Rudyard Kipling: 440+ Short Stories in One Edition (Illustrated). Редьярд Джозеф Киплинг

like yo'sen, I'm nut t' man to hod back, tho' it's a bad business I'm thinkin', an' three hundred rupees is a poor set-off again t' chance of them Damning Islands as Mulvaney talks on.'

      'I'll mek it three fifty,' says Mrs. DeSussa; 'only let me hev t'dog!'

      So we let her persuade us, an' she teks Rip's measure theer an' then, an' sent to Hamilton's to order a silver collar again t' time when he was to be her awn, which was to be t' day she set off for Munsooree Pahar.

      'Sitha, Mulvaney,' says I, when we was outside, 'you're niver goin' to let her hev Rip!'

      'An' would ye disappoint a poor old woman?' says he; 'she shall have a Rip.'

      'An' wheer's he to come through?' says I.

      'Learoyd, my man,' he sings out, 'you're a pretty man av your inches an' a good comrade, but your head is made av duff. Isn't our friend Orth'ris a Taxidermist, an' a rale artist wid his nimble white fingers? An' what's a Taxidermist but a man who can thrate shkins? Do ye mind the white dog that belongs to the Canteen Sargint, bad cess to him—he that's lost half his time an' snarlin' the rest? He shall be lost for good now; an' do ye mind that he's the very spit in shape an' size av the Colonel's, barrin' that his tail is an inch too long, an' he has none av the colour that divarsifies the rale Rip, an' his timper is that av his masther an' worse. But fwhat is an inch on a dog's tail? An' fwhat to a professional like Orth'ris is a few ringstraked shpots av black, brown, an' white? Nothin' at all, at all.'

      Then we meets Orth'ris, an' that little man, bein' sharp as a needle, seed his way through t' business in a minute. An' he went to work a-practisin' 'air-dyes the very next day, beginnin' on some white rabbits he had, an' then he drored all Rip's markin's on t' back of a white Commissariat bullock, so as to get his 'and in an' be sure of his colours; shadin' off brown into black as nateral as life. If Rip hed a fault it was too mich markin', but it was straingely reg'lar an' Orth'ris settled himself to make a fost-rate job on it when he got haud o' t' Canteen Sargint's dog. Theer niver was sich a dog as thot for bad timper, an' it did nut get no better when his tail hed to be fettled an inch an' a half shorter. But they may talk o' theer Royal Academies as they like. I niver seed a bit o' animal paintin' to beat t' copy as Orth'ris made of Rip's marks, wal t' picter itself was snarlin' all t' time an' tryin' to get at Rip standin' theer to be copied as good as goold.

      Orth'ris allus hed as mich conceit on himsen as would lift a balloon, an' he wor so pleeased wi' his sham Rip he wor for tekking him to Mrs. DeSussa before she went away. But Mulvaney an' me stopped thot, knowin' Orth'ris's work, though niver so cliver, was nobut skin-deep.

      An' at last Mrs. DeSussa fixed t' day for startin' to Munsooree Pahar. We was to tek Rip to t' stayshun i' a basket an' hand him ovver just when they was ready to start, an' then she'd give us t' brass—as was agreed upon.

      An' my wod! It were high time she were off, for them 'air-dyes upon t' cur's back took a vast of paintin' to keep t' reet culler, tho' Orth'ris spent a matter o' seven rupees six annas i' t' best drooggist shops i' Calcutta.

      An' t' Canteen Sargint was lookin' for 'is dog everywheer; an', wi' bein' tied up, t' beast's timper got waur nor ever.

      It wor i' t' evenin' when t' train started thro' Howrah, an' we 'elped Mrs. DeSussa wi' about sixty boxes, an' then we gave her t' basket. Orth'ris, for pride av his work, axed us to let him coom along wi' us, an' he couldn't help liftin' t' lid an' showin' t' cur as he lay coiled oop.

      'Oh!' says t' awd lass; 'the beautee! How sweet he looks!' An' just then t' beauty snarled an' showed his teeth, so Mulvaney shuts down t' lid and says: 'Ye'll be careful, marm, whin ye tek him out. He's disaccustomed to travelling by t' railway, an' he'll be sure to want his rale mistress an' his friend Learoyd, so ye'll make allowance for his feelings at fost.'

      She would do all thot an' more for the dear, good Rip, an' she would nut oppen t' basket till they were miles away, for fear anybody should recognise him, an' we were real good and kind soldier-men, we were, an' she bonds me a bundle o' notes, an' then cooms up a few of her relations an' friends to say good-by—not more than seventy-five there wasn't—an' we cuts away.

      What coom to t' three hundred and fifty rupees? Thot's what I can scarcelins tell yo', but we melted it—we melted it. It was share an' share alike, for Mulvaney said: 'If Learoyd got hold of Mrs. DeSussa first, sure 'twas I that renumbered the Sargint's dog just in the nick av time, an' Orth'ris was the artist av janius that made a work av art out av that ugly piece av ill-nature. Yet, by way av a thank-offerin' that I was not led into felony by that wicked ould woman, I'll send a thrifle to Father Victor for the poor people he's always beggin' for.'

      But me an' Orth'ris, he bein' Cockney an' I bein' pretty far north, did nut see it i' t' saame way. We'd getten t' brass, an' we meaned to keep it. An' soa we did—for a short time.

      Noa, noa, we niver heered a wod more o' t' awd lass. Our rig'mint went to Pindi, an' t' Canteen Sargint he got himself another tyke insteead o' t' one 'at got lost so reg'lar, an' was lost for good at last.

      The Big Drunk Draf'

       Table of Contents

      We're goin' 'ome, we're goin' 'ome—

       Our ship is at the shore,

       An' you mus' pack your 'aversack,

       For we won't come back no more.

       Ho, don't you grieve for me,

       My lovely Mary Ann,

       For I'll many you yet on a fourp'ny bit,

       As a time expired ma-a-an!

       Barrack-room Ballad.

      An awful thing has happened! My friend, Private Mulvaney, who went home in the Serapis, time-expired, not very long ago, has come back to India as a civilian! It was all Dinah Shadd's fault. She could not stand the poky little lodgings, and she missed her servant Abdullah more than words could tell. The fact was that the Mulvaneys had been out here too long, and had lost touch of England.

      Mulvaney knew a contractor on one of the new Central India lines, and wrote to him for some sort of work. The contractor said that if Mulvaney could pay the passage he would give him command of a gang of coolies for old sake's sake. The pay was eighty-five rupees a month, and Dinah Shadd said that if Terence did not accept she would make his life a 'basted purgathory.' Therefore the Mulvaneys came out as 'civilians,' which was a great and terrible fall; though Mulvaney tried to disguise it, by saying that he was 'Ker'nel on the railway line, an' a consequinshal man.'

      He wrote me an invitation, on a tool-indent form, to visit him; and I came down to the funny little 'construction' bungalow at the side of the line. Dinah Shadd had planted peas about and about, and nature had spread all manner of green stuff round the place. There was no change in Mulvaney except the change of clothing, which was deplorable, but could not be helped. He was standing upon his trolly, haranguing a gangman, and his shoulders were as well drilled, and his big, thick chin was as clean-shaven as ever.

      'I'm a civilian now,' said Mulvaney. 'Cud you tell that I was iver a martial man? Don't answer, Sorr, av you're strainin' betune a compliment an' a lie. There's no houldin' Dinah Shadd now she's got a house av her own. Go inside, an' dhrink tay out av chiny in the drrrrawin'-room, an' thin we'll dhrink like Christians undher the tree here. Scutt, ye naygur-folk! There's a Sahib come to call on me, an' that's more than he'll iver do for you onless you run! Get out, an' go on pilin' up the earth, quick, till sundown.'

      When we three were comfortably settled under the big sisham in front of the bungalow, and the first rush of questions and answers about Privates Ortheris and Learoyd and old times and places had died away, Mulvaney said, reflectively—'Glory be there's no p'rade to-morrow, an' no bun-headed Corp'ril-bhoy to give you his lip. An' yit I don't know. 'Tis harrd to be something ye niver were an' niver meant to be, an' all the ould days shut up along wid your papers. Eyah! I'm growin' rusty, an' 'tis the will av God that a man