Dreamers of the Ghetto. Israel Zangwill

with Anti-Christ!" roared the crowd, the long-suppressed hatred of the ruling power finding vent in a great wave of hysteric emotion.

      "Captain, do thy duty!" cried the Judge.

      "Nay, but the Friar speaks truth. Bear the old man away, Alessandro!"

      "Is Rome demented? Haste for the City Guards, Jacopo!"

      Fra Giuseppe swiftly tied the pallio to his crucifix, and, waving the red cloth on high, "This is the true flag of Christ!" he cried. "This, the symbol of our brethren's martyrdom! See, 'tis the color of the blood He shed for us. Who is for Jesus, follow me!"

      "For Christ, for Jesus! Viva Gesú!" A far-rumbling thunder broke from the swaying mob. His own fire caught extra flame from theirs.

      "Follow me! This day we will bear witness to Christ, we will establish His kingdom in Rome."

      There was a wild rush, the soldiers spurred their horses, people fell under their hoofs, and were trampled on. It was a moment of frenzy. The Dominican ran on, waving the red pallio, his followers contagiously swollen at every by-street. Unchecked he reached the great Piazza, where a new statue of the Pope gleamed white and majestic.

      "Down with Anti-Christ!" shouted a cutpurse.

      "Down with Anti-Christ!" echoed the mob.

      The Friar waved his hand, and there was silence. He saw the yellow gleam of a Jew's head in the crowd, and called upon him to fling him his cap. It was hurled from hand to hand. Fra Giuseppe held it up in the air. "Men of Rome, Sons of Holy Church, behold the contumelious mark we set upon our fellow-men, so that every ruffian may spit upon them. Behold the yellow—the color of shame, the stigma of women that traffic in their womanhood—with which we brand the venerable brows of rabbis and the heads of honorable merchants. Lo! I set it upon the head of this Anti-Christ, a symbol of our hate for all that is not Love." And raising himself on the captain's stirrup, he crowned the statue with the yellow badge.

      A great shout of derision rent the air. There was a multifarious tumult of savage voices.

      "Down with Anti-Christ! Down with the Pope! Down with Baccio Valori! Down with the Princess Teresa!"

      But in another moment all was a wild mêlée. A company of City Guards—pikemen, musketeers, and horsemen with two-handed swords dashed into the Piazza from one street, the Pope's troops from another. They charged the crowd. The soldiers of the revolting captain, revolting in their turn, wheeled round and drove back their followers. There was a babel of groans and shrieks and shouts, muskets rang out, daggers flashed, sword and pike rang against armor, sparks flew, smoke curled, and the mob broke and scurried down the streets, leaving the wet, scarlet ground strewn with bodies.

      And long ere the roused passions of the riffraff had assuaged themselves by loot and outrage in the remoter streets, in the darkest dungeon of the Nona Tower, on a piece of rotten mattress, huddled in his dripping tinselled cloak, and bleeding from a dozen cuts, Joseph the Dreamer lay prostrate, too exhausted from the fierce struggle with his captors to think on the stake that awaited him.

      IX

      He had not long to wait. To give the crowd an execution was to crown the Carnival. Condemned criminals were often kept till Shrove Tuesday, and keen was the disappointment when there was only the whipping of courtesans caught masked. The whipping of a Jew, found badgeless, was the next best thing to the execution of a Christian, for the flagellator was paid double (at the cost of the culprit), and did not fail to double his zeal. But the execution of a Jew was the best of all. And that Fra Giuseppe was a Jew there could be no doubt. The only question was whether he was a backslider or a spy. In either case death was his due. And he had lampooned the Pope to boot—in itself the unpardonable sin. The unpopular Pontiff sagely spared the others—the Jew alone was to die.

      The population was early astir. In the Piazza of the People—the centre of the Carnival—where the stake had been set up, a great crowd fought for coigns of vantage—a joyous, good-humored tussle. The great fountain sent its flashing silver spirts towards a blue heaven. As the death-cart lumbered into the Piazza ribald songs from the rabble saluted the criminal's ears, and his wild, despairing eyes lighted on many a merry face that but a few hours before had followed him to testify to righteousness; and, mixed with theirs, the faces of his fellow-Jews, sinister with malicious glee. No brother friar droned consolation to him or held the cross to his eyes—was he not a pestilential infidel, an outcast from both worlds? The chief of the Caporioni was present. Troops surrounded the stake lest, perchance, the madman might have followers who would yet attempt a rescue. But the precautions were superfluous. Not a face that showed sympathy; those who, bewitched by the Friar, had followed his crucifix and pallio now exaggerated their jocosity lest they should be recognized; the Jews were joyous at the heavenly vengeance which had overtaken the renegade.

      The Dominican Jew was tied to the timber. They had dressed him in a gaberdine and set the yellow cap on his shaven poll. Beneath it his face was calm, but very sad. He began to speak.

      "Gag him!" cried the Magistrate. "He is about to blaspheme."

      "Prithee not," pleaded a bully in the crowd. "We shall lose the rascal's shrieks."

      "Nay, fear not. I shall not blaspheme," said Joseph, smiling mournfully. "I do but confess my sin and my deserved punishment. I set out to walk in the footsteps of the Master—to win by love, to resist not evil. And lo, I have used force against my old brethren, the Jews, and force against my new brethren, the Christians. I have urged the Pope against the Jews, I have urged the Christians against the Pope. I have provoked bloodshed and outrage. It were better I had never been born. Christ receive me into His infinite mercy. May He forgive me as I forgive you!" He set his teeth and spake no more, an image of infinite despair.

      The flames curled up. They began to writhe about his limbs, but drew no sound to vie with their crackling. But there was weeping heard in the crowd. And suddenly from the unobservedly overcast heavens came a flash of lightning and a peal of thunder followed by a violent shower of rain. The flames were extinguished. The spring shower was as brief as it was violent, but the wood would not relight.

      But the crowd was not thus to be cheated. At the order of the Magistrate the executioner thrust a sword into the criminal's bowels, then, unbinding the body, let it fall upon the ground with a thud: it rolled over on its back, and lay still for a moment, the white, emaciated face staring at the sky. Then the executioner seized an axe and quartered the corpse. Some sickened and turned away, but the bulk remained gloating.

      Then a Franciscan sprang on the cart, and from the bloody ominous text patent to all eyes, passionately preached Christ and dissolved the mob in tears.

      X

      In the house of Manasseh, the father of Joseph, there were great rejoicings. Musicians had been hired to celebrate the death of the renegade as tradition demanded, and all that the Pragmatic permitted of luxury was at hand. And they danced, man with man and woman with woman. Manasseh gravely handed fruits and wine to his guests, but the old mother danced frenziedly, a set smile on her wrinkled face, her whole frame shaken from moment to moment by peals of horrible laughter.

      Miriam fled from the house to escape that laughter. She wandered outside the Ghetto, and found the spot of unconsecrated ground where the mangled remains of Joseph the Dreamer had been hastily shovelled. The heap of stones thrown by pious Jewish hands, to symbolize that by Old Testament Law the renegade should have been stoned, revealed his grave. Great sobs swelled Miriam's throat. Her eyes were blind with tears that hid the beauty of the world. Presently she became aware of another bowed figure near hers—a stately female figure—and almost without looking knew it for Helena de' Franchi.

      "I, too, loved him, Signora de' Franchi," she said simply.

      "Art thou Miriam? He hath spoken of thee." Helena's silvery voice was low and trembling.

      "Ay, Signora."

      Helena's tears flowed unrestrainedly. "Alas! Alas! the Dreamer!