Creatures of the Night (Boxed Set Edition). Редьярд Джозеф Киплинг

play of the Robbers; Milton's Paradise Lost, an Italian edition, printed at Parma in 1810; several small pamphlets from the Greek press at Constantinople, much torn, but no English book of any description. Most of these books were filled with marginal notes, written with a pencil, in Italian and Latin. The Messiah was literally scribbled all over, and marked with slips of paper, on which also were remarks.

      The old man said: "The lord had been reading these books the evening before he sailed, and forgot to place them with the others; but," said he, "there they must lie until his return; for he is so particular, that were I to move one thing without orders, he would frown upon me for a week together; he is otherways very good. I once did him a service; and I have the produce of this farm for the trouble of taking care of it, except twenty zechines which I pay to an aged Armenian who resides in a small cottage in the wood, and whom the lord brought here from Adrianople; I don't know for what reason."

      The appearance of the house externally was pleasing. The portico in front was fifty paces long and fourteen broad, and the fluted marble pillars with black plinths and fret-work cornices, (as it is now customary in Grecian architecture,) were considerably higher than the roof. The roof, surrounded by a light stone balustrade, was covered by a fine Turkey carpet, beneath an awning of strong coarse linen. Most of the house-tops are thus furnished, as upon them the Greeks pass their evenings in smoking, drinking light wines, such as "lachryma christi," eating fruit, and enjoying the evening breeze.

      On the left hand as we entered the house, a small streamlet glided away, grapes, oranges and limes were clustering together on its borders, and under the shade of two large myrtle bushes, a marble seat with an ornamental wooden back was placed, on which we were told, the lord passed many of his evenings and nights till twelve o'clock, reading, writing, and talking to himself. "I suppose," said the old man, "praying" for he was very devout, "and always attended our church twice a week, besides Sundays."

      The view from this seat was what may be termed "a bird's-eye view." A line of rich vineyards led the eye to Mount Calcla, covered with olive and myrtle trees in bloom, and on the summit of which an ancient Greek temple appeared in majestic decay. A small stream issuing from the ruins descended in broken cascades, until it was lost in the woods near the mountain's base. The sea smooth as glass, and an horizon unshadowed by a single cloud, terminates the view in front; and a little on the left, through a vista of lofty chesnut and palm-trees, several small islands were distinctly observed, studding the light blue wave with spots of emerald green. I seldom enjoyed a view more than I did this; but our enquiries were fruitless as to the name of the person who had resided in this romantic solitude: none knew his name but Dominick, his banker, who had gone to Candia. "The Armenian," said our conductor, "could tell, but I am sure he will not,"—"And cannot you tell, old friend?" said I—"If I can," said he, "I dare not." We had not time to visit the Armenian, but on our return to the town we learnt several particulars of the isolated lord. He had portioned eight young girls when he was last upon the island, and even danced with them at the nuptial feast. He gave a cow to one man, horses to others, and cotton and silk to the girls who live by weaving these articles. He also bought a new boat for a fisherman who had lost his own in a gale, and he often gave Greek Testaments to the poor children. In short, he appeared to us, from all we collected, to have been a very eccentric and benevolent character. One circumstance we learnt, which our old friend at the cottage thought proper not to disclose. He had a most beautiful daughter, with whom the lord was often seen walking on the sea-shore, and he had bought her a piano-forte, and taught her himself the use of it.

      Such was the information with which we departed from the peaceful isle of Mitylene; our imaginations all on the rack, guessing who this rambler in Greece could be. He had money it was evident: he had philanthropy of disposition, and all those eccentricities which mark peculiar genius. Arrived at Palermo, all our doubts were dispelled. Falling in company with Mr. FOSTER, the architect, a pupil of WYATT'S, who had been travelling in Egypt and Greece, "The individual," said he, "about whom you are so anxious, is Lord Byron; I met him in my travels on the island of Tenedos, and I also visited him at Mitylene." We had never then heard of his lordship's fame, as we had been some years from home; but "Childe Harolde" being put into our hands we recognized the recluse of Calcla in every page. Deeply did we regret not having been more curious in our researches at the cottage, but we consoled ourselves with the idea of returning to Mitylene on some future day; but to me that day will never return. I make this statement, believing it not quite uninteresting, and in justice to his lordship's good name, which has been grossly slandered. He has been described as of an unfeeling disposition, averse to associating with human nature, or contributing in any way to sooth its sorrows, or add to its pleasures. The fact is directly the reverse, as may be plainly gathered from these little anecdotes. All the finer feelings of the heart, so elegantly depicted in his lordship's poems, seem to have their seat in his bosom. Tenderness, sympathy, and charity appear to guide all his actions: and his courting the repose of solitude is an additional reason for marking him as a being on whose heart Religion hath set her seal, and over whose head Benevolence hath thrown her mantle. No man can read the preceding pleasing "traits" without feeling proud of him as a countryman. With respect to his loves or pleasures, I do not assume a right to give an opinion. Reports are ever to be received with caution, particularly when directed against man's moral integrity; and he who dares justify himself before that awful tribunal where all must appear, alone may censure the errors of a fellow-mortal. Lord Byron's character is worthy of his genius. To do good in secret, and shun the world's applause, is the surest testimony of a virtuous heart and self-approving conscience.

      Dracula

       (Bram Stoker)

       Table of Contents

       Table of Contents

       Chapter I.

       Chapter II.

       Chapter III.

       Chapter IV.

       Chapter V.

       Chapter VI.

       Chapter VII.

       Chapter VIII.

       Chapter IX.

       Chapter X.

       Chapter XI.

       Chapter XII.

       Chapter XIII.

       Chapter XIV.

       Chapter XV.

       Chapter XVI.

       Chapter XVII.

       Chapter XVIII.