp back,” said Adam, laughing. “He always turns back of his own head when he finds out I’m coming here.”

      “Aye, aye,” said Bartle. “A terrible woman!—made of needles, made of needles. But I stick to Martin—I shall always stick to Martin. And he likes the needles, God help him! He’s a cushion made on purpose for ’em.”

      “But she’s a downright good-natur’d woman, for all that,” said Adam, “and as true as the daylight. She’s a bit cross wi’ the dogs when they offer to come in th’ house, but if they depended on her, she’d take care and have ’em well fed. If her tongue’s keen, her heart’s tender: I’ve seen that in times o’ trouble. She’s one o’ those women as are better than their word.”

      “Well, well,” said Bartle, “I don’t say th’ apple isn’t sound at the core; but it sets my teeth on edge—it sets my teeth on edge.”

Chapter VI.

       The Meeting on the Hill.

       Table of Contents

      Adam understood Dinah’s haste to go away, and drew hope rather than discouragement from it. She was fearful lest the strength of her feeling towards him should hinder her from waiting and listening faithfully for the ultimate guiding voice from within.

      “I wish I’d asked her to write to me, though,” he thought. “And yet even that might disturb her a bit, perhaps. She wants to be quite quiet in her old way for a while. And I’ve no right to be impatient and interrupting her with my wishes. She’s told me what her mind is, and she’s not a woman to say one thing and mean another. I’ll wait patiently.”

      That was Adam’s wise resolution, and it throve excellently for the first two or three weeks on the nourishment it got from the remembrance of Dinah’s confession that Sunday afternoon. There is a wonderful amount of sustenance in the first few words of love. But towards the middle of October the resolution began to dwindle perceptibly, and showed dangerous symptoms of exhaustion. The weeks were unusually long: Dinah must surely have had more than enough time to make up her mind. Let a woman say what she will after she has once told a man that she loves him, he is a little too flushed and exalted with that first draught she offers him to care much about the taste of the second. He treads the earth with a very elastic step as he walks away from her, and makes light of all difficulties. But that sort of glow dies out: memory gets sadly diluted with time, and is not strong enough to revive us. Adam was no longer so confident as he had been. He began to fear that perhaps Dinah’s old life would have too strong a grasp upon her for any new feeling to triumph. If she had not felt this, she would surely have written to him to give him some comfort; but it appeared that she held it right to discourage him. As Adam’s confidence waned, his patience waned with it, and he thought he must write himself. He must ask Dinah not to leave him in painful doubt longer than was needful. He sat up late one night to write her a letter, but the next morning he burnt it, afraid of its effect. It would be worse to have a discouraging answer by letter than from her own lips, for her presence reconciled him to her will.

      You perceive how it was: Adam was hungering for the sight of Dinah, and when that sort of hunger reaches a certain stage, a lover is likely to still it though he may have to put his future in pawn.