Robert Elsmere. Mrs. Humphry Ward

and even, white teeth. So far he had the characteristics which certain Irishmen share with most Spaniards. But the Celtic or Iberian brilliance was balanced by a classical delicacy and precision of feature. He had the brow, the nose, the upper lip, the finely-moulded chin, which belong to the more severe and spiritual Greek type. Certainly of Greek blitheness and directness there was no trace. The eye was wavering and profoundly melancholy; all the movements of the tall, finely-built frame were hesitating and doubtful. It was as though the man were suffering from paralysis of some moral muscle or other; as if some of the normal springs of action in him had been profoundly and permanently weakened.

      He had a curious history. He was the only child of a doctor in a Lincolnshire country town. His old parents had brought him up in strict provincial ways, ignoring the boy's idiosyncrasies as much as possible. They did not want an exceptional and abnormal son, and they tried to put down his dreamy, self-conscious habits by forcing him into the common, middle-class, Evangelical groove. As soon as he got to college, however, the brooding, gifted nature had a moment of sudden and, as it seemed to the old people in Gainsborough, most reprehensible expansion. Poems were sent to them, cut out of one or the other of the leading periodicals, with their son's initials appended, and articles of philosophical art-criticism, published while the boy was still an undergraduate—which seemed to the stern father everything that was sophistical and subversive. For they treated Christianity itself as an open question, and showed especially scant respect for the 'Protestantism of the Protestant religion.' The father warned him grimly that he was not going to spend his hard-earned savings on the support of a free-thinking scribbler, and the young man wrote no more till just after he had taken a double first in Greats. Then the publication of an article in one of the leading Reviews on 'The Ideals of Modern Culture' not only brought him a furious letter from home stopping all supplies, but also lost him a probable fellowship. His college was one of the narrowest and most backward in Oxford, and it was made perfectly plain to him before the fellowship examination that he would not be elected.

      He left the college, took pupils for a while, then stood for a vacant fellowship at St. Anselm's, the Liberal headquarters, and got it with flying colours.

      Thenceforward one would have thought that a brilliant and favourable mental development was secured to him. Not at all. The moment of his quarrel with his father and his college had, in fact, represented a moment of energy, of comparative success, which never recurred. It was as though this outburst of action and liberty had disappointed him, as if some deep-rooted instinct—cold, critical, reflective—had reasserted itself, condemning him and his censors equally. The uselessness of utterance, the futility of enthusiasm, the inaccessibility of the ideal, the practical absurdity of trying to realise any of the mind's inward dreams: these were the kind of considerations which descended upon him, slowly and fatally, crushing down the newly springing growths of action or of passion. It was as though life had demonstrated to him the essential truth of a childish saying of his own which had startled and displeased his Calvinist mother years before. 'Mother,' the delicate, large-eyed child had said to her one day in a fit of physical weariness, 'how is it I dislike the things I dislike so much more than I like the things I like?'

      So he wrote no more, he quarrelled no more, he meddled with the great passionate things of life and expression no more. On his taking up residence in St. Anselm's, indeed, and on his being appointed first lecturer and then tutor, he had a momentary pleasure in the thought of teaching. His mind was a storehouse of thought and fact, and to the man brought up at a dull provincial day-school and never allowed to associate freely with his kind, the bright lads fresh from Eton and Harrow about him were singularly attractive. But a few terms were enough to scatter this illusion too. He could not be simple, he could not be spontaneous; he was tormented by self-consciousness, and it was impossible to him to talk and behave as those talk and behave who have been brought up more or less in the big world from the beginning. So this dream, too, faded, for youth asks, before all things, simplicity and spontaneity in those who would take possession of it. His lectures, which were at first brilliant enough to attract numbers of men from other colleges, became gradually mere dry, ingenious skeletons, without life or feeling. It was possible to learn a great deal from him; it was not possible to catch from him any contagion of that amor intellectualis which had flamed at one moment so high within him. He ceased to compose; but as the intellectual faculty must have some employment, he became a translator, a contributor to dictionaries, a microscopic student of texts, not in the interest of anything beyond, but simply as a kind of mental stone-breaking.

      The only survival of that moment of glow and colour in his life was his love of music and the theatre. Almost every year he disappeared to France to haunt the Paris theatres for a fortnight; to Berlin or Bayreuth to drink his fill of music. He talked neither of music nor of acting; he made no one sharer of his enjoyment, if he did enjoy. It was simply his way of cheating his creative faculty, which, though it had grown impotent, was still there, still restless. Altogether a melancholy, pitiable man—at once thorough-going sceptic and thorough-going idealist, the victim of that critical sense which says No to every impulse, and is always restlessly, and yet hopelessly, seeking the future through the neglected and outraged present.

      And yet the man's instincts, at this period of his life at any rate, were habitually kindly and affectionate. He knew nothing of women, and was not liked by them, but it was not his fault if he made no impression on the youth about him. It seemed to him that he was always seeking in their eyes and faces for some light of sympathy which was always escaping him, and which he was powerless to compel. He met it for the first time in Robert Elsmere. The susceptible, poetical boy was struck at some favourable moment by that romantic side of the ineffective tutor—his silence, his melancholy, his personal beauty—which no one else, with perhaps one or two exceptions among the older men, cared to take into account; or touched perhaps by some note in him, surprised in passing, of weariness or shrinking, as compared with the contemptuous tone of the College towards him. He showed his liking impetuously, boyishly, as his way was, and thenceforward during his University career Langham became his slave. He had no ambition for himself; his motto might have been that dismal one—'The small things of life are odious to me, and the habit of them enslaves me; the great things of life are eternally attractive to me, and indolence and fear put them by;' but for the University chances of this lanky, red-haired youth—with his eagerness, his boundless curiosity, his genius for all sorts of lovable mistakes—he disquieted himself greatly. He tried to discipline the roving mind, to infuse into the boy's literary temper the delicacy, the precision, the subtlety of his own. His fastidious, critical habits of work supplied exactly that antidote which Elsmere's main faults of haste and carelessness required. He was always holding up before him the inexhaustible patience and labour involved in all true knowledge; and it was to the germs of critical judgment so implanted in him that Elsmere owed many of the later growths of his development—growths with which we have not yet to concern ourselves.

      And in return, the tutor allowed himself rarely, very rarely, a moment of utterance from the depths of his real self. One evening in the summer term following the boy's matriculation, Elsmere brought him an essay after Hall, and they sat on talking afterwards. It was a rainy, cheerless evening; the first contest of the Boats week had been rowed in cold wind and sleet; a dreary blast whistled through the College. Suddenly Langham reached out his hand for an open letter. 'I have had an offer, Elsmere,' he said abruptly.

      And he put it into his hand. It was the offer of an important Scotch professorship, coming from the man most influential in assigning it. The last occupant of the post had been a scholar of European eminence. Langham's contributions to a great foreign review, and certain Oxford recommendations, were the basis of the present overture, which, coming from one who was himself a classic of the classics, was couched in terms flattering to any young man's vanity.

      Robert looked up with a joyful exclamation when he had finished the letter.

      'I congratulate you, sir.'

      'I have refused it,' said Langham abruptly.

      His companion sat open-mouthed. Young as he was, he knew perfectly well that this particular appointment was one of the blue ribbons of British scholarship.

      'Do you think—' said the other in a tone of singular vibration, which had in it a note of almost contemptuous irritation—'do