Poor Relations. Оноре де Бальзак

      Three years before the conversation reported above, Hortense, at the Theatre des Varietes, had recognized her father in a lower tier stage-box with Jenny Cadine, and had exclaimed:

      "There is papa!"

      "You are mistaken, my darling; he is at the Marshal's," the Baroness replied.

      She too had seen Jenny Cadine; but instead of feeling a pang when she saw how pretty she was, she said to herself, "That rascal Hector must think himself very lucky."

      She suffered nevertheless; she gave herself up in secret to rages of torment; but as soon as she saw Hector, she always remembered her twelve years of perfect happiness, and could not find it in her to utter a word of complaint. She would have been glad if the Baron would have taken her into his confidence; but she never dared to let him see that she knew of his kicking over the traces, out of respect for her husband. Such an excess of delicacy is never met with but in those grand creatures, daughters of the soil, whose instinct it is to take blows without ever returning them; the blood of the early martyrs still lives in their veins. Well-born women, their husbands' equals, feel the impulse to annoy them, to mark the points of their tolerance, like points at billiards, by some stinging word, partly in the spirit of diabolical malice, and to secure the upper hand or the right of turning the tables.

      The Baroness had an ardent admirer in her brother-in-law, Lieutenant-General Hulot, the venerable Colonel of the Grenadiers of the Imperial Infantry Guard, who was to have a Marshal's baton in his old age. This veteran, after having served from 1830 to 1834 as Commandant of the military division, including the departments of Brittany, the scene of his exploits in 1799 and 1800, had come to settle in Paris near his brother, for whom he had a fatherly affection.

      This old soldier's heart was in sympathy with his sister-in-law; he admired her as the noblest and saintliest of her sex. He had never married, because he hoped to find a second Adeline, though he had vainly sought for her through twenty campaigns in as many lands. To maintain her place in the esteem of this blameless and spotless old republican—of whom Napoleon had said, "That brave old Hulot is the most obstinate republican, but he will never be false to me"—Adeline would have endured griefs even greater than those that had just come upon her. But the old soldier, seventy-two years of age, battered by thirty campaigns, and wounded for the twenty-seventh time at Waterloo, was Adeline's admirer, and not a "protector." The poor old Count, among other infirmities, could only hear through a speaking trumpet.

      So long as Baron Hulot d'Ervy was a fine man, his flirtations did not damage his fortune; but when a man is fifty, the Graces claim payment. At that age love becomes vice; insensate vanities come into play. Thus, at about that time, Adeline saw that her husband was incredibly particular about his dress; he dyed his hair and whiskers, and wore a belt and stays. He was determined to remain handsome at any cost. This care of his person, a weakness he had once mercilessly mocked at, was carried out in the minutest details.

      At last Adeline perceived that the Pactolus poured out before the Baron's mistresses had its source in her pocket. In eight years he had dissipated a considerable amount of money; and so effectually, that, on his son's marriage two years previously, the Baron had been compelled to explain to his wife that his pay constituted their whole income.

      "What shall we come to?" asked Adeline.

      "Be quite easy," said the official, "I will leave the whole of my salary in your hands, and I will make a fortune for Hortense, and some savings for the future, in business."

      The wife's deep belief in her husband's power and superior talents, in his capabilities and character, had, in fact, for the moment allayed her anxiety.

      What the Baroness' reflections and tears were after Crevel's departure may now be clearly imagined. The poor woman had for two years past known that she was at the bottom of a pit, but she had fancied herself alone in it. How her son's marriage had been finally arranged she had not known; she had known nothing of Hector's connection with the grasping Jewess; and, above all, she hoped that no one in the world knew anything of her troubles. Now, if Crevel went about so ready to talk of the Baron's excesses, Hector's reputation would suffer. She could see, under the angry ex-perfumer's coarse harangue, the odious gossip behind the scenes which led to her son's marriage. Two reprobate hussies had been the priestesses of this union planned at some orgy amid the degrading familiarities of two tipsy old sinners.

      "And has he forgotten Hortense!" she wondered.

      "But he sees her every day; will he try to find her a husband among his good-for-nothing sluts?"

      At this moment it was the mother that spoke rather than the wife, for she saw Hortense laughing with her Cousin Betty—the reckless laughter of heedless youth; and she knew that such hysterical laughter was quite as distressing a symptom as the tearful reverie of solitary walks in the garden.

      Hortense was like her mother, with golden hair that waved naturally, and was amazingly long and thick. Her skin had the lustre of mother-of-pearl. She was visibly the offspring of a true marriage, of a pure and noble love in its prime. There was a passionate vitality in her countenance, a brilliancy of feature, a full fount of youth, a fresh vigor and abundance of health, which radiated from her with electric flashes. Hortense invited the eye.

      When her eye, of deep ultramarine blue, liquid with the moisture of innocent youth, rested on a passer-by, he was involuntarily thrilled. Nor did a single freckle mar her skin, such as those with which many a white and golden maid pays toll for her milky whiteness. Tall, round without being fat, with a slender dignity as noble as her mother's, she really deserved the name of goddess, of which old authors were so lavish. In fact, those who saw Hortense in the street could hardly restrain the exclamation, "What a beautiful girl!"

      She was so genuinely innocent, that she could say to her mother:

      "What do they mean, mamma, by calling me a beautiful girl when I am with you? Are not you much handsomer than I am?"

      And, in point of fact, at seven-and-forty the Baroness might have been preferred to her daughter by amateurs of sunset beauty; for she had not yet lost any of her charms, by one of those phenomena which are especially rare in Paris, where Ninon was regarded as scandalous, simply because she thus seemed to enjoy such an unfair advantage over the plainer women of the seventeenth century.

      Thinking of her daughter brought her back to the father; she saw him sinking by degrees, day after day, down to the social mire, and even dismissed some day from his appointment. The idea of her idol's fall, with a vague vision of the disasters prophesied by Crevel, was such a terror to the poor woman, that she became rapt in the contemplation like an ecstatic.

      Cousin Betty, from time to time, as she chatted with Hortense, looked round to see when they might return to the drawing-room; but her young cousin was pelting her with questions, and at the moment when the Baroness opened the glass door she did not happen to be looking.

      Lisbeth Fischer, though the daughter of the eldest of the three brothers, was five years younger than Madame Hulot; she was far from being as handsome as her cousin, and had been desperately jealous of Adeline. Jealousy was the fundamental passion of this character, marked by eccentricities—a word invented by the English to describe the craziness not of the asylum, but of respectable households. A native of the Vosges, a peasant in the fullest sense of the word, lean, brown, with shining black hair and thick eyebrows joining in a tuft, with long, strong arms, thick feet, and some moles on her narrow simian face—such is a brief description of the elderly virgin.

      The family, living all under one roof, had sacrificed the common-looking girl to the beauty, the bitter fruit to the splendid flower. Lisbeth worked in the fields, while her cousin was indulged; and one day, when they were alone together, she had tried to destroy Adeline's nose, a truly Greek nose, which the old mothers admired. Though she was beaten for this misdeed, she persisted nevertheless in tearing the favorite's gowns and crumpling her collars.

      At the time of Adeline's wonderful marriage, Lisbeth had bowed to fate, as Napoleon's brothers and sisters bowed before the splendor of the throne and the force of authority.

      Adeline, who was extremely sweet and kind, remembered Lisbeth when she found