Название | The Divine Comedy of Dante Alighieri: The Inferno |
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Автор произведения | Dante Alighieri |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4057664118127 |
For some few years his hopes were set on Henry of Luxemburg, elected Emperor in 1308. A Ghibeline, in the ordinary sense of the term, Dante never was. We have in his De Monarchia a full account of the conception he had formed of the Empire—that of authority in temporal affairs embodied in a just ruler, who, being already supreme, would be delivered from all personal ambition; who should decree justice and be a refuge for all that were oppressed. He was to be the captain of Christian society and the guardian of civil right; as in another sphere the Pope was to be the shepherd of souls and the guardian of the deposit of Divine truth. In Dante’s eyes the one great officer was as much God’s vicegerent as the other. While the most that a Ghibeline or a moderate Guelf would concede was that there should be a division of power between Pope and Emperor—the Ghibeline leaving it to the Emperor and the Guelf to the Pope to define[Pg lxxxiii] their provinces—Dante held, and in this he stood almost alone among politicians, that they ought to be concerned with wholly different kingdoms, and that Christendom was wronged by the trespass of either upon the other’s domain. An equal wrong was done by the neglect by either of his duty, and both, as Dante judged, had been shamefully neglecting it. For more than half a century no Emperor had set foot in Italy; and since the Papal Court had under Clement V. been removed to Avignon (1305), the Pope had ceased to be a free agent, owing to his neighbourhood to France and the unscrupulous Philip.[95]
Dante trusted that the virtuous single-minded Henry VII. would prove a monarch round whom all the best in Italy might gather to make him Emperor in deed as well as in name. His judgment took the colour of his hopes, for under the awful shadow of the Emperor he trusted to enter Florence. Although no Ghibeline or Imperialist in the vulgar sense, he constituted himself Henry’s apologist and herald; and in letters addressed to the ‘wicked Florentines,’ to the Emperor, and to the Princes and Peoples of Italy, he blew as it were a trumpet-blast of triumph over the Emperor’s enemies and his own. Henry had crossed the Alps, and was tarrying in the north of Italy, when Dante, with a keen eye for where the key of the situation lay, sharpened by his own wishes, urged him to lose no more time in reducing the Lombard cities to obedience, but to descend on Florence, the rotten sheep which was[Pg lxxxiv] corrupting all the Italian flock. The men of Florence he bids prepare to receive the just reward of their crimes.
The Florentines answered Dante’s bitter invective and the Emperor’s milder promises by an unwearied opposition with the arms which their increasing command of all that tends to soften life made them now less willing to take up, and by the diplomacy in which they were supreme The exiles were recalled, always excepting the more stubborn or dangerous; and among these was reckoned Dante. Alliances were made on all hands, an art which Henry was notably wanting in the trick of. Wherever he turned he was met and checkmated by the Florentines, who, wise by experience, were set on retaining control of their own affairs. After his coronation at Rome (1312),[96] he marched northwards, and with his Pisan and Aretine allies for six weeks laid fruitless siege to Florence. King Robert of Naples, whose aid he had hoped to gain by means of a family alliance, was joined to the league of Guelfs, and Henry passed away from Florence to engage in an enterprise against the Southern Kingdom, a design cut short by his death (1313). He was the last Emperor that ever sought to take the part in Italian affairs which on Dante’s theory belonged to the Imperial office. Well-meaning but weak, he was not the man to succeed in reducing to practice a scheme of government which had broken down even in the strong hands of the two Fredericks, and ere the Commonwealths of Italy had become each as powerful as a Northern kingdom. To explain his failure, Dante finds that his descent into Italy was unseasonable: he came too soon. Rather, it may be said, he came far too late.[97]
When, on the death of Henry, Dante was disappointed in his hopes of a true revival of the Empire, he devoted himself for a time to urging the restoration of the Papal Court to Rome, so that Italy might at least not be left without some centre of authority. In a letter addressed to the Italian Cardinals, he besought them to replace Clement V., who died in 1314,[98] by an Italian Pope. Why should they, he asked, resign this great office into Gascon hands? Why should Rome, the true centre of Christendom, be left deserted and despised? His appeal was fruitless, as indeed it could not fail to be with only six Italian Cardinals in a College of twenty-four; and after a vacancy of two years the Gascon Clement was succeeded by another Gascon. Although Dante’s motives in making this attempt were doubtless as purely patriotic as those which inspired Catherine of Siena to similar action a century later, he met, we may be sure, with but little sympathy from his former fellow-citizens. They were intent upon the interests of Florence alone, and even of these they may sometimes have taken a narrow view. His was the wider patriot[Pg lxxxvi]ism of the Italian, and it was the whole Peninsula that he longed to see delivered from French influence and once more provided with a seat of authority in its midst, even if it were only that of spiritual power. The Florentines for their part, desirous of security against the incursions of the northern horde, were rather set on retaining the goodwill of France than on enjoying the neighbourhood of the Pope. In this they were guilty of no desertion of their principles. Their Guelfism had never been more than a mode of minding themselves.
For about three years (1313–1316) the most dangerous foe of Florence was Uguccione de la Faggiuola, a partisan Ghibeline chief, sprung from the mountain-land of Urbino, which lies between Tuscany and Romagna. He made himself lord of Pisa and Lucca, and defeated the Florentines and their allies in the great battle of Montecatini (1315). To him Dante is believed to have attached himself.[99] It would be easy for the Republic to form an exaggerated idea of the part which the exile had in shaping the policy or contributing to the success of his patron; and we are not surprised to find that, although Dante’s fighting days were done, he was after the defeat subjected to a third condemnation[Pg lxxxvii] (November 1315). If caught, he was to lose his head; and his sons, or some of them, were threatened with the same fate. The terms of the sentence may again have been more severe than the intentions of those who uttered it. However this may be, an amnesty was passed in the course of the following year, and Dante was urged to take advantage of it. He found the conditions of pardon too humiliating. Like a malefactor he would require to walk, taper in hand and a shameful mitre on his head, to the church of St. John, and there make an oblation for his crimes. It was not in this fashion that in his more hopeful hours the exile had imagined his restoration. If ever he trod again the pavement of his beautiful St. John’s, it was to be proudly, as a patriot touching whom his country had confessed her sins; or, with a poet’s more bashful pride, to receive the laurel crown beside the font in which he was baptized. But as he would not enter his well beloved, well hated Florence on the terms imposed by his enemies, so he never had the chance of entering it on his own. The spirit in which he, as it were, turned from the open gates of his native town is well expressed in a letter to a friend, who would seem to have been a churchman who had tried to win his compliance with the terms of the pardon. After thanking his correspondent for his kindly eagerness to recover him, and referring to the submission required, he says:—‘And is it in this glorious fashion that Dante Alighieri, wearied with an almost trilustral exile, is recalled to his country? Is this the desert of an innocence known to all, and of laborious study[Pg lxxxviii] which for long has kept him asweat? … But, Father, this is no way for me to return to my country by; though if by you or others one can be hit upon through which the honour and fame of Dante will take no hurt, it shall be followed by me with no tardy steps. If by none such Florence is to be entered, I will never enter Florence. What then! Can I not, wherever I may be, behold the sun and stars? Is not meditation upon the sweetness of truth as free to me in one place as another? To enjoy this, no need to submit myself ingloriously and with ignominy to the State and People of Florence! And wherever I may be thrown, in any case I trust at least to find daily bread.’