The Flying Inn. G. K. Chesterton

offer an olive branch,” said the King of Ithaca, totteringly leaning the loose tree so that its vast shadow, much larger than itself, fell across the whole council. “An olive branch,” he gasped, “more glorious than my sword. Also heavier.”

      Then he made another effort and tossed it into the sea below.

      The German, who was no German, had put up his arm in apprehension when the shadow fell across him. Now he got up and edged away from the table; seeing that the wild Irishman was tearing up the second tree. This one came out more easily; and before he flung it after the first, he stood with it a moment; looking like a man juggling with a tower.

      Lord Ivywood showed more firmness; but he rose in tremendous remonstrance. Only the Turkish Pasha still sat with blank eyes, immovable. Dalroy rent out the last tree and hurled it, leaving the island bare.

      “There!” said Dalroy, when the third and last olive had splashed in the tide. “Now I will go. I have seen something today that is worse than death: and the name of it is Peace.”

      Oman Pasha rose and held out his hand.

      “You are right,” he said in French, “and I hope we meet again in the only life that is a good life. Where are you going now?”

      “I am going,” said Dalroy, dreamily, “to ‘The Old Ship.’ ”

      “Do you mean?” asked the Turk, “that you are going back to the warships of the English King?”

      “No,” answered the other, “I am going back to ‘The Old Ship’ that is behind the apple trees by Pebblewick; where the Ule flows among the trees. I fear I shall never see you there.”

      After an instant’s hesitation he wrung the red hand of the great tyrant and walked to his boat without a glance at the diplomatists.

CHAPTER III

       THE SIGN OF “THE OLD SHIP”

       Table of Contents

      Upon few of the children of men has the surname of Pump fallen, and of these few have been maddened into naming a child Humphrey in addition to it. To such extremity, however, had the parents of the innkeeper at “The Old Ship” proceeded, that their son might come at last to be called “Hump” by his dearest friends, and “Pumph” by an aged Turk with a green umbrella. All this, or all he knew of it, he endured with a sour smile; for he was of a stoical temper.

      Mr. Humphrey Pump stood outside his inn, which stood almost on the seashore, screened only by one line of apple trees, dwarfed, twisted and salted by the sea air; but in front of it was a highly banked bowling green, and behind it the land sank abruptly; so that one very steep sweeping road vanished into the depth and mystery of taller trees. Mr. Pump was standing immediately under his trim sign, which stood erect in the turf; a wooden pole painted white and suspending a square white board, also painted white but further decorated with a highly grotesque blue ship, such as a child might draw, but into which Mr. Pump’s patriotism had insinuated a disproportionately large red St. George’s cross.

      Mr. Humphrey Pump was a man of middle size, with very broad shoulders, wearing a sort of shooting suit with gaiters. Indeed, he was engaged at the moment in cleaning and reloading a double-barrelled gun, a short but powerful weapon which he had invented, or at least improved, himself; and which, though eccentric enough as compared with latest scientific arms, was neither clumsy nor necessarily out of date. For Pump was one of those handy men who seem to have a hundred hands like Briareus; he made nearly everything for himself and everything in his house was slightly different from the same thing in anyone else’s house. He was also as cunning as Pan or a poacher in everything affecting every bird or dish, every leaf or berry in the woods. His mind was a rich soil of subconscious memories and traditions; and he had a curious kind of gossip so allusive as to almost amount to reticence; for he always took it for granted that everyone knew his county and its tales as intimately as he did; so he would mention the most mysterious and amazing things without relaxing a muscle on his face, which seemed to be made of knotted wood. His dark brown hair ended in two rudimentary side whiskers, giving him a slightly horsey look, but in the old-fashioned sportsman’s style. His smile was rather wry and crabbed; but his brown eyes were kindly and soft. He was very English.

      As a rule his movements, though quick, were cool; but on this occasion he put down the gun on the table outside the inn in a rather hurried manner and came forward dusting his hands in an unusual degree of animation and even defiance. Beyond the goblin green apple trees and against the sea had appeared the tall, slight figure of a girl, in a dress about the colour of copper and a large shady hat. Under the hat her face was grave and beautiful though rather swarthy. She shook hands with Mr. Pump; then he very ceremoniously put a chair for her and called her “Lady Joan.”

      “I thought I would like a look at the old place,” she said. “We have had some happy times here when we were boys and girls. I suppose you hardly see any of your old friends now.”

      “Very little,” answered Pump, rubbing his short whisker reflectively. “Lord Ivywood’s become quite a Methody parson, you know, since he took the place; he’s pulling down beer-shops right and left. And Mr. Charles was sent to Australia for lying down flat at the funeral. Pretty stiff I call it; but the old lady was a terror.”

      “Do you ever hear,” asked Lady Joan Brett, carelessly, “of that Irishman, Captain Dalroy?”

      “Yes, more often than from the rest,” answered the innkeeper. “He seems to have done wonders in this Greek business. Ah! He was a sad loss to the Navy!”

      “They insulted his country,” said the girl, looking at the sea with a heightened colour. “After all, Ireland was his country; and he had a right to resent it being spoken of like that.”

      “And when they found he’d painted him green,” went on Mr. Pump.

      “Painted him what?” asked Lady Joan.

      “Painted Captain Dawson green,” continued Mr. Pump in colourless tones. “Captain Dawson said green was the colour of Irish traitors, so Dalroy painted him green. It was a great temptation, no doubt, with this fence being painted at the time and the pail of stuff there; but, of course, it had a very prejudicial effect on his professional career.”

      “What an extraordinary story!” said the staring Lady Joan, breaking into a rather joyless laugh. “It must go down among your county legends. I never heard that version before. Why, it might be the origin of the ‘Green Man’ over there by the town.”

      “Oh, no,” said Pump, simply, “that’s been there since before Waterloo times. Poor old Noyle had it until they put him away. You remember old Noyle, Lady Joan. Still alive, I hear, and still writing love-letters to Queen Victoria. Only of course they aren’t posted now.”

      “Have you heard from your Irish friend lately?” asked the girl, keeping a steady eye on the sky-line.

      “Yes, I had a letter last week,” answered the innkeeper. “It seems not impossible that he may return to England. He’s been acting for one of these Greek places, and the negotiations seem to be concluded. It’s a queer thing that his lordship himself was the English minister in charge of them.”

      “You mean Lord Ivywood,” said Lady Joan, rather coldly. “Yes, he has a great career before him, evidently.”

      “I wish he hadn’t got his knife into us so much,” chuckled Pump. “I don’t believe there’ll be an inn left in England. But the Ivywoods were always cranky. It’s only fair to him to remember his grandfather.”

      “I think it’s very ungallant on your part,” said Lady Joan, with a mournful smile, “to ask a lady to remember his grandfather.”

      “You know what I mean, Lady Joan,” said her host, good humouredly. “And I never was hard on the case myself; we all have our little ways. I shouldn’t like it done to my pig; but I don’t see why a