Creatures of the Night (Boxed Set Edition). Редьярд Джозеф Киплинг

LVII.

       Chapter LVIII.

       Chapter LIX.

       Chapter LX.

       Chapter LXI.

       Chapter LXII.

       Chapter LXIII.

       Chapter LXIV.

       Chapter LXV.

      PREFACE

       Table of Contents

      The unprecedented success of the romance of "Varney the Vampyre," leaves the Author but little to say further, than that he accepts that success and its results as gratefully as it is possible for any one to do popular favours.

      A belief in the existence of Vampyres first took its rise in Norway and Sweden, from whence it rapidly spread to more southern regions, taking a firm hold of the imaginations of the more credulous portion of mankind.

      The following romance is collected from seemingly the most authentic sources, and the Author must leave the question of credibility entirely to his readers, not even thinking that he is peculiarly called upon to express his own opinion upon the subject.

      Nothing has been omitted in the life of the unhappy Varney, which could tend to throw a light upon his most extraordinary career, and the fact of his death just as it is here related, made a great noise at the time through Europe and is to be found in the public prints for the year 1713.

      With these few observations, the Author and Publisher, are well content to leave the work in the hands of a public, which has stamped it with an approbation far exceeding their most sanguine expectations, and which is calculated to act as the strongest possible incentive to the production of other works, which in a like, or perchance a still further degree may be deserving of public patronage and support.

      To the whole of the Metropolitan Press for their laudatory notices, the Author is peculiarly obliged.

       London Sep. 1847

      CHAPTER I.

       Table of Contents

      ——"How graves give up their dead.

       And how the night air hideous grows

       With shrieks!"

      MIDNIGHT.—THE HAIL-STORM.—THE DREADFUL VISITOR.—THE VAMPYRE.

      The solemn tones of an old cathedral clock have announced midnight—the air is thick and heavy—a strange, death like stillness pervades all nature. Like the ominous calm which precedes some more than usually terrific outbreak of the elements, they seem to have paused even in their ordinary fluctuations, to gather a terrific strength for the great effort. A faint peal of thunder now comes from far off. Like a signal gun for the battle of the winds to begin, it appeared to awaken them from their lethargy, and one awful, warring hurricane swept over a whole city, producing more devastation in the four or five minutes it lasted, than would a half century of ordinary phenomena.

      It was as if some giant had blown upon some toy town, and scattered many of the buildings before the hot blast of his terrific breath; for as suddenly as that blast of wind had come did it cease, and all was as still and calm as before.

      Sleepers awakened, and thought that what they had heard must be the confused chimera of a dream. They trembled and turned to sleep again.

      All is still—still as the very grave. Not a sound breaks the magic of repose. What is that—a strange, pattering noise, as of a million of fairy feet? It is hail—yes, a hail-storm has burst over the city. Leaves are dashed from the trees, mingled with small boughs; windows that lie most opposed to the direct fury of the pelting particles of ice are broken, and the rapt repose that before was so remarkable in its intensity, is exchanged for a noise which, in its accumulation, drowns every cry of surprise or consternation which here and there arose from persons who found their houses invaded by the storm.

      Now and then, too, there would come a sudden gust of wind that in its strength, as it blew laterally, would, for a moment, hold millions of the hailstones suspended in mid air, but it was only to dash them with redoubled force in some new direction, where more mischief was to be done.

      Oh, how the storm raged! Hail—rain—wind. It was, in very truth, an awful night.

      There is an antique chamber in an ancient house. Curious and quaint carvings adorn the walls, and the large chimney-piece is a curiosity of itself. The ceiling is low, and a large bay window, from roof to floor, looks to the west. The window is latticed, and filled with curiously painted glass and rich stained pieces, which send in a strange, yet beautiful light, when sun or moon shines into the apartment. There is but one portrait in that room, although the walls seem panelled for the express purpose of containing a series of pictures. That portrait is of a young man, with a pale face, a stately brow, and a strange expression about the eyes, which no one cared to look on twice.

      There is a stately bed in that chamber, of carved walnut-wood is it made, rich in design and elaborate in execution; one of those works of art which owe their existence to the Elizabethan era. It is hung with heavy silken and damask furnishing; nodding feathers are at its corners—covered with dust are they, and they lend a funereal aspect to the room. The floor is of polished oak.

      God! how the hail dashes on the old bay window! Like an occasional discharge of mimic musketry, it comes clashing, beating, and cracking upon the small panes; but they resist it—their small size saves them; the wind, the hail, the rain, expend their fury in vain.

      The bed in that old chamber is occupied. A creature formed in all fashions of loveliness lies in a half sleep upon that ancient couch—a girl young and beautiful as a spring morning. Her long hair has escaped from its confinement and streams over the blackened coverings of the bedstead; she has been restless in her sleep, for the clothing of the bed is in much confusion. One arm is over her head, the other hangs nearly off the side of the bed near to which she lies. A neck and bosom that would have formed a study for the rarest sculptor that ever Providence gave genius to, were half disclosed. She moaned slightly in her sleep, and once or twice the lips moved as if in prayer—at least one might judge so, for the name of Him who suffered for all came once faintly from them.

      She has endured much fatigue, and the storm does not awaken her; but it can disturb the slumbers it does not possess the power to destroy entirely. The turmoil of the elements wakes the senses, although it cannot entirely break the repose they have lapsed into.

      Oh, what a world of witchery was in that mouth, slightly parted, and exhibiting within the pearly teeth that glistened even in the faint light that came from that bay window. How sweetly the long silken eyelashes lay upon the cheek. Now she moves, and one shoulder is entirely visible—whiter, fairer than the spotless clothing of the bed on which she lies, is the smooth skin of that fair creature, just budding into womanhood, and in that transition state which presents to us all the charms of the girl—almost of the child, with the more matured beauty and gentleness of advancing