Название | Tales of My Landlord - All 7 Novels in One Edition (Illustrated) |
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Автор произведения | Walter Scott |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 9788027231843 |
He let go the bridle-rein, and the young lady rode on, after expressing her thanks to this singular being, as well as her surprise at the extraordinary nature of his address would permit, often turning back to look at the Dwarf, who still remained at the door of his habitation, and watched her progress over the moor towards her father’s castle of Ellieslaw, until the brow of the hill hid the party from his sight.
The ladies, meantime, jested with Miss Vere on the strange interview they had just had with the far-famed wizard of the Moor. “Isabella has all the luck at home and abroad! Her hawk strikes down the blackcock; her eyes wound the gallant; no chance for her poor companions and kinswomen; even the conjuror cannot escape the force of her charms. You should, in compassion, cease to be such an engrosser, my dear Isabel, or at least set up shop, and sell off all the goods you do not mean to keep for your own use.”
“You shall have them all,” replied Miss Vere, “and the conjuror to boot, at a very easy rate.”
“No! Nancy shall have the conjuror,” said Miss Ilderton, “to supply deficiencies; she’s not quite a witch herself, you know.”
“Lord, sister,” answered the younger Miss Ilderton, “what could I do with so frightful a monster? I kept my eyes shut, after once glancing at him; and, I protest, I thought I saw him still, though I winked as close as ever I could.”
“That’s a pity,” said her sister; “ever while you live, Nancy, choose an admirer whose faults can be hid by winking at them. — Well, then, I must take him myself, I suppose, and put him into mamma’s Japan cabinet, in order to show that Scotland can produce a specimen of mortal clay moulded into a form ten thousand times uglier than the imaginations of Canton and Pekin, fertile as they are in monsters, have immortalized in porcelain.”
“There is something,” said Miss Vere, “so melancholy in the situation of this poor man, that I cannot enter into your mirth, Lucy, so readily as usual. If he has no resources, how is he to exist in this waste country, living, as he does, at such a distance from mankind? and if he has the means of securing occasional assistance, will not the very suspicion that he is possessed of them, expose him to plunder and assassination by some of our unsettled neighbours?”
“But you forget that they say he is a warlock,” said Nancy Ilderton.
“And, if his magic diabolical should fail him,” rejoined her sister, “I would have him trust to his magic natural, and thrust his enormous head, and most preternatural visage, out at his door or window, full in view of the assailants. The boldest robber that ever rode would hardly bide a second glance of him. Well, I wish I had the use of that Gorgon head of his for only one half hour.”
“For what purpose, Lucy?” said Miss Vere.
“O! I would frighten out of the castle that dark, stiff, and stately Sir Frederick Langley, that is so great a favourite with your father, and so little a favourite of yours. I protest I shall be obliged to the Wizard as long as I live, if it were only for the half hour’s relief from that man’s company which we have gained by deviating from the party to visit Elshie.”
“What would you say, then,” said Miss Vere, in a low tone, so as not to be heard by the younger sister, who rode before them, the narrow path not admitting of their moving all three abreast, — ”What would you say, my dearest Lucy, if it were proposed to you to endure his company for life?”
“Say? I would say, NO, NO, NO, three times, each louder than another, till they should hear me at Carlisle.”
“And Sir Frederick would say then, nineteen nay-says are half a grant.”
“That,” replied Miss Lucy, “depends entirely on the manner in which the nay-says are said. Mine should have not one grain of concession in them, I promise you.”
“But if your father,” said Miss Vere, “were to say, — Thus do, or — ”
“I would stand to the consequences of his OR, were he the most cruel father that ever was recorded in romance, to fill up the alternative.”
“And what if he threatened you with a catholic aunt, an abbess, and a cloister?”
“Then,” said Miss Ilderton, “I would threaten him with a protestant son-in-law, and be glad of an opportunity to disobey him for conscience’ sake. And now that Nancy is out of hearing, let me really say, I think you would be excusable before God and man for resisting this preposterous match by every means in your power. A proud, dark, ambitious man; a caballer against the state; infamous for his avarice and severity; a bad son, a bad brother, unkind and ungenerous to all his relatives — Isabel, I would die rather than have him.”
“Don’t let my father hear you give me such advice,” said Miss Vere, “or adieu, my dear Lucy, to Ellieslaw Castle.”
“And adieu to Ellieslaw Castle, with all my heart,” said her friend, “if I once saw you fairly out of it, and settled under some kinder protector than he whom nature has given you. O, if my poor father had been in his former health, how gladly would he have received and sheltered you, till this ridiculous and cruel persecution were blown over!”
“Would to God it had been so, my dear Lucy!” answered Isabella; “but I fear, that, in your father’s weak state of health, he would be altogether unable to protect me against the means which would be immediately used for reclaiming the poor fugitive.”
“I fear so indeed,” replied Miss Ilderton; “but we will consider and devise something. Now that your father and his guests seem so deeply engaged in some mysterious plot, to judge from the passing and returning of messages, from the strange faces which appear and disappear without being announced by their names, from the collecting and cleaning of arms, and the anxious gloom and bustle which seem to agitate every male in the castle, it may not be impossible for us (always in case matters be driven to extremity) to shape out some little supplemental conspiracy of our own. I hope the gentlemen have not kept all the policy to themselves; and there is one associate that I would gladly admit to our counsel.”
“Not Nancy?”
“O, no!” said Miss Ilderton; “Nancy, though an excellent good girl, and fondly attached to you, would make a dull conspirator — as dull as Renault and all the other subordinate plotters in VENICE PRESERVED. No; this is a Jaffier, or Pierre, if you like the character better; and yet though I know I shall please you, I am afraid to mention his name to you, lest I vex you at the same time. Can you not guess? Something about an eagle and a rock — it does not begin with eagle in English, but something very like it in Scotch.”
“You cannot mean young Earnscliff, Lucy?” said Miss Vere, blushing deeply.
“And whom else should I mean,” said Lucy. “Jaffiers and Pierres are very scarce in this country, I take it, though one could find Renaults and Bedamars enow.”
“How call you talk so wildly, Lucy? Your plays and romances have positively turned your brain. You know, that, independent of my father’s consent, without which I never will marry any one, and which, in the case you point at, would never be granted; independent, too, of our knowing nothing of young Earnscliff’s inclinations, but by your own vivid conjectures and fancies — besides all this, there is the fatal brawl!”
“When his father was killed?” said Lucy. “But that was very long ago; and I hope we have outlived the time of bloody feud, when a quarrel was carried down between two families from father to son, like a Spanish game at chess, and a murder or two committed in every generation, just to keep the matter from going to sleep. We do with our quarrels nowadays as with our clothes; cut them out for ourselves, and wear them out in our own day, and should no more think of resenting our fathers’ feuds, than of wearing their slashed doublets and trunk-hose.”
“You treat this far too lightly, Lucy,” answered Miss Vere.
“Not a bit, my dear Isabella,” said Lucy. “Consider, your