The "Genius". Theodore Dreiser

under me. You get a move on you, and don't give me any more of your lip."

      Eugene was startled. It was a flash of brutality out of a clear sky. The animal, whom he had been scanning as an artist would, as a type, out of the corner of his eye, was revealing himself.

      "You go to the devil," said Eugene, only half awake to the grim reality of the situation.

      "What's that!" exclaimed the man, making for him. He gave him a shove toward the wall, and attempted to kick him with his big, hob-nailed boot. Eugene picked up a stove leg. His face was wax white.

      "Don't you try that again," he said darkly. He fixed the leg in his hand firmly.

      "Call it off, Jim," said the other man, who saw the uselessness of so much temper. "Don't hit him. Send him down stairs if you don't like him."

      "You get to hell out of here, then," said Eugene's noble superior.

      Eugene walked to a nail where his hat and coat were, carrying the stove leg. He edged past his assailant cautiously, fearing a second attack. The man was inclined to kick at him again because of his stubbornness, but forebore.

      "You're too fresh, Willie. You want to wake up, you dough face," he said as Eugene went.

      Eugene slipped out quietly. His spirit was hurt and torn. What a scene! He, Eugene Witla, kicked at, and almost kicked out, and that in a job that paid six dollars a week. A great lump came up in his throat, but it went down again. He wanted to cry but he could not. He went downstairs, stovepolish on his hands and face and slipped up to the desk.

      "I want to quit," he said to the man who had hired him.

      "All right, what's the matter?"

      "That big brute up there tried to kick me," he explained.

      "They're pretty rough men," answered the employer. "I was afraid you wouldn't get along. I guess you're not strong enough. Here you are." He laid out three dollars and a half. Eugene wondered at this queer interpretation of his complaint. He must get along with these men? They musn't get along with him? So the city had that sort of brutality in it.

      He went home and washed up, and then struck out again, for it was no time now to be without a job. After a week he found one—as a house runner for a real estate concern, a young man to bring in the numbers of empty houses and post up the "For Rent" signs in the windows. It paid eight dollars and seemed to offer opportunities of advancement. Eugene might have stayed there indefinitely had it not failed after three months. He had reached the season of fall clothes then, and the need of a winter overcoat, but he made no complaint to his family. He wanted to appear to be getting along well, whether he was or not.

      One of the things which tended to harden and sharpen his impressions of life at this time was the show of luxury seen in some directions. On Michigan Avenue and Prairie Avenue, on Ashland Avenue and Washington Boulevard, were sections which were crowded with splendid houses such as Eugene had never seen before. He was astonished at the magnificence of their appointments, the beauty of the lawns, the show of the windows, the distinction of the equipages which accompanied them and served them. For the first time in his life he saw liveried footmen at doors: he saw at a distance girls and women grown who seemed marvels of beauty to him—they were so distinguished in their dress; he saw young men carrying themselves with an air of distinction which he had never seen before. These must be the society people the newspapers were always talking about. His mind made no distinctions as yet. If there were fine clothes, fine trappings, of course social prestige went with them. It made him see for the first time what far reaches lay between the conditions of a beginner from the country and what the world really had to offer—or rather what it showered on some at the top. It subdued and saddened him a little. Life was unfair.

      These fall days, too, with their brown leaves, sharp winds, scudding smoke and whirls of dust showed him that the city could be cruel. He met shabby men, sunken eyed, gloomy, haggard, who looked at him, apparently out of a deep despair. These creatures all seemed to be brought where they were by difficult circumstances. If they begged at all—and they rarely did of him, for he did not look prosperous enough, it was with the statement that unfortunate circumstances had brought them where they were. You could fail so easily. You could really starve if you didn't look sharp—the city quickly taught him that.

      During these days he got immensely lonely. He was not very sociable, and too introspective. He had no means of making friends, or thought he had none. So he wandered about the streets at night, marveling at the sights he saw, or staying at home in his little room. Mrs. Woodruff, the landlady, was nice and motherly enough, but she was not young and did not fit into his fancies. He was thinking about girls and how sad it was not to have one to say a word to him. Stella was gone—that dream was over. When would he find another like her?

      After wandering around for nearly a month, during which time he was compelled to use some money his mother sent him to buy a suit of clothes on an instalment plan, he got a place as driver of a laundry, which, because it paid ten dollars a week, seemed very good. He sketched now and then when he was not tired, but what he did seemed pointless. So he worked here, driving a wagon, when he should have been applying for an art opening, or taking art lessons.

      During this winter Myrtle wrote him that Stella Appleton had moved to Kansas, whither her father had gone; and that his mother's health was bad, and that she did so want him to come home and stay awhile. It was about this time that he became acquainted with a little Scotch girl named Margaret Duff, who worked in the laundry, and became quickly involved in a relationship which established a precedent in his experiences with women. Before this he had never physically known a girl. Now, and of a sudden, he was plunged into something which awakened a new, and if not evil, at least disrupting and disorganizing propensity of his character. He loved women, the beauty of the curves of their bodies. He loved beauty of feature and after a while was to love beauty of mind—he did now, in a vague, unformed way—but his ideal was as yet not clear to him. Margaret Duff represented some simplicity of attitude, some generosity of spirit, some shapeliness of form, some comeliness of feature—it was not more. But, growing by what it fed on, his sex appetite became powerful. In a few weeks it had almost mastered him. He burned to be with this girl daily—and she was perfectly willing that he should, so long as the relationship did not become too conspicuous. She was a little afraid of her parents, although those two, being working people, retired early and slept soundly. They did not seem to mind her early philanderings with boys. This latest one was no novelty. It burned fiercely for three months—Eugene was eager, insatiable: the girl not so much so, but complaisant. She liked this evidence of fire in him—the hard, burning flame she had aroused, and yet after a time she got a little tired. Then little personal differences arose—differences of taste, differences of judgment, differences of interest. He really could not talk to her of anything serious, could not get a response to his more delicate emotions. For her part she could not find in him any ready appreciation of the little things she liked—theater jests, and the bright remarks of other boys and girls. She had some conception of what was tasteful in dress, but as for anything else, art, literature, public affairs, she knew nothing at all, while Eugene, for all his youth, was intensely alive to what was going on in the great world. The sound of great names and great fames was in his ears—Carlyle, Emerson, Thoreau, Whitman. He read of great philosophers, painters, musicians, meteors that sped across the intellectual sky of the western world, and he wondered. He felt as though some day he would be called to do something—in his youthful enthusiasm he half-thought it might be soon. He knew that this girl he was trifling with could not hold him. She had lured him, but once lured he was master, judge, critic. He was beginning to feel that he could get along without her—that he could find someone better.

      Naturally such an attitude would make for the death of passion, as the satiation of passion would make for the development of such an attitude. Margaret became indifferent. She resented his superior airs, his top-lofty tone at times. They quarreled over little things. One night he suggested something that she ought to do in the haughty manner customary with him.

      "Oh, don't be so smart!" she said. "You always talk as though you owned me."

      "I do," he said jestingly.

      "Do