The "Genius". Theodore Dreiser

were! Finally he undressed and went to bed. He wanted to be alone—to be lonely. On his clean white pillow he lay and dreamed of the things that might have been, kisses, caresses, a thousand joys.

      One Sunday afternoon he was lying in his hammock thinking, thinking of what a dreary place Alexandria was, anyhow, when he opened a Chicago Saturday afternoon paper, which was something like a Sunday one because it had no Sunday edition—and went gloomily through it. It was as he had always found, full of a subtle wonder, the wonder of the city, which drew him like a magnet. Here was the drawing of a big hotel someone was going to build; there was a sketch of a great pianist who was coming to play. An account of a new comedy drama; of a little romantic section of Goose Island in the Chicago river, with its old decayed boats turned into houses and geese waddling about; an item of a man falling through a coal hole on South Halstead street fascinated him. This last was at sixty-two hundred and something and the idea of such a long street seized on his imagination. What a tremendous city Chicago must be. The thought of car lines, crowds, trains, came to him with almost a yearning appeal.

      All at once the magnet got him. It gripped his very soul, this wonder, this beauty, this life.

      "I'm going to Chicago," he thought, and got up.

      There was his nice, quiet little home laid out before him. Inside were his mother, his father, Myrtle. Still he was going. He could come back. "Sure I can come back," he thought. Propelled by this magnetic power he went in and upstairs to his room, and got a little grip or portmanteau he had. He put in it the things he thought he would immediately need. In his pocket were nine dollars, money he had been saving for some time. Finally he came downstairs and stood in the door of the sitting room.

      "What's the matter?" asked his mother, looking at his solemn introspective face.

      "I'm going to Chicago," he said.

      "When?" she asked, astonished, a little uncertain of just what he meant.

      "Today," he said.

      "No, you're joking." She smiled unbelievingly. This was a boyish prank.

      "I'm going today," he said. "I'm going to catch that four o'clock train."

      Her face saddened. "You're not?" she said.

      "I can come back," he replied, "if I want to. I want to get something else to do."

      His father came in at this time. He had a little work room out in the barn where he sometimes cleaned machines and repaired vehicles. He was fresh from such a task now.

      "What's up?" he asked, seeing his wife close to her boy.

      "Eugene's going to Chicago."

      "Since when?" he inquired amusedly.

      "Today. He says he's going right now."

      "You don't mean it," said Witla, astonished. He really did not believe it. "Why don't you take a little time and think it over? What are you going to live on?"

      "I'll live," said Eugene. "I'm going. I've had enough of this place. I'm going to get out."

      "All right," said his father, who, after all, believed in initiative. Evidently after all he hadn't quite understood this boy. "Got your trunk packed?"

      "No, but mother can send me that."

      "Don't go today," pleaded his mother. "Wait until you get something ready, Eugene. Wait and do a little thinking about it. Wait until tomorrow."

      "I want to go today, ma." He slipped his arm around her. "Little ma." He was bigger than she by now, and still growing.

      "All right, Eugene," she said softly, "but I wish you wouldn't." Her boy was leaving her—her heart was hurt.

      "I can come back, ma. It's only a hundred miles."

      "Well, all right," she said finally, trying to brighten. "I'll pack your bag."

      "I have already."

       She went to look.

      "Well, it'll soon be time," said Witla, who was thinking that Eugene might back down. "I'm sorry. Still it may be a good thing for you. You're always welcome here, you know."

      "I know," said Eugene.

      They went finally to the train together, he and his father and Myrtle. His mother couldn't. She stayed to cry.

      On the way to the depot they stopped at Sylvia's.

      "Why, Eugene," she exclaimed, "how ridiculous! Don't go."

      "He's set," said Witla.

      Eugene finally got loose. He seemed to be fighting love, home ties, everything, every step of the way. Finally he reached the depot. The train came. Witla grabbed his hand affectionately. "Be a good boy," he said, swallowing a gulp.

      Myrtle kissed him. "You're so funny, Eugene. Write me."

      "I will."

      He stepped on the train. The bell rang. Out the cars rolled—out and on. He looked out on the familiar scenes and then a real ache came to him—Stella, his mother, his father, Myrtle, the little home. They were all going out of his life.

      "Hm," he half groaned, clearing his throat. "Gee!"

      And then he sank back and tried, as usual, not to think. He must succeed. That's what the world was made for. That was what he was made for. That was what he would have to do. …

CHAPTER IV

       Table of Contents

      The city of Chicago—who shall portray it! This vast ruck of life that had sprung suddenly into existence upon the dank marshes of a lake shore. Miles and miles of dreary little houses; miles and miles of wooden block-paved streets, with gas lamps placed and water mains laid, and empty wooden walks set for pedestrians; the beat of a hundred thousand hammers; the ring of a hundred thousand trowels! Long, converging lines of telegraph poles; thousands upon thousands of sentinel cottages, factory plants, towering smoke stacks, and here and there a lone, shabby church steeple, sitting out pathetically upon vacant land. The raw prairie stretch was covered with yellow grass; the great broad highways of the tracks of railroads, ten, fifteen, twenty, thirty, laid side by side and strung with thousands upon thousands of shabby cars, like beads upon a string. Engines clanging, trains moving, people waiting at street crossings—pedestrians, wagon drivers, street car drivers, drays of beer, trucks of coal, brick, stone, sand—a spectacle of new, raw, necessary life!

      As Eugene began to draw near it he caught for the first time the sense and significance of a great city. What were these newspaper shadows he had been dealing with in his reading compared to this vivid, articulate, eager thing? Here was the substance of a new world, substantial, fascinating, different. The handsome suburban station at South Chicago, the first of its kind he had ever seen, took his eye, as the train rolled cityward. He had never before seen a crowd of foreigners—working men—and here were Lithuanians, Poles, Czechs, waiting for a local train. He had never seen a really large factory plant, and here was one, and another, and another—steel works, potteries, soap-factories, foundries, all gaunt and hard in the Sunday evening air. There seemed to be, for all it was Sunday, something youthful, energetic and alive about the streets. He noted the streetcars waiting; at one place a small river was crossed on a draw—dirty, gloomy, but crowded with boats and lined with great warehouses, grain elevators, coal pockets—that architecture of necessity and utility. His imagination was fired by this for here was something that could be done brilliantly in black—a spot of red or green for ship and bridge lights. There were some men on the magazines who did things like this, only not so vivid.

       The train threaded its way through long lines of cars coming finally into an immense train shed where arc lights were spluttering—a score under a great curved steel and glass roof, where people were hurrying to and fro. Engines were hissing; bells clanging raucously. He had no relatives, no soul to turn to, but somehow